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Originating in 1991, the Society for the History of Authorship, Reading and Publishing (SHARP) was established “to create a global network for book historians working in a broad range of scholarly disciplines.” With more than 1,000 members, research interests include the composition and reception of books as well as their survival and transformation over time.

Records cover the earliest days of the organization’s development, including founding documents, and document a variety of their activities from hosting conferences and publishing a newsletter to promoting scholarship.

The Tool Sharpeners Local 1 of Granite Cutters International Association of America was established in Quincy, Mass., in 1896. The local represented the interests of one of the skilled trades within the Grant Cutters, which claimed for itself “jurisdiction over cutting, carving, dressing, sawing, and setting all granite and hard stone on which granite cutters tools are used,” and further claiming that “no other other trade, craft or calling has any right or jurisdiction over” the these activities.

The minutebooks contain records of membership meetings of the Toolsharpeners Local 1 of the Granite Cutters’ International Association. Spartan documents, these include notice of the election of officers, summaries of business, and occasional brief notes on grievances, communications with other locals, and new and departing members.

Wayne G. Sharpe was a secretary for Company A in the 1874th Engineers Aviation Battalion of the Army Air Corps and a middle-class family man from Belmont, Massachusetts. Enlisted in February of 1943 at the age of twenty-seven, Wayne left his wife and infant son for a year’s training at home before his Battalion was dispatched to New Guinea in late December. Flown to a hospital on the island in late April 1944, he returned to the United States in August.

The papers of Wayne G. Sharpe, Sr. are primarily made up of his letters and V-mails home during his training and service abroad, but also include his wife’s letters to him from April 1943-August 1944.

Responding to a concern expressed in the New England Yearly Meeting of the Society of Friends in 1971, Quakers in eastern Massachusetts set out to create an intentional Quakerly community for the care of elder Friends. The first meeting for worship took place in 1977, with the first residents moving in to Friends Crossing in 1979, leading to recognition of North Easton as a monthly meeting under Rhode Island-Smithfield Quarter in 1980. In the following years, however, the reduction in numbers of older members and decline in attenders, led to the decision in 1994 to lay down the meeting.

The records of North Easton Monthly Meeting document the short career of a meeting built around a planned Quaker intentional community. The relatively complete set of minutes is accompanied by a mixed, but useful body of financial records documenting the meeting’s dissolution.

A stylistic innovator and influential performer on the five string banjo, Bill Keith is credited with transforming the instrument from a largely percussive role into a one where it carried the melody. A native of Boston and 1961 graduate of Amherst College, Keith cut his teeth as a performer in New England clubs during the hey day of the folk revival, often partnering with his college roomate Jim Rooney, and he spent the better part of the decade as a member of two high profile acts: Bill Monroe’s Bluegrass Boys, with whom he played for eight critical months in 1963, and the Jim Kweskin Jug Band. Adding the pedal steel guitar to his repertoire, Keith performed on stage and in studio with a stylistically and generationally diverse range of acts including Ian and Sylvia, Judy Collins, Richie Havens, Loudon Wainwright, and the Bee Gees. Keith continued performing nearly to the time of his death by cancer in October 2015.

This small collection of photographs and ephemera documents the musical career of bluegrass legend Bill Keith, including early images playing in coffee houses and at Newport Folk Festival and images of Keith with musical collaborators throughout the 1970s and 1980s. The collection includes a series of photographs and ephemera taken during the 50th anniversary Jug Band Reunion tour of Japan in 2013.

A professor of Biology at UMass Amherst with and interest in the mangrove ecosystems of the Caribbean and the deep water environments of the Connecticut River, Ed Klekowski has become well known as a videographer and writer. He has produced documentary for PBS station WGBY on the Quabbin reservoir and the great flood on the Connecticut River in 1936, and on the Yankee Division during the First World War. He and his wife Libby have co-written two books on the First World War, Eyewitness to the Great War (McFarland Press, 2012) and Americans in Occupied Belgium (McFarland Press, 2014).

This small collection of postcards consists primarily of images of American military involvement during the First World War. The scenes depicted range from the first contingent of American soldiers to arrive in 1917 to gas attacks, tanks, and American soldiers and Marines in the trenches and combat during the summer and fall 1918. Among the more unusual form postcards are two cartoon images intended for use by soldiers on their return home, one each from the Knights of Columbus and the Jewish Welfare Board. The postcards were collected by the Klekowskis during preparations for their documentary on the Yankee Division.

Temporarily stored offsite; contact SCUA to request materials from this collection.

