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Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts"

12th-14th century
1 box 0.25 linear feet
Call no.: MS 570
Depiction of Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Language(s): Latin

Subjects

Manuscripts, MedievalPaleography

Contributors

Ege, Otto F., 1888-1951

Types of material

Books of hoursBreviariesIlluminated manuscriptsMissals
Elders Share the Arts

Elders Share the Arts Records

ca.1975-2018
14 boxes 17 linear feet
Call no.: MS 1034
Depiction of Hodson Drama Group, Grandma's home remedy show, 1982 (photo by A. Heppenheimer)
Hodson Drama Group, Grandma's home remedy show, 1982 (photo by A. Heppenheimer)

A community arts organization founded by Susan Perlstein in 1979, Elders Share the Arts was a pioneer and national leader in the field of creative aging. Beginning as a single living-history theater workshop in the South Bronx, ESTA grew into a citywide organization with national impact that engaged older adults in participatory arts programing. The performing groups that emerged from ESTA typically drew upon the experiences of its members, with the programs running from storytelling and theater to writing, dance, and the visual arts. With the rapid growth of the field, ESTA ceased operations in June 2018, transferring their programs to other organizations.

The records of Elders Share the Arts offer vital documentation of the origins and development of the field of creative aging and the growth of one of the innovators. The collection includes a full set of board minutes, action plans, and by-laws, marketing materials, photographs and media, and a relatively complete record of grants sought and won. Of particular importance are files for ESTA’s senior programs and intergenerational programs, and a thick series of matierlas relating to the National Center for Creative Aging and the history of creative aging as a field.

Gift of Lynn Winters and Susan Perlstein, July 2018

Subjects

AgingArts and older peopleCreative agingTheater--New York (State)--New York

Contributors

National Center for Creative AgingPerlstein, Susan

Types of material

PhotographsVideotapes
Ellert, Frederick C.

Frederick C. Ellert Papers

1958-1984
1 box 0.5 linear feet
Call no.: FS 055
Depiction of F. C. Ellert
F. C. Ellert

Frederick C. Ellert, a professor of German at the University throughout the fifties and sixties, had deep local roots, was a leader in University Athletics, and was one of the most instrumental founders of the Massachusetts Review, where he served as the journal’s first editor from 1959-1961. Born in Holyoke, Mass. in 1906, Ellert attended the University as an undergraduate and made notable contributions to the football and basketball teams. Ellert would return to the University after his graduation in 1930 to coach the basketball team before studying in Heidelberg University and Columbia University and eventually earning his M.A. from Amherst College and Ph.D. from Stanford. Ellert was a very active translator of 19th Century German poetry and a passionate teacher, developing his own German textbook. Ellert died in 1983.

Representing his work as a translator and teacher, the Frederick C. Ellert Papers contain a number of his published and unpublished translations of Goethe, Heine, and Morgernstern, some including Ellert’s handwritten notes as well as typescript copies of his German textbooks.

Subjects

University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Germanic Languages and Literatures

Contributors

Ellert, F. C
Ellis, James, 1935-

James Ellis Theatre Collection

1700-2005
ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Gift of James Ellis, 2009-2013

Subjects

Actors--Great BritainActors--United StatesAmateur theater--Great Britain--19th centuryTheater--Great Britain--19th centuryTheater--United States--19th century

Contributors

Ellis, James, 1935-

Types of material

BroadsidesLithographsPhotographs
Ellis, James, 1935-

James Ellis Civil War Patriotic Covers Collection

1861-1865
1 box 0.5 linear feet
Call no.: MS 614
Depiction of Jefferson Davis
Jefferson Davis

During the earliest days of the Civil War, publishers began to issue large numbers of “patriotic covers,” cheaply produced but often colorfully-illustrated envelopes commemorating the personalities and events of the war. The topics were highly varied, ranging military and political figures, significant battles and other events, nostalgia for home, slavery, and southern versus northern character.

Collected by James Ellis, the Patriotic Cover Collection contains over 250 envelopes published during the Civil War, primarily in the northern states. All envelopes are unused and in relatively pristine condition.

Subjects

United States--History--Civil War, 1861-1865

Contributors

Ellis, James, 1935-

Types of material

Envelopes
Emery, George

George Emery Papers

1875-1977 Bulk: 1930-1977
12 boxes 15.5 linear feet
Call no.: MS 982
Depiction of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a few posters, and a thick sheaf of material from the Tri-County Fair.

Gift of Chris Emery, July 2017

Subjects

Circus performersCircus--HistoryClownsPigsTri-County FairUniversity of Massachusetts Amherst--AlumniUniversity of Massachusetts Amherst--Staff
Emmons, Marcus A.

