Collections: pho

Econosmith

Econosmith Collection

1969-2019
1 box, digital files 0.5 linear feet
Call no.: PH 089
Depiction of Pete Seeger, 2006
Pete Seeger, 2006

A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers.

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.

Gift of John Economos and Maxine Smith, April 2019

Subjects

Cape Cod (Mass.)--PhotographsClearwater Festival--PhotographsDemonstrations--New York (State)--New York--PhotographsDemonstrations--Washington (D.C.)--PhotographsFolk musicFolk musicians--PhotographsIraq War, 2003-2011--Protest movements--PhotographsPeace movements--PhotographsSeeger, Pete, 1919-2004--Photographs

Contributors

Economos, JohnSmith, Maxine

Types of material

Photographs
Eslinger, L. Sidney (Lucille Sidney)

L. Sidney Eslinger Collection

1905-2003
2 boxes 0.5 linear feet
Call no.: PH 040
Depiction of

Lucille “Sidney” Eslinger was born in Albany, Missouri, on November 9, 1922, the daughter of Delano R. and Alice M. Willoughby Eslinger. After graduating from high school in 1941, Eslinger turned down an opportunity to attend college to work at Caterpillar Tractor Company in Peoria, lll., partly for the opportunity to play for the Caterpillar Dieselettes, the fast-pitch softball team. Through a co-worker, Eslinger developed an interest in history, becoming an active proponent of historic preservation in central Illinois, including graveyards. After retiring from Caterpillar, she and a friend operated a dog grooming business and she was active in the Humane Society. Sidney died in Peoria on August 14, 2011.

The Eslinger Collection contains materials relating to Sidney Eslinger’s interests in gravestone studies, including four books; a research notebook about Springdale Cemetery in Peoria; a photo album of Old Peoria State Hospital; correspondence and miscellaneous materials about stone quarries and symbolism; and a photo scrapbook, “Coin Harvey: A Legend in His Time.” States represented include Illinois and Indiana.

Subjects

Monte Ne (Ark.)Old Peoria State HospitalSepulchral monuments--IllinoisSepulchral monuments--IndianaSpringdale Cemetery (Peoria, Ill.)

Contributors

Eslinger, L. Sidney (Lucille Sidney)

Types of material

Photographs
Fischer, Britta

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection

1978
449 items 1 linear feet
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Gift of Britta Fischer via Sigrid Schmalzer, 2010

Subjects

Beijing (China)--PhotographsChildren--China--PhotographsChina--PhotographsFactories--China--PhotographsGreat Wall of China (China)--PhotographsJinan (China)--PhotographsShanghai (China)--PhotographsTian'an Men (Beijing, China)--PhotographsYangzhou (China)--Photographs

Types of material

Photographs
Freeman, William H.

William H. Freeman Collection

1937-1946
2 vols., 1 letter 0.25 linear feet
Call no.: PH 068
Depiction of William H. Freeman, ca.1940
William H. Freeman, ca.1940

Attached to the 20th Air Base Group in 1941, Athol-native Bill Freeman was a first-hand witness to the beginnings of the war in the Pacific. Enlisting in the Army Air Corps in 1940, Freeman was stationed at Nichols Field in the Philippines when the Japanese invaded, and after taken as prisoner or war, he was forced on the Bataan Death March. Freeman died of malaria in Cabanatuan Prison Camp in July 1942.

The Freeman scrapbook and photograph album that Bill Freeman kept offer a visually-intensive perspective on the brief life of an American serviceman in the Second World War. Kept during and immediately after high school, the scrapbook includes notices of his musical performances and other activities; the extensive photograph album documents his service in the Army Air Corps from the start of deployment through his travels in Hawaii and Guam to the early months of his service in the Philippines. The collection also includes a letter written from the Philippines during the summer 1941.

Subjects

Guam--PhotographsHawaii--PhotographsPhilippines--PhotographsUnited States. Army. Air CorpsWorld War, 1939-1945

Types of material

Photographs
Frizzell, Charles, 1941-2004

Charles Frizzell Collection

1963-2004
3 boxes 1.25 linear feet
Call no.: PH 081
Depiction of Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)
Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)

Raised in suburban Boston, Charlie Frizzell became a well-known photographer of the music scene during the height of the folk revival of the early 1960s. At the age of 14, Frizzell took up photography after landing his first job at a camera shop, and he developed his talents under the mentorship of a local commerical photographer, Bob O’Shaughnessy. As a regular at Club 47 in Cambridge, Frizzell photographed the most popular performers of the era, from Bob Dylan and Joan Baez to Geoff and Maria Muldaur and Jim Kweskin. He left Massachusetts in the late 1960s for Berkeley, Calif., and according to folklorist Millie Rahn, created a sort of conduit between the music scenes in Berkeley and Cambridge. Frizzell died in Berkeley on May 29, 2004, following complications from a liver transplant.

Dating primarily from the mid-1960s, the collection includes approximately 50 prints and some negatives from Charlie Frizzell, including images of Jim Kweskin, Maria Muldaur, Bob Siggins, and Bonnie Dobson, along with images of performances at Newport Folk Festival.

Transferred from Cambridge Historical Society, April 2018

Subjects

Folk musicians--Photographs

Types of material

Photographs
Gabel, Laurel K.

Laurel K. Gabel Collection

1976-1990
11 boxes 12.5 linear feet
Call no.: PH 066

A registered nurse by profession, Laurel K. Gabel came to the field of gravestone studies through an initial interest in genealogy. Attending her first Association for Gravestone Studies annual conference in 1980, just three years after the organization’s founding, she quickly became one of the organization’s most active members, noted for presenting papers distinguished equally by their scholarship and accessibility to a wide audience. She has regularly led tours and workshops during conferences, and in more recent years, she has taken a lead role in introducing first-time attendees to the field of gravestone studies. In 1988, Gabel received the AGS’s highest honor, the Harriet Merrifield Forbes Award.