An anti-white supremacist, working class intellectual and activist, Theodore W. “Ted” Allen was one of the most important thinkers on race and class in the twentieth century. He developed his pioneering class struggle-based analysis of “white skin privilege” beginning in the mid-1960s; authored the seminal two-volume The Invention of the White Race in the 1990s; and consistently maintained that the struggle against white supremacy was central to efforts at radical social change in the United States. Born in Indianapolis, Indiana, Allen was raised in Kentucky and West Virginia, where he was “proletarianized” by the Great Depression. A member of the American Federation of Musicians and the United Mine Workers, and a member of the Communist Party, Allen moved to Brooklyn after injuring his back in the mines, and spent the last fifty years of his life at various jobs including factory work, teaching, the post office, and the Brooklyn Public Library. In the 1960s, having broken from the Communist Party, Allen set out on his own independent research course. Inspired by the work of W. E. B. Du Bois he wrote on the “white blindspot” and “white skin privilege” and began what became forty years of work focused on white supremacy as the principal retardant of class consciousness among European-American workers. Over his last thirty years, Allen wrote hundreds of published and unpublished articles and letters challenging white supremacy, capitalist rule, sexism, and U.S. Imperialism, as well as numerous poems.

The Theodore W. Allen Papers are a comprehensive assemblage of correspondence, published and unpublished writings, audio and video materials, and research by one of the major theorists on race and class of the twentieth century. The Papers offer important insights on the Old and New Left and their relation to the labor and Civil Rights/Black Liberation Movements and have much to offer students, scholars, researchers, and activists.

Raymond Luc Levasseur went underground with a revolutionary Marxist organization in 1974 and spent a decade in armed resistance against the American state. Radicalized by his experiences in Vietnam and by a stint in a Tennessee prison for the sale of marijuana, Levasseur became convinced that revolutionary action was a “necessary step in defeating the enemy — monopoly Capitalism and its Imperialism expression.” As a leader of the Sam Melville/Jonathan Jackson Unit, later called the United Freedom Front, he took part in a string of bombings and bank robberies targeting symbols of the state including government and military buildings and corporate offices. All active members of the UFF were arrested in 1984 and 1985 and sentenced to long prison terms, although the government’s effort to prosecute them (the Ohio 7) on separate charges of seditious conspiracy ultimately failed. Levasseur served twenty years of a 45-year prison sentence, approximately thirteen years of them in solitary confinement, before being released on parole in 2004. He continues to write and speak out for prisoners’ rights.

The Levasseur papers are an important record of a committed revolutionary and political prisoner. Beginning with his work in the early 1970s with the Statewide Correctional Alliance for Reform (SCAR), a prisoners’ rights organization, the collection includes communiques and other materials from revolutionary groups including the UFF, the Armed Resistance Unit, and the Black Liberation Army; Levasseur’s political and autobiographical writings; numerous interviews; selected correspondence; and a range of material on political prisoners and mass incarceration. Consisting in part of material seized by the FBI following Levasseur’s arrest or recovered through the Freedom of Information Act, and supplemented by newsclippings and video from media coverage, the collection has particularly rich content for the criminal and seditious conspiracy trials of UFF members (also known as the “Ohio 7”) in Brooklyn, NY and Springfield, MA, as well as Levasseur’s years in prison and his work on behalf of political prisoners.

A native New Yorker born in 1959, Al Giordano was drawn into the antinuclear movement as a teenager, becoming an important organizer for the antinuclear and environmental movements. Giordano sharpened his organizing skills through a close association with Abbie Hoffman, with whom he often collaborated throughout the 1980s. Giordano has worked as a journalist for several decades, primarily with the alternative press, founding his own periodical Narco News in 2000 and the School of Authentic Journalism in 2002. He currently resides in Mexico City.

The Giordano collection contains a miscellaneous assemblage of ephemera, publications and newspapers, reports, and a small quantity of correspondence, relating to antinuclear activism.

During the early twentieth century, the library at the Moses Brown School (formerly the Friends Boarding School) became an informal repository for Quaker manuscripts reflecting the history and work of the Society of Friends. Most of these materials were later transferred for custody to the school’s governing body, the New England Yearly Meeting of Friends.

This miscellaneous assortment of letters was apparently set aside by the staff at the Moses Brown School due to their historical content and preserved in the “vault.” Many of the letters appear to have been retained as good examples of Quaker expression of family and friendly bonds or as documentation about significant periods in Quaker history, particularly the Gurneyite-Wilburite controversy of the 1840s, and several touch on Quaker involvement in the antislavery and peace movements. Of special note are four interesting letters from the Quaker minister and social reformer, Elizabeth Comstock, written during and just after the Civil War; a series of nine lengthy letters from a visiting English minister Isaac Stephenson, traveling through New England meetings; a substantial series of letters from prominent Friend Samuel Boyd Tobey; and three letters from Harriet Beecher Stowe to Sarah F. Tobey regarding attempts to connect Stowe with Alexander T. Stewart in hopes of raising funds for her plans for the education of women.