SCUA

Collections beginning with C (page 9 of 10)

Cornish, Michael

Michael Cornish Photograph Collection
ca.1975-2005
20 boxes (20.5 linear feet)
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

The Cosby, Bill, 1937-

The Bill Cosby Radio Program Collection
1968 Jan-Jul
12 phonograph records (.3 linear feet)
Call no.: MS 981

“The Bill Cosby Radio Program” was a daily syndicated radio series of roughly 5-minute comedy inserts by Cosby and produced by Frank Buxton (who also served as the show’s announcer and comedic “straight man”). Along with sound man Gene Twombly, Cosby and Buxton improvised the episodes, which were syndicated to more than 200 top-40 radio stations around the nation on transcription discs by The Coca-Cola Company and distributed by McCann-Erikson (Coke’s ad agency). The show marked the beginning of Cosby’s long association with Coca-Cola and was the debut of many characters from Cosby’s comedy.

This collection features twelve radio broadcast transcription discs (one 12-inch disc and eleven 16-inch discs) of “The Bill Cosby Radio Program” containing programs #21-130 (1968 Jan 29-Jun 24) and programs #141-145 (1968 Jul 15). The disc labels contain the original program description and art.

Gift of Jerry Reed, June 2017.
Subjects
  • African American comedians
  • Buxton, Frank
  • Coca-Cola Company
  • Cosby, Bill, 1937-
  • Radio comedies
  • Radio programs
Types of material
  • Phonograph records
Restrictions: SCUA does not currently have the appropriate media to play these records.

Council for Fair School Finance

Council for Fair School Finance Records
1977-2005
8 boxes (12 linear feet)
Call no.: MS 784

The Council for Fair School Finance began its fight in 1978 when it filed a lawsuit (McDuffy v. Secretary of the Executive Office of Education) to require Massachusetts to meet its constitutional obligation to provide a quality education for all schoolchildren. The suit was quickly suspended due to recently enacted school reform legislation. Within five years, the Council took up the suit once more, and again further reform legislation was enacted that prevented the suit from going to trial. Finally in 1993, the case was heard and decided in favor of the plaintiffs; three days later the governor signed the Education Reform Act of 1993. By the end of the decade, the promise of the McDuffy decision had not yet been fully realized and the Council filed a second suit (Hancock v. Commissioner of Education). In April 2004, Superior Judge Margot Botsford issued a report that found the state’s efforts to fix the problems identified in the previous case were insufficient and that the plaintiffs were entitled to remedial relief. The Supreme Judicial Court, however, did not uphold the recommendation and the motion for relief was denied.

The collection consists of administrative records, including documents created early in the Council’s history, minutes of Council meetings, media reports, research materials, and financial records.

Subjects
  • Education--Finance--Massachusetts
  • Educational change--Massachusetts
Contributors
  • Council for Fair School Finance

Craig, Edward Gordon, 1872-1966

Edward Gordon Craig Collection
1951-1956
1 box (0.5 linear feet)
Call no.: MS 344

A noted figure in modernist theater, Edward Gordon Craig was born in Stevenage, Hertfordshire, on Jan. 16, 1872, the illegitimate son of the renowned actress Ellen Terry and the architect Edward William Craig. Although the most productive portion of his career was brief, he exerted a strong influence on the field of set design and lighting, and was fairly prolific as a writer on theatre.

The six audio recordings that comprise the Craig collection originated from a series of BBC radio talks in the early 1950s. The reel to reel tapes include Craig’s reminiscences of Ellen Terry, Isadora Duncan, the old school of acting, celebrities, and how he played Hamlet in Salford, Lancashire.

Subjects
  • Duncan, Isadora, 1877-1927
  • Terry, Ellen, Dame, 1847-1928
  • Theater--Great Britain
Types of material
  • Oral histories
  • Sound recordings

Crampton, Guy C.

Guy C. Crampton Papers
1912-1942
1 box (0.25 linear feet)
Call no.: FS 052
Image of Guy Crampton
Guy Crampton

Guy Chester Crampton was an insect morphologist who taught at the University from 1911 until his retirement in 1947. Crampton earned his B.A. from Princeton in 1904, his M.A. from Cornell in 1905, and a Ph.D. from the University of Berlin in 1908, then began his professorship at the University, where he was a dedicated teacher and active researcher. A life-long bachelor, Crampton died from a heart attack in 1951.

The Guy C. Crampton Papers include published articles by Crampton, including a guide to the insects of Connecticut, published in 1942, as well as Crampton’s lecture notes for one of his courses in the Department of Entomology.

Subjects
  • Entomology--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Entomology
Contributors
  • Crampton, Guy C

Crockett, James Underwood

James Underwood Crockett Papers
1944-1980
8 boxes (12 linear feet)
Call no.: MS 664

The horticulturist, Jim Crockett (1915-1979) earned wide acclaim as host of the popular television show, Crockett’s Victory Garden. A 1935 graduate of the Stockbridge School of Agriculture at UMass Amherst, Crockett returned home to Massachusetts after a stