Collections beginning with S (page 7 of 10)

Stanze Monument Company

Stanze Monument Company Records

ca. 1921-1970
7 boxes, 13 drawers
Call no.: MS 734
Image of Stanze Monument Co. drawing
Stanze Monument Co. drawing

Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.

The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”

  • Sepulchral monuments--Design
  • Stanze Monument Company
Types of material
  • Architectural drawings (Visual works)
  • Technical drawings

State Arts Agencies’ Community Development Coordinator

State Arts Agencies' Community Development Coordinator Collection

2 boxes 1 linear feet
Call no.: MS 1001

Since 1975, Community Development Coordinators for state-level arts agencies in the United States have met annually for the exchange of information, training, and to plan state and national programs for community activity in the arts. Charged with development of both community arts councils and rural arts, CDCs also work to decentralize efforts. In recent years, they have increasingly been engaged in arts and social action programs and in providing a voice on national arts policy.

This small collection documents over thirty years of annual meetings between Community Development Coordinators from state arts agencies across the United States. Organized chronologically, the collection includes agendas, membership lists, communications among organizers, and materials used in workshops and that document the history of CDCs. In 2000, the CDCs began keeping records electronically, though without designating a record keeper. Electronic records have not been included in the collection.

Gift of Maryo Gard Ewell, Nov. 2017
  • Artists and community
  • Arts--Management
  • Community arts projects
  • Government aid to the arts

Steele, Ronald

Ronald Steele Papers

9 boxes 10 linear feet
Call no.: FS 164
Image of Ronald Steele
Ronald Steele

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Types of material
  • Photographs

Stein, Otto

Otto Stein Papers

7 boxes 10 linear feet
Call no.: FS 113

The research interests of Professor of Botany Otto Stein lay primary in the morphogenesis of higher plants, the effects of chemicals on cell deformation, and the development of apical meristems. After receiving his doctorate from the University of Minnesota in 1954, Stein accepted a position at the University of Missouri, before coming to UMass in 1964, eventually becoming chair of the department. He left Amherst briefly to pursue a NATO Senior Research Fellowship at Imperial College in London, England (1971-1972), and remained active in the field until his retirement in 1990.

The bulk of the Stein collection is comprised of lecture notes on plant anatomy and reprints of Stein’s articles.

  • Plant anatomy--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Botany Department
  • Stein, Otto

Steindl-Rast, David

Brother David Steindl-Rast Papers

ca. 1928-2015
60 boxes 75 linear feet
Call no.: MS 892
Image of Brother David at Mount Savior Monastery, ca. 1956
Brother David at Mount Savior Monastery, ca. 1956

Brother David Steindl-Rast was born Franz Kuno in Vienna, Austria, in 1926. He discovered The Rule of St. Benedict as a young man, which sent him on a search for an authentic version of Benedictine practice. This search brought him through the Second World War in Vienna, where he earned a Ph.D from the University of Vienna in 1952 and to the Mount Savior Monastery in Elmira, New York, where he became a monk in 1953. Along with his friend Thomas Merton, Brother David is one of the most important figures in the modern interfaith dialogue movement, leaving Mount Savior in the mid-1960s to study Zen Buddhism with Hakuun Yajutami, Shunayu Suzuki, and Soen Nakagawa. He was the first Benedictine to learn directly from Buddhist teachers and received Vatican support for his bridge-building work in 1967. Through Merton, Brother David met Thich Nhat Hanh, who introduced him to the peace movement and grounded Brother David’s spirituality in a tradition of activism. When not in seclusion, Brother David has served as a teacher of contemplative prayer, the intersection of Zen and Catholicism, and gratefulness as a spiritual practice. Through many books and articles, lectures, and residencies in spiritual centers like Tassajara and the Esalen Institute, Brother David has developed an influential philosophy and much of the current popularity of mindfulness and Zen-influenced living and activism owes a debt to his teachings.

The Brother David Steindl-Rast Papers include Brother David’s extensive published and unpublished writings, sermons, memoirs, personal journals, correspondence, photographs, recordings, and videos of his teachings. His papers extend back to his youth in Vienna, documenting his childhood and experience during the war, including a complete run of Die Goldene Wagen, the children’s magazine published by Brother David’s mother Elisabeth Rast.

