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Since 1987, Michael and Carrie Kline have written, documented, and championed the stories of everyday people. Using the written word, documentary film, oral history, audio recordings, and podcasts, the Klines have documented immigration, Appalachian culture, war tax resistance, the Underground Railroad, gender, and more in various locales throughout the United States.

Michael Kline and Carrie Nobel first met in western Massachusetts at a human rights rally to support Randy and Betsy Kehler, who had recently lost their home to the IRS after refusing to pay war taxes. The two soon discovered a shared love of social activism, folklife documentation and old-time singing. At the time, Michael, who had earned his Ph.D. in Public Folklore from Boston University, was staff folklorist for the Pioneer Valley Folklore Society (PVFS) conducting field research documenting changes to the Connecticut River Valley. Carrie, who received her Master’s Degree in American Studies from SUNY/Buffalo, was an organizer and events planner for the Institute for Community Economics helping to create affordable housing through community land trusts and had recently completed a degree in the politics and cultures of the U.S. at the University of Massachusetts Amherst.

Throughout their 40 year career, Michael and Carrie have worked with communities in Maine, Pennsylvania, Maryland, Massachusetts, North Caroline, and West Virginia. These projects have been produced under the Talking Across the Lines umbrella, which began as a 22-part radio series of fifteen-minute programs about the people, neighborhoods, and industries of Wheeling, West Virginia, and is now an ongoing podcast. They have received grants to document the stories of people and places for folklife societies, museums, municipalities, and educational institutions. They also offer workshops in “Listening for a Change,” which describe alternative approaches to conducting meaningful field research.

The Carrie and Michael Kline Collection contains several dozen analog and digital recordings on a variety of topics and people related to Western Massachusetts history including this histories of Deerfield and Northfield, the Quabbin towns, Kelly School in Holyoke, Wally and Juanita Nelson, and outsider art. There are also interviews with people from Orange, Shelburne, Sandisfield, Puerto Rico, Erving, and other places on a variety of topics including: family, culture, singing traditions, music, poetry, and activism. The collection also includes notes, release forms, grant applications, production notes, and recording logs. The Klines also have a collection of material at Berea College in Kentucky. A portion of that collection related to western Massachusetts was deaccessioned by Berea in 2024 and added to this collection.

Members of the U.S. Educators for Peace in El Salvador holding a sign. Photograph by Tom Mattie

The Comité de Apoyo Pro Alfabetización was formed in 1983 by Rachel Wyon and others in Estelí, Nicaragua where Lyon was living and working in solidarity with the Salvadoran popular movement in exile, including the Salvadoran Teachers Association ANDES 21 de Junio. The group continued their solidarity work from the Cambridge/Boston area, where Wyon was based.

The bulk of this small collection consists of approximately 100 photographs taken in Guatemala, El Salvador, and Nicaragua between 1982-1985. One of the members of the Committee, Tom Mattie, traveled to Central America in 1985 and took photos documenting everyday life. Some of the subjects covered in the photographs include: family living conditions, group meetings, public events, rural education projects, marches, and the effects of the civil war. There is also a series of photos of Mélida Anaya Montes (aka Commander Ana María), who was a Salvadoran educator, guerrilla, and co- founder of the Popular Liberation Forces (FPL) that in 1980 merged with other organizations to form the Farabundo Martí National Liberation Front (FMLN). The photos in the collection were given to the Committee for their solidarity work in the U.S. In addition, there is a small folder of documents from the ANDES 21 de Junio, the National Association of Salvadoran Educators, an issue of The Freeze, an adult literacy pamphlet, a flier for Tom Mattie and Wendy Shaull’s exhibit of photographs, and a script for a Comité do Apoyo Pro-Alfabetización educational slideshow.

David Glassberg, ca. 2016

David Glassberg (1954-) taught United States cultural, public, and environmental history at the University of Massachusetts, Amherst between 1986 and 2024. A native of Philadelphia, he earned a BA from the University of Chicago (1976) and PhD from The Johns Hopkins University (1982). His research examines the interrelationship of historical consciousness and environmental perception in the US as represented in politics, culture, and the landscape. Among his publications are American Historical Pageantry: The Uses of Tradition in the Early Twentieth Century (1990); Sense of History: The Place of the Past in American Life (2001); “What’s ‘American’ about American Lieux de Mémoire?” (2008); (with Robert Paynter) “Du Bois in Great Barrington: The Promises and Pitfalls of a Boyhood Historic Site” (2012); “Place, Memory, and Climate Change” (2014); “The Changing Cape: Using History to Engage Coastal Residents in Community Conversations About Climate Change” (2017); “Practicing Heritage Justice: Helping Your Community Decide Which Historic Places To Protect From The Impact Of Climate Change (and Which to Let Go)” (2022); and “Laurance S. Rockefeller and the Outdoor Recreation Resources Review Commission: Race, Recreation, and National Parks” (2022). Glassberg has also collaborated with a number of museums and national parks, including the W.E.B. Du Bois National Historical Landmark, the Statue of Liberty National Monument, Minnesota Historical Society, Boston Children’s Museum, Pinelands (N.J.) National Reserve, Marsh-Billings-Rockefeller National Historical Park, Springfield Armory National Historical Site, and the Cape Cod National Seashore.

