Collection of historical documents compiled by Charles Taylor, author of the 1882 town history of Great Barrington, Massachusetts. Includes Court of Common Pleas cases, deeds, estate papers, indentures, land surveys, sheriff’s writs, town history reference documents, Samuel Rossiter’s financial papers, and genealogical research papers for over 40 families.
In June 1811, the Great Barrington and Alford Turnpike Corporation was incorporated with the aim of constructing a road at the northern end of the Fifteenth Massachusetts Turnpike, stretching from Great Barrington, Mass., through Alford and North Egremont before crossing the state line and ending in Hudson, New York. Under the direction of Josiah Milland and Jacob and John Van Deusen (who lived near the road), the corporation was apparently not exceptionally profitable. A leg of the turnpike through Great Barrington was made free in 1831, and in 1846, having failed in their petition to receive compensation for loss of privileges, the corporation transferred the road into public management.
Although only a slender 21 pages in length, this record book is nearly the only documentation of the finances for a small, but typical turnpike company in antebellum Massachusetts. The book includes somewhat sparse records of receipts from the toll booths and expenditures for maintenance, extending from 1833 until the corporation was dissolved in 1846. At the end of the book are two pages of personal expenses associated with a trip to Ohio.
Formed by the Greater Northampton Chamber of Commerce in 1968, the Total Community Development Committee was assigned the task of assessing the city’s needs and resources in an effort to guide the community in making and remaking its physical shape. Drawn from local business leaders, academics, and city planners, the Committee addressed issues relating to the city’s public assets including the state of the Hampshire County Courthouse, City Hall, schools, and housing, as well as economic and industrial development, recreation and youth, and urban renewal.
The collection consists of minutes and memos of the Total Development Committee, notes kept by Committee member Harvey J. Finison, and supporting material, including a copy of the 1963 master plan for the city and a series of maps. The Committee’s work contributed to a new comprehensive plan for the city by the firm Metcalf and Eddy (1972) and a survey of needs for proposed Hampshire County courthouse prepared by Reinhardt and Associates (1969).
The New Babylon Times was a politically-informed countercultural literary magazine produced by members of the Montague Farm commune during the fall 1969. Edited by John Wilton, the first issue featured writing by commune stalwarts such as Ray Mungo, Verandah Porche, and Jon Maslow and photographs by Peter Simon, among others. Renamed the Green Mountain Post, the magazine appeared on an irregular basis until issue five in 1977, with writing and artwork by a range of associates of the commune, including Harvey Wasserman, Tom Fels, and Steve Diamond. In 1994, Fels edited a single issue of Farm Notes, in some ways a successor to the Post.
The Famous Long Ago Archive contains a complete run of the magazine, which have been digitized and made available on Credo.
Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.
The collection contains hundreds of film and video elements (masters, release prints, negatives, dailies, work prints, outtakes, mag tracks, audio) of several GMP projects. In addition there are several boxes of administrative files consisting of research files, correspondence, and proposals relating to film projects either produced or under consideration. There is also an assortment of alternative press publications from the 1960s-1970s.
Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.
The founder and director of Citizens for Safe Drinking Water, Jeffrey Lee Green (1946-2014) was a national organizer in the anti-fluoridation movement. A management consultant specializing in the health professionals, Green was adept at using the legal and legislative process to raise awareness of the potential toxicological dangers of fluorides. In 1996, Green helped his colleague David Kennedy facilitate a ballot measure to stop fluoridation in California, and they were instrumental in initiating a congressional investigation into fluoride between 1998 and 2000. Green later contributed to the 2006 National Research Council report on fluoride. Green died suddenly on Nov. 5, 2014.
The collection documents Jeff Green’s work with Citizens for Safe Drinking Water, providing strategic advice for grassroots legal and political challenges to fluoridation. Of particular note are legal files relating to two important cases in California: one challenging the city of Escondido’s decision to use hydrofluosilicic acid and the second leveling a constitutional objection to fluoridation without public consent.
Josiah Green and Co. were pioneering manufacturers of mass produced pegged boots, one of the earliest and largest firms of its kind in Central Massachusetts. Founded by Josiah Green in the town of Leicester in 1812, the firm relocated to Spencer in 1816 or 1817 and erected its first factory there in 1834. In 1850, J. Green and Co. was the largest of six major shoe- and boot-manufacturers in town, though it lost market share thereafter. Green ran the company until control passed to his sons in 1867.
The records of Josiah Green and Co. document the growth and peak years of operation of one of the most important high-volume manufacturers of boots in central Massachusetts. Although the account books and ledgers extend back into the 1820s, the bulk of the correspondence dates from 1889-1894, when Josiah’s sons controlled the firm and while it was losing ground to its competitors. Although sporadic and incomplete, the correspondence offers a glimpse into the manner in which Green’s business was conducted during a period when the firm sold to a wide network of wholesalers and jobbers in the northeast and Midwest. Most of the correspondence concerns placement or fulfillment of orders and issues over prices and payment. The collection contains four press copybooks containing outgoing letters for the years 1889-1892 and 1904-1905.
In the academic year 1908-1909, Sybil C. Green was a high school senior, boarding at the Cushing Academy in Ashburnham, Mass. Born in Spencer, Mass., on August 22, 1889, to Charles H. and Ella M. Green, Green was enrolled in the college preparatory course at Cushing and apparently entered Smith College in the fall of that year. She died in 1984.
The Green scrapbook is a thick and typically chaotic record of a young woman in her senior year of high school in 1908-1909. The scrapbook consists of a bound volume stuffed (or over-stuffed) with tickets to basketball and baseball games, dance cards, invitations, notes, photographs, miscellaneous mementos and ephemera, and a few letters from family and friends.
Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953), he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.
The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small but interesting batch of correspondence between Greenbie’s parents (1918-1919).
Formed in 1963, the Greenfield Peace Center viewed itself as an educational organization teaching about and advocating for world peace. Their activities included organizing peace marches, warning against the dangers of nuclear war, conducting teach-ins, campaigning against war toys, and counseling on the alternatives to the draft.
Correspondence, administrative documents, and news clippings relating to peace activism centered in Greenfield, Massachusetts and in the upper Pioneer Valley, especially by the Greenfield Community Peace Center, William Hefner, and Turn Toward Peace.