  • Benedictines--United States
  • Buddhism--Relations
  • Christianity--Relations
  • Peace movements--United States
  • Peace--Religious aspects
  • Spiritual life--Buddhism
  • Spiritual life--Catholic church
  • Merton, Thomas, 1915-1968
  • Steindl-Rast, David
Types of material
  • Photographs


Stereocard Collection


A miscellaneous collection, primarily of scenic stereocards by major publishers such as Underwood and Underwood.

Types of material
  • Photographs
  • Stereocards

Stern, Arthur I.

Arthur I. Stern Papers

4 boxes 6 linear feet
Call no.: FS 143

Noted for his research in photosynthesis and the redox activity associated with the plasma membrane of plant cells, the plant physiologist Arthur I. Stern served in the Botany and Biology Departments at UMass Amherst for over thirty years. Receiving his doctorate at Brandeis University for a dissertation under Jerome A. Schiff on chloroplast development in Euglena (1962), Stern spent three years as a post-doctoral fellow at the NIH before joining the Botany faculty at UMass. Teaching courses in plant metabolism, he continued his research on chloroplasts and photosynthesis in Euglena and Phaseolus, among other topics. In 1982, Stern helped develop the biology track for the Honors Program and new Commonwealth College. Stern transferred to the Biology Department in 1988 and retired in December 1997.

The Stern Papers contain a range of materials documenting Stern’s research on photosynthesis, particularly in Euglena, notes for research and teaching, and a small assortment of professional correspondence. Also of note are some reminiscences contributed by Stern following Jerome Schiff’s death in 1995.

  • Euglena
  • Photosynthesis
  • Schiff, Jerome A
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Biology Department
  • University of Massachusetts Amherst. Botany Department
  • Stern, Arthur I

Stern, Robert, 1934-

Robert Stern Collection

1 box 0.5 linear feet
Call no.: FS 024
Image of Robert Stern
Robert Stern

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Types of material
  • Audiotapes

Stetson, William B.

William B. Stetson Account book

1 vol. 0.1 linear feet
Call no.: MS 348 bd

As a young man in Shutesbury, Massachusetts, William B. Stetson (b. ca.1836) earned a living by performing manual labor for local residents. Most of his work, and increasingly so, was found in the range of tasks associated with lumbering: chopping wood, sawing boards, making shingles and fence boards. By 1870, Stetson was listed in the federal census as a lumberman in the adjacent town of Leverett.

Stetson’s rough-hewn book of accounts provides detail on the work and expenditures of a young man from Shutesbury, Massachusetts, in the years just prior to the Civil War. Carefully kept, but idiosyncratic, they document a working class mans efforts to earn a living by whatever means possible, largely in lumber-related tasks. His accounts list a number of familiar local names, including Albert Pratt, Sylvanus Pratt, Charles Pratt, Charles Nutting, E. Cushman, John Haskins, and J. Stockwell. Set into the front of the volume are a set of work records dated in Leverett in 1870, by which time Stetson had apparently focused his full energies on lumbering.

  • Leverett (Mass.)--Economic conditions--19th century
  • Lumber trade--Massachusetts--Leverett
  • Lumber trade--Massachusetts--Shutesbury
  • Shutesbury (Mass.)--Economic conditions--19th century
  • Stetson, William B.
Types of material
  • Account books

Stevens, Wallace, 1879-1955

Wallace Stevens Collection

1804-1973 Bulk: 1930-1954
1 box, 35 vols. 0.5 linear feet
Call no.: MS 365

The modernist poet Wallace Stevens produced some of the century’s most challenging works while employed as an attorney in Hartford, Connecticut. A native of Reading, Pa., Stevens attended Harvard as an undergraduate but left in 1900 before completing his degree. He later earned a law degree at New York School of Law. Working in insurance law but still intent on becoming a writer, he did not publish his first book of poetry until he was 44 years old. Over the last thirty years of his life, he became one of the most revered contemporary poets in the country. Stevens died of cancer in 1955.

Touching on poetry, criticism, and books, the collection consists primarily of letters received by the poet Wallace Stevens along with 35 annotated volumes from his personal library. Among the correspondents represented are Charles Tomlinson, Jean Wahl, Conrad Aiken, and the art collector and Stevens’ close friend Henry Church; there are also retained copies of three letters from Stevens: two regarding an honorary degree at Harvard, and one to Tomlinson declining to respond to Tomlinson’s analysis of “The comedian as the letter C.” The books included in the collection have annotations or inscriptions to or by Stevens.

  • Poets--Connecticut
  • Stevens, Wallace, 1879-1955