Box 1. Glassberg before UMASS
Box 2. Glassberg California History Notes
Box 3. Consulting and Conference notes, other papers and writing (1996-2024)
Box 4. NPS and Landscape Conservation notes
Box 5. Glassberg’s Public History Program materials and local history
Box 6. New Jersey Pinelands research
Box 7. Pageantry Notes and photocopies
Box 8. Pageantry Notes and photocopies
Box 9. Pageantry Notecards
Box 10. Slides, town character notes
Box 11. Research notes for Sense of History
Box 12. Annual Reports and Publications
Box 13. Consulting, conferences, and other writing (1986-1995)

Janice M. Irvine, professor of sociology at the University of Massachusetts Amherst, is known for her research in the areas of social knowledge production, culture, politics, and sexuality studies. She earned her Ph.D. from Brandeis University, and an MPH in biostatistics and epidemiology from Boston University. She has received two Fulbright Scholarships; a Schlesinger Library on the History of Women in America Oral History Grant; a Rockefeller Fellowship at the Center for Lesbian and Gay Studies at CUNY; and an award for Career Achievement and Distinguished Scholarship by the Sexualities Section of the American Sociological Association. Irvine’s books include Talk About Sex: How Sex Ed Battles Helped Ignite the Right; Marginal People in Deviant Places: Ethnography, Difference, and the Challenge to Scientific Racism; and Disorders of Desire: Sexuality and Gender in Modern American Sexology. Irvine is also the author of numerous articles, and editor or coeditor of several volumes of essays.

The Janice M. Irvine Oral History Collection consists of oral histories conducted by Irvine over the course of more than a decade. Including interviews that were part of the research for her book Marginal People in Deviant Places, the collection also emphasizes experiences of people researching, using, or prescribing psychedelics for medical, psychological, spiritual, or mystical purposes, as well as individuals and groups engaged in or welcoming difference and creating or inhabiting alternative spaces. Interviews will go online as the files and metadata are prepared.

Robert A. Irwin is an activist and educator living in Massachusetts. He first became active in social change work with Movement for a New Society (1971-1988), and went on to work with such organizations as the Exploratory Project on the Conditions of Peace (ExPro), and New England War Tax Resistance, and with organizers and activists such as Gene Sharp, Randy Kehler, Elise Boulding, Randy Forsberg, Robert Jay Lifton, and George Lakey. He was an active collector of published materials from these movements. Irwin studied philosophy at Princeton University and Antioch College, and earned a Ph.D. in sociology at Brandeis University. He has taught at Tufts University, Brandeis, College of the Holy Cross, and, for over twenty years, at Massachusetts Institute of Technology’s Writing and Communication Center. In addition to his activism and collecting, Irwin has authored resources on coalition building, nonviolence, and peace, including his book Building a Peace System (1989); a book chapter condensing his book in Mobilizing Democracy (1991), and with Gordon Faison “Why Nonviolence?,” a special Dandelion Issue issued by Movement for a New Society.

The Robert A. Irwin Periodicals Collection consists of publications and periodicals produced by activists and movements for social justice. The collection’s topic area is broad, but it has especially strong representation from movements engaged in peace work, nonviolence, politics, radicalism, socialism, and feminism. Titles with larger runs include WIN (subtitled “Peace and Freedom through Nonviolent Action,”) Liberation, Monthly Review, Our Generation, Peace Work, Radical America, Seven Days, Socialist Revolution, and Telos, among others. The collection also includes Irwin’s own book and other publications.

Frederic Allen Whiting at his typewriter

Frederic Allen Whiting Jr., the “Poet Laureate of Perkins Cove”, was born on January 10, 1906 in Boston Massachusetts to Olive Elizabeth Cook, a singer, and Frederic Allen Whiting Sr., a philanthropist and museum director and president of the American Federation of Arts. They moved to Cleveland in 1912 where Frederic Sr. became the director of the Cleveland Museum of Art. Having a father as the director of a cultural heritage institution, exposed young Frederic to the intellectual class. He met poets, scholars, and others from the world of arts and letters including Sir Lawrence Binyon, Langdon Warner, Carl Purington Rollins, and Thomas Whitney Surette. He attended the private Hawken School in Cleveland and Deerfield Academy in Massachusetts, which he referred to later as “redolent of witchcraft and Indian massacres, and compliance with chamber of commerce goals and attitudes”. He went to Harvard for two years before becoming a freelance writer.