This collection of 35 mm slides was assembled by Gabel for use in illustrating lectures and slide presentations. The collection is divided into two discrete sets, one documenting gravestone design and motifs, and the other documenting specific carvers.

Subjects

Sepulchral monuments--New EnglandStone carvers--New England

Types of material

Photographs
Garboden, Clif

Clif Garboden Collection

ca.1965-2011
72 boxes 12 linear feet
Call no.: PH 075
Depiction of Clif Garboden, ca.1968. Photo by Jeff Albertson
Clif Garboden, ca.1968. Photo by Jeff Albertson

A noted figure in the alternative press and a former president of the Association of Alternative Newsweeklies, Clif Garboden was a long-time editor and writer for the Boston Phoenix. Arriving as a student at Boston University in 1966, Garboden was drawn into a close-knit, creative community on the BU News staff that included Raymond Mungo, Peter Simon, and Joe Pilati, filling a versatile role that entailed work as writer, editor, and photographer. After graduating in 1970, Garboden moved immediately to the Phoenix where he applied his signature wit and occasional snark to a wide range of topics. Apart from a six year period when he worked for the Boston Globe, Garboden was an indispensable part of the Phoenix editorial team until he was laid off in cost cutting moves in 2009. After a lengthy struggle with cancer, Garboden died of pneumonia on Feb. 10, 2011. He is survived by his wife, Susannah (Price), and children Molly and Phil.

The Garbdoen collection consists of hundreds of photographic prints, including work for both the Boston University News and the Phoenix and many personal images of family and friends.

Gift of Susannah Garboden, April 2017

Subjects

Boston PhoenixBoston University News

Types of material

Photographs
Geisler, Bruce

Bruce Geisler Collection

1969-1984
21 boxes 30 linear feet
Call no.: PH 049
Depiction of Renaissance Community, ca.1974
Renaissance Community, ca.1974

In the early 1970s, the documentary filmmaker Bruce Geisler dropped out of Pomona College one semester short of graduation, drove across country, and joined the Brotherhood of the Spirit commune, then the largest commune in the eastern United States. During his four years living with the Brotherhood, later renamed the Renaissance Community, Geisler learned the craft of filmmaking, before returning west to earn an MFA at the film school of the University of Southern California. Geisler has received a number of awards as a screenwriter and filmmaker including the Grand Prize for Best Screenplay from Worldfest Houston and the Dominique Dunne Memorial Prize for Filmmaking, and, in 2007, he released his feature-length documentary, Free Spirits, about the Brotherhood of the Spirit/Renaissance Community and its ill-fated founder, Michael Metelica Rapunzel. Geisler is currently a Senior Lecturer in the UMass Amherst Department of Communication.

Documenting everyday life in a Massachusetts commune and performances by the commune bands (Spirit in Flesh and Rapunzel), the Geisler collection was assembled in conjunction with the making of the film Free Spirits. In addition to many hours of both raw and edited film footage taken by members of the Brotherhood of the Brotherhood of the Spirit and Renaissance Community, the collection includes a rich assemblage of still photographs, ephemera, and newspaper clippings relating to the commune.

Subjects

Brotherhood of the Spirit (Commune)Communal living--MassachusettsRenaissance Community (Commune)

Contributors

Geisler, Bruce

Types of material

PhotographsVideotapes
Goldfarb, Theodore D., 1935-

Theodore D. Goldfarb Collection

1978 June-July
389 digital images 0.1 linear feet
Call no.: PH 071
Part of: Science for the People Collection
Depiction of Oil processing plant machinery, June 1978
Oil processing plant machinery, June 1978

An environmental chemist, Ted Goldfarb was a founder of the Science for the People chapter at SUNY Stony Brook and an organizer of the group’s second trip to the People’s Republic of China in June 1978. The twelve delegates from SftP went with the intention of studying the organization of science and technology in China with respect to how it met people’s needs, and they were toured through a succession of factories, production facilities, farms, schools, and institutes in Guangzhou, Shanghai, Changsha, and Beijing, among other locations.

The nearly 400 slides in this collection were taken by Ted Goldfarb (and handful by his colleague Judith Weinstein) when they were members of the second Science for the People delegation to the People’s Republic of China in June 1978. Reflecting their interests in science and technology, the slides document a succession of factories, production facilities, schools, and institutes they visited, but include shots of typical street scenes, markets, artisans and factory workers, and tourist sites such as the Great Wall, Ming Tombs, and Forbidden City. In addition to the images of China, a handful were taken during a stopover in Delhi and Agra, India, on the way back to the United States.

Subjects

Acrobats--China--ShanghaiChina--PhotographsCotton manufacture--China--Shanghai--PhotographsFactories--China--PhotographsForbidden City (Beijing, China)--PhotographsGreat Wall of China (China)--PhotographsIndia--PhotographsMing Tombs (China)--PhotographsScience for the PeopleTextile factories--China--Shanghai--Photographs

Contributors

Weinstein, Judith

Types of material

Photographs
Healy, Mary Frances

Mary Frances Healy Photograph Album

1919
1 vol., 53 images 0.25 linear feet
Call no.: PH 069
Depiction of Etoile Club, 1919
Etoile Club, 1919

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

Gift of John W. Bennett, Dec. 2015

Subjects

Belleau, Bois de (France)--PhotographsNational Catholic War Council---PhotographsNurses--PhotographsParis (France)--PhotographsWorld War, 1914-1919--Photographs

Types of material

Photograph albumsPhotographs