Collections: K

Owners of a farm business/general store in Charlton, Saratoga County, New York. Includes lists of items sold, services performed (such as plowing, harvesting, and planting corn), transactions with fellow townsmen, and debts owed. Also includes newspaper clippings of poetry, samples of dried pressed foliage, written document of Ketcham family births, deaths, and marriages, and the document of a house sale agreement.

The Keystone View Company was founded in Meadville, Penn., by Pennsylvania native B. L. Singley (1864-1938), who had been a salesman for the stereographic producer and distributor Underwood & Underwood. The first prints sold under the Keystone name were Singley’s own photographs of the 1892 French Creek flood. Incorporated in 1905, Keystone opened its Educational Department, creating products designed for classroom use, with an emphasis on social studies, geography, and the sciences. As the company grew, with branch offices in several major cities and staff photographers all over the world, it acquired the stereographic inventories of several of its competitors, including Underwood & Underwood, becoming the largest company of its kind in the world. In 1932, Keystone launched its Stereophthalmic Department, which included stereoscopic vision tests and products for correcting vision problems. Singley retired as Keystone’s president in 1936 or 1937, and Keystone was bought by Mast Development Company in 1963.

This 1923 boxed set, World War Through the Stereoscope, part of the “Stereographic Library” and housed in a box imitating the look of a two-volume set of books, contains 100 images of World War I and just after, taken ca. 1917-1921. The stereographic prints are pasted onto Keystone’s distinctive grey curved mounts, with extensive descriptive information on the reverse of each mount. Prints are numbered with identifiers—those beginning with “V” were originally Underwood photographs—as well as numbers indicating the order in which they are to be viewed. The stereographs are accompanied by a viewer, also manufactured by Keystone.

Between 1948 and 1951, Chicagoan Ethel A. Killgrove worked as a missionary with the Sudan Interior Mission. A graduate of the St. Paul Bible Institute, Killgrove was based in Aden, Yemen, and worked spreading the gospel and in Addis Ababa, Ethiopia. After returning home in 1951, Killgrove studied education at Wheaton College (Bed, 1959) and Roosevelt (MEd., 1963), teaching in elementary schools in Illinois and Chester County, Pa. She died in Lancaster, Pa., in 2002.

The 142 letters that Killgrove wrote home to her parents and brother Tom include fascinating information on life as a missionary in British-controlled Aden and Ethiopia during the transitional years following the end of World War II. From her perspective on the southern rim of the Middle East, Killgore was witness to the of the impact of the formation of the state of Israel and the growing hostility toward colonial domination in the Arab world and Africa. The collection includes an excellent photograph album with 55 images of her time in mission, along with 65 other images.

A lifelong activist and organizer, King graduated from Smith College in 1937 and completed her master’s in social work at Columbia University. By the 1960s she was active with the Women’s International League for Peace and Freedom and later went on to work as an administrator with the National Institute of Mental Health. In 1988, King returned to the Pioneer Valley and opened up a small family therapy practice from her home in Williamsburg. Soon after, she began her affiliation with the Sierra Club’s population program recruiting students as interns and volunteers from her alma mater. After volunteering as the chair of the Massachusetts Sierra Club population committee for 19 years, Anita King retired at the age of 95 in 2011.

Part of the Global Population and Environmental Program of Sierra Club, the population program was headed by Anita King for nearly two decades. During that time she organized 20 lectures with speakers from a variety of organizations, such as Thoraya Obaid and Margaret Catley-Carlson. Her papers contain correspondence, speeches, administrative and subject files she kept on various issues through the early 2000s.

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.

A wool dealer in the firm of Horswell, Kinsley, and French of Boston, Edward W. Kinsley captured his memories of the Civil War in a series of written reminiscences. These typescript copies include his memories of the raising of the 1st North Carolina Colored Regiment, his second visit South and the Emancipation Proclamation Celebration, General Tom Stevenson’s confirmation as Brigadier-General, the second election of President Lincoln, and the fall of Richmond among others. The collection also includes passages from Kinsley’s diary, letters, a scrapbook, photographs, newspaper clippings, and notes from the diary of Edward’s wife, Calista A. Kinsley.

After emigrating from Dzieciekowo, Poland, Michael Kislo found work in a Northampton basket shop and later as a machinist at International Silver Company. He was a resident of Florence, Mass.

The Kislo collection contains nine volumes of Kislo’s writing (mostly in Polish and thematically religious, patriotic, personal, and autobiographical) and artwork (drawings and paintings with religious allusions, Polish costumes, weapons, imaginary animals and fanciful landscapes).

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

A professor of Biology at UMass Amherst with and interest in the mangrove ecosystems of the Caribbean and the deep water environments of the Connecticut River, Ed Klekowski has become well known as a videographer and writer. He has produced documentary for PBS station WGBY on the Quabbin reservoir and the great flood on the Connecticut River in 1936, and on the Yankee Division during the First World War. He and his wife Libby have co-written two books on the First World War, Eyewitness to the Great War (McFarland Press, 2012) and Americans in Occupied Belgium (McFarland Press, 2014).

This small collection of postcards consists primarily of images of American military involvement during the First World War. The scenes depicted range from the first contingent of American soldiers to arrive in 1917 to gas attacks, tanks, and American soldiers and Marines in the trenches and combat during the summer and fall 1918. Among the more unusual form postcards are two cartoon images intended for use by soldiers on their return home, one each from the Knights of Columbus and the Jewish Welfare Board. The postcards were collected by the Klekowskis during preparations for their documentary on the Yankee Division.