Adopting the pen name Allen Whiting, his first foray into writing began when he wrote commentary and criticism for the Magazine of Art, the organ of the American Federation of the Arts, where he was also editor from 1931-1942. Some of his pieces for the magazine were republished in the New York Herald Tribune and The Washington Post. Under his tenure, the circulation rose and he became familiar with all aspects of magazine production and made contacts with members and chapters of the American Federation of Arts, which consisted of artists, writers, teachers, museum officials, art dealers, and officials working with U.S. government cultural projects. On one occasion in 1940, Whiting took charge of the Federation’s annual convention, which met in San Francisco. He left the magazine in May 1942 to participate in the war effort.

Whiting was appointed Chief of the Office of War Information’s Overseas Exhibit Section. Charged with developing programming and staff, Whiting aimed to project positive visual images of the United States to Europeans. He was responsible for planning and carrying through creative programming, administrative duties, and liaison work with other civilian agencies, Army & Navy administrators, business leaders, and the press. Following the end of the war, he was brought to Washington by Elmer Davis to develop an exhibit aimed at explaining to liberated Europe the demand on resources of the continuing war in the Pacific. The project was abandoned following the surrender of Japan in August of 1945.

Following the war, Whiting became a freelance writer and photo editor, wrote two novels, short stories, and non-fiction pieces on a variety of subjects, including politics, the arts, and food. He designed and produced a brochure for a New England children’s camp and was a contracted photo research and editor for the State Department.

In 1951 he was recruited to work as a civilian information specialist with the Department of the Army’s Reorientation Division for occupied areas, which was responsible for supplying materials used to re-educate the people of Japan and the Ryukyu Islands. Out of an office in New York, he supplied the U.S. Information Centers in Japan with musical recordings and other media. The job ended following the end of the U.S. occupation in December, when he resumed freelance writing and editing. He moved his parents from Florida to Ogunquit, Maine in 1952, where he became the Associate Director of the Museum of Art of Ogunquit where he assembled a Winslow Homer exhibit but was later “politely fired” by Henry Strater.

Throughout the 1950s Whiting’s wife Rose suffered from several strokes and eventually died in 1960. Whiting was also caring for his aging parents, which caused much stress and led to excessive drinking where his “control over beverage alcohol had left me behind”. His mother died in 1955. During this time he found solace in the Roman Catholic Church and was committed to the Augusta State Hospital in 1957. Whiting’s battles with alcoholism and simultaneous search for God was explored in his unpublished 1965 autobiographical novel, Minutes of the Days.

The collection contains evidence of an attempt to start an organization called The Society of Servants of Rose Hill, whose aim was to “bring to bear in a practical manner the venerable and curative offices of prayer and work upon those in particular need of them”. The goal was to create cooperatively governed outpatient retreat centers in bucolic settings for people recently released from psychiatric institutions. The mission statement stated that no one would be turned away for financial or religious reasons. There is no evidence that the organization ever came to fruition.

Whiting’s career as a published poet began in the 4th grade. He was eventually published in several magazines including Spirit: A Magazine of Poetry, The American Poetry Magazine, The Harvard Advocate, Voices, and The Cecelian. He spent much of his creative life in Ogunquit, Maine reading his work at informal gatherings of “mostly young people of creative bent, gathered in the vicinity of Perkins Cove”. In 1952 he completed his first novel, The Gift of Merlon Crag.

The collection consists of copies, drafts, published and unpublished copies of Whiting’s poetry written throughout his lifetime. The manuscript of his unpublished autobiographical novel, Minutes of the Days is also contained herein. Some biographical information, written by Whiting while planning to release Minutes of the Days, is in the collection as well.

L-R: Steven Botkin (MRC Executive Director), Thulanu Nkosi (men's work leader in South Africa), and Rob Okun (MRC Associate Director), ca. 2000

Joining a men’s group soon after his arrival in the Pioneer Valley in 1979, and finding the support and community there important personally, and professionally for his graduate work in anti-oppression education, Steven Botkin began his now decades long work in anti-sexist activism. While doing his doctoral work at the University of Massachusetts Amherst, in 1982, Botkin co-founded the Men’s Resource Connection (MRC) to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and to create a local network devoted to this work. He completed his Ed.D. in 1988 (dissertation entitled Male Gender Consciousness: A Study of Undergraduate College Men) and continued to guide the MRC into a successful non-profit community-based organization, whose programs became a model for men’s organizing in communities around the world. In 2004, Botkin founded Men’s Resources International (MRI) to support the development of masculinity awareness and men’s engagement as allies within a global network. MRI eventually merged with MRC to form MERGE for Equality, Inc. Botkin additionally co-founded the Springfield based Men of Color Health Awareness (MOCHA), and the North American MenEngage Network, and has served as a leader, trainer, educator, and consultant for local, national, and global men’s groups and organizations, including in Africa, Asia, and Europe, and for groups such as the YMCA, Planned Parenthood Federation, Save the Children, the International Rescue Committee, and the Women’s Peacemakers Program.

