You searched for: "liberation news service" (page 1 of 5)

Cover of Liberation News Service issue 441, June 10, 1972.

Founded in 1967, Liberation News Service, an alternative news agency, issued twice-weekly packets aimed at providing inexpensive images, articles, and art reflecting a countercultural outlook. First from its office in Washington, D.C., and then from New York City, LNS provided underground and college papers around the globe with radical and unconventional coverage of the war in Vietnam, global liberation struggles, American politics, and the cultural revolution. Two months after moving to New York City in June 1968, LNS split into two factions, with the sides mirroring common points of dispute within the New Left. The more traditional political and Marxist activists remained in New York, while those more aligned with the counterculture and “hippie” movement settled on farms in western Massachusetts and southern Vermont. For a year each faction put out competing versions of LNS news packets, until the winter conditions and small staff at the farm in Montague caused their production to end in January 1969. LNS-New York continued its production of unique leftist coverage of national and international issues throughout the 1970s, closing in 1981.

The LNS-NY Records include a relatively complete run of packets 102-701 (1968-1975) sent to the subscribing underground press newspaper the Indianapolis Free Press. Some packets and years are more complete than others, and these New York packets are especially dense with photographs compared to earlier LNS packets from before the split in 1968. The collection also includes a small selection of other artwork, articles, and materials kept by the Indianapolis Free Press.

In 1967, Marshall Bloom and Raymond Mungo, former editors of the student newspapers of Amherst College and Boston University, were fired from the United States Student Press Association for their radical views. In response they collaborated with colleagues and friends to found the Liberation News Service, an alternative news agency aimed at providing inexpensive images and text reflecting a countercultural outlook. From its office in Washington, D.C., LNS issued twice-weekly packets containing news articles, opinion pieces, and photographs reflecting a radical perspective on the war in Vietnam, national liberation struggles abroad, American politics, and the cultural revolution. At its height, the Service had hundreds of subscribers, spanning the gamut of college newspapers and the underground and alternative press. Its readership was estimated to be in the millions.

Two months after moving to New York City in June 1968, the LNS split into two factions. The more traditional Marxist activists remained in New York, while Bloom and Mungo, espousing a broader cultural view, settled on farms in western Massachusetts and southern Vermont. The story of LNS, as well as of the split, is told in Mungo’s 1970 classic book Famous Long Ago. By 1969 Bloom’s LNS farm, though still holding the organization’s original press, had begun its long life as a farm commune in Montague, Mass. Montague (whose own story is told in Steve Diamond’s What the Trees Said) survived in its original form under a number of resident groups until its recent sale to another non-profit organization. Mungo’s Packer Corners Farm, near Brattleboro, the model for his well-known book, Total Loss Farm, survives today under the guidance of some of its own original founders.

The LNS Records include a relatively complete run of LNS packets 1-120 (1967-1968), along with business records, miscellaneous correspondence, some artwork, and printing artifacts, including the LNS addressograph.

A journalist, writer, and historian, Harvey Wasserman has been an activist for radical democracy and alternative energy for over five decades. Influenced by civil rights activism as a child, Wasserman became seriously involved in journalism while on the staff of the Michigan Daily at the University of Michigan. After graduating in 1967, he joined the Liberation News Service supplying news to underground and alternative media outlets, remaining with the LNS branch that eventually settled on the Montague Farm Commune in Montague, Mass. During more than a decade at the Farm, Wasserman and his fellow communards helped ignite the modern movement opposing nuclear power. Helping to found two vital antinuclear groups, the Alternative Energy Coalition and the Clamshell Alliance, he became a key strategist and organizer of the mass protests at the Seabrook Nuclear Power Plant and was a motive force behind the Musicians United for Safe Energy concerts in 1979. His activism has since expanded into a broad range of environmental issues, alternative energy, election protection, and politics. A prolific writer, he is author of Harvey Wasserman’s History of the United States (1972) and Solartopia (2007), among other books, and his articles have appeared in both the mainstream and alternative press.

The Wasserman Papers document the career of a key figure in antinuclear and alternative energy activism. The collection includes a nearly comprehensive set of Wasserman’s writings, materials on the antinuclear movement, solar power, the Montague Farm Commune, and materials relating to his efforts to protect the American electoral system.