Marcus A. Emmons Papers

1858-1864
1 folder 0.1 linear feet
Call no.: MS 034

A 21 year-old farmer from Hardwick, Mass., Marcus A. Emmons enlisted in the 21st Massachusetts Infantry in August 1861, and saw active service in North Carolina, Virginia, Kentucky, and Tennessee. Having survived many of the great battles of the eastern theatre, Emmons was killed in action at Bethesda Church on June 2, 1864.

The letters and journals that comprise this collection document Emmons’ tragically brief experience in the Civil War. Both letters date from April 1864, while the 21st Massachusetts was stationed in Annapolis, Md., prior to the campaigns of that summer. One journal includes some miscellaneous pre-war accounts, a complete list of the Civil War volunteers from Hardwick and their regiments (some with notation of fate in service); a list of conscripts added to Co. K, 21st Mass., in 1863; a list of Civil War battles; military accounts; recruits added to the regiment in 1862, listing place of residence; and a roster of Co. K, 21st Mass. Infantry, with place of residence and fate in the service. The other journal begins as a spelling exercise book and includes diary entries for Mar.-Sept., 1862, discussing farm work.

Subjects

Farmers--Massachusetts--HardwickHardwick (Mass.)--HistoryUnited States--History--Civil War, 1861-1865United States. Army. Massachusetts Infantry Regiment, 21st (1861-1864)

Contributors

Emmons, Marcus A.

Types of material

Account booksDiaries
Enfield (Mass.)

Enfield (Mass.) Collection

1800-1939
8 boxes 4 linear feet
Call no.: MS 010
Depiction of Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects

Enfield (Mass.)--HistoryEnfield (Mass.)--Politics and governmentEnfield (Mass.)--Religious life and customsEnfield (Mass.)--Social life and customsQuabbin Reservoir Region (Mass.)--HistoryQuabbin Reservoir Region (Mass.)--Social life and customsWomen--Societies and clubs

Contributors

Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)Enfield (Mass. : Town)Enfield (Mass. : Town). Overseers of the PoorEnfield (Mass. : Town). Prudential CommitteeEnfield (Mass. : Town). School CommitteeEnfield Congregational Church (Enfield, Mass.)Enfield Congregational Church (Enfield, Mass.). Women's AuxiliaryEnfield Congregational Church (Enfield, Mass.). Women's Missionary Society

Types of material

Account booksChurch recordsPhotographsSermons
Enola Gay Controvery

Enola Gay Controversy Collection

1995
2 boxes 1 linear feet
Call no.: MS 615

On January 30, 1995, the National Air and Space Museum capitulated to popular and political pressure and scuttled an exhibit they had planned to coincide with the fiftieth anniversary of the end of the Second World War. Early in 1993, curators began to develop plans for an exhibit that would center around the Enola Gay, the B-29 Stratofortress bomber that dropped the atomic bomb on Hiroshima, but opposition from veterans’ groups rose almost immediately. By mid-summer, the Air Force Association and American Legion led opposition to the exhibit, fearing that it would not present a balanced view of the events and that it would focus exclusively on the “horrors of war” and an alleged “moral equivalence” between Japan and the United States. Although several attempts were made to rewrite the script of the exhibit, congressional and public pressure eventually led to the cancellation of the exhibit in January 1995 and to the resignation of the Director of the Museum, Martin Harwit, in May.

Collected by historian Waldo Heinrichs, the Enola Gay Controversy Collection contains the various versions of the scripts of the planned exhibition and copies of correspondence, memos, publications, and the three volumes of “Revisionism gone wrong: Analysis of the Enola Gay controversy” issued by the Air Force Association.

Subjects

Atomic bomb--Moral and ethical aspectsEnola Gay (Bomber)--Exhibitions--Political aspectsNational Air and Space Museum--Exhibitions--Political aspects

Contributors

Heinrichs, Waldo
Entin, David Hudson

David Entin Papers

1966-2015 Bulk: 1966-1968
2 boxes 1 linear feet
Call no.: MS 876
Vietnamese children
Vietnamese children

A worker in the struggle against poverty and racism for five decades, David Entin was raised in New York City environs until his family moved to Jacksonville, Florida in 1953 when he was twelve years old. He began his anti-poverty work with the North Carolina volunteers, a pioneering early effort where he worked with low-come families in Durham, NC. David then joined the North Carolina Fund, a statewide Ford Foundation project where he helped develop and wrote the first rural anti-poverty program under the new Economic Opportunity Act for Craven County (New Bern), NC. From there he helped start the initial anti-poverty program in Jacksonville. His new career was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.

The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundred slides and photographs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.

Subjects

Economic assistance, American--VietnamTechnical assistance, American--VietnamUnited States. Agency for International DevelopmentVietnam War, 1961-1975--Children--PhotographsVietnam War, 1961-1975--Civilian reliefVietnam War, 1961-1975--Personal narratives

Contributors

Entin, David Hudson

Types of material

Color slidesPhotographsSlides (Photographs)