The Steven Botkin Papers document Botkin’s long career in global men’s organizations and networks and their work in policy, education, empowerment, and organizing around the intersections of masculinity, gender, violence, sexism, oppression, power, politics, and society. Materials related to the men’s movement include significant records from the various groups Botkin co-founded and assisted, including organizational histories, program records and reports, meeting agendas, resource pamphlets, posters, networking and training curricula handbooks and handouts, a full run of the MRC magazine Voice Male, and video tapes and recordings. Botkin’s collection compliments and enriches the materials in the Men’s Resource Center Records.

Sonia E. Alvarez’s research specializes in social movements and protest politics, comparative and transnational feminisms, and Latin American politics and cultures, with a focus on Brazil and the Southern Cone. Before coming to the University of Massachusetts Amherst in the fall of 2005, she taught at the University of California, Santa Cruz, for nearly two decades and also served as visiting Professor at the University of São Paulo in Campinas, the Federal University of Minas Gerais, and the Federal University of Bahia.

Alvarez is the author of Engendering Democracy in Brazil: Women’s Movements in Transition Politics and co-editor of Quem São as Mulheres das Políticas para as Mulheres no Brazil? Vol. I, O Feminismo Estatal Participativo Brasileiro; Vol. II, Expressões Femnistas nas Conferências Nacionais de Políticas para as Mulheres​ (2018); Beyond Civil Society: Activism, Participation, and Protest in Latin America (2017); Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas (2014); Cultures of Politics/Politics of Cultures: Re-visioning Latin American Social Movements (1998) and The Making of New Social Movements in Latin America: Identity, Stragegy and Democracy (1992), as well as a two-part special issue of the journal Meridians on “Afro-descendant Feminisms in Latin America” (2016) and five additional special journal issues. Alvarez has published over 120 journal articles and book chapters, many written collaboratively, and in Portuguese and Spanish, as well as English, on topics including movements, feminist politics, NGOs, civil society, race and racism, transnational activism, and democratization. At UMass Amherst, she served as the Leonard J. Horwitz Professor of Latin American Politics and Studies (2005-2022) as well as the Director of the Center for Latin American, Caribbean and Latino Studies (2005-2018) before assuming the role of Distinguished Professor Emerita of Political Science and Leonard J. Horwits Professor Emerita in 2022.

The Sonia E. Alvarez Papers features an extensive collection of her research materials and notes, writings, lectures and talks, conference materials, and publications related to feminism and women’s movements and Latin American politics and cultures.

An award-winning photojournalist, Janet Knott was one of the first woman to become a staff photographer at the Boston Globe. Over a 31-year career, she covered a broad range of topics, from local assignments to longer-form photo essays and international coverage, producing iconic images of the space shuttle Challenger disaster, the late 1980s famine in the Sudan, and the violence accompanying the Haitian elections of 1987. She was only the third woman recognized with the Robert Capa Gold Medal and, among many other awards, won first place for spot news from the World Press Photography Foundation. After leaving the Globe in 2007, she became Chief of Staff for Boston City Councilor Salvatore La Mattina, representing East Boston and the first district.

The Knott Collection contains an array of letters, ephemera, and photographs documenting both her photographic and political careers. There is an extensive body of work from her years working as a photojournalist at the Boston Globe comprised of slides, negatives, prints, and contacts sheets.

Frederick William Brazier (1852-1936) began his railroad career in 1877 as a car builder in his hometown of Boston, before working his way up the railroad business in Fitchburg, MA, where he was also involved with politics, including elected positions such as acting mayor of the city in 1893. He and his family then moved in 1893 to Chicago, IL, while he worked for the Illinois Central Railroad, and then left in 1899 for Yonkers, NY, where Brazier had an office in Grand Central Station while working for the New York Central Railroad. He concluded his career as Superintendent of Rolling Stock for the New York Central Railroad.

Brazier kept scrapbooks about the railroad throughout his life, and this collection includes two small (8×10) scrapbooks filled with clippings about the Fitchburg Railroad (and the town of Fitchburg in general), with a few pages about the New York Central Railroad. In addition to clippings, there is a small amount of related ephemera as well as personal items such as correspondence, Christmas cards, a few family photographs, and a 1904 pin recognizing Brazier as president of the Master Car Builders Association. Some scrapbook pages are stuck together and therefore inaccessible. A short biography of Brazier as well as his own essay, “My Railroad Service,” were included by the donor, a great-granddaughter of Brazier’s.