Founded in August 1968 by Marshall Bloom and a group of colleagues from the Liberation News Service. From the outset, the Montague Farm Commune was a center of political and cultural (and countercultural) creatvity. In its first year, it was the headquarters for the Montague branch of the Liberation News Service and Farmers were involved in a range of other causes. Most famously, in 1974, Farmers lit the fuse of the antinuclear movement. Rallying against a proposed nuclear power plant in Montague and Farmer Sam Lovejoy’s act of civil disobedience that felled a weather monitoring tower set up in preparation, the Farmers carried waged a campaign of non-violent direct action that became the hallmark of antinuclear groups across the country. Their actions against the Yankee Rowe and Seabrook (N.H.) power plants were instrumental in dampening further development of nuclear power in the United States. In 2003, the Farm community agreed to sell the Farm property to Zen Peacemakers.

The photographs in this collection were taken by three members of the Montague Farm Commune: early members Anna Gyorgy and Tony Mathews, and Tony’s wife Susan Kramer. The photos depict daily life on the Farm and its residents, primarily in he period between 1978 and 1981, including farm work, sugaring, domestic chores, family and children, holidays, and celebrations, such as May Day. A handful of images, mostly by Mathews, go back to the earliest days of the Farm, and there are later images from the 20th and 25th reunions. Of special notes are over 100 images taken by Kramer during the occupation of the Seabroon Nuclear Power Plant in May 1977, at which 1,414 occupiers were arrested.

Mark Sommer, with Zetta, the first newborn goat at the Sommer homestead in northern CA, May 1985

Mark Sommer is an explorer, storyteller, and award-winning public radio and print journalist focused on advocacy and narratives of social, political, and environmental change and positive action. In Washington, D.C., Sommer found himself on hand for some of the 1960s pivotal moments, where he was involved with the Liberation News Service and the New Left think tank, the Institute for Policy Studies. Sommer moved to California in 1969 to explore the counterculture, spending several years journeying – spiritually, psychedelically, and physically between communes, farms, and wilderness homesteads along the western coast – before he and his wife built a self-reliant organic homestead in the deep woods of northern CA, where they lived from the 1970s to the 1990s. The resilience of nature deeply impacted Sommer’s outlook and work as a writer and journalist, driving his interest in the human capacity for overcoming adversity. Sommer founded and directed the Mainstream Media Project, a nonprofit media placement service scheduling leading edge thinkers and social innovators for extensive radio interviews, and Sommer served as host and executive producer of the internationally syndicated and award winning, one-hour weekly radio program, A World of Possibilities. Sommer is the author of three books (Beyond the Bomb, The Conquest of War, and Living in Freedom), and hundreds of op-eds in major newspapers worldwide. Current projects include short and movie length videos crafted from his photographs, films, interviews, and experiences.

Chronicling over five decades of creative and journalistic output of a life-long explorer and progressive advocate, the Mark Sommer Papers are an extensive collection, covering Sommer’s entire career and personal life from the late 1960s to the present. Writings include personal and multiple travel journals (including a unique trip to North Vietnam in 1968), correspondence, student essays, op-eds, articles, project and grant plans, memoirs, and book manuscripts. Additional journals exist in audio format, along with radio interviews where Sommer served as a guest. Slides, photographs, and movies cover Sommer’s family and home life to his wide-ranging travels and interests. Some main topics of coverage include foreign policy and international politics, progressivism, peace and conflict studies, the anti-nuclear and disarmament movements, wilderness and back-to-the-land experiences, and later in life fatherhood. Materials from Mainstream Media Project have been separated into the Mainstream Media Project Records.

With a B.A. in literature from Antioch College and an M.A. in education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women’s studies instructor, massage therapist, yoga teacher, and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process.

The collection features a wide range of Taylor’s work, reflecting her lifelong love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor’s creative writing workshops, and the recollections of former members of the Liberation News Service.

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Famous Long Ago launched the literary career of Raymond Mungo with a splash, but even before the book had reached the shelves, he turned to his next project. In October 1969, Mungo began planning for a memoir of his life at the Packer Corners commune. Soon entitled Total Loss Farm, the book would become a classic in the literature of the 1960s counterculture. Signing a contract in November with E.P. Dutton, he worked with a young and sympathetic editor, Susan Stern (later Susan Dalsimer).

This small, but rich collection consists of a series of letters between Raymond Mungo and his editor at E.P. Dutton, Susan Stern, regarding his ideas on writing and life. Beginning in October 1969 with editorial commentary on Famous Long Ago and Mungo’s additions, the Dalsimer Papers offer insight into the development of Total Loss Farm from concept to printed page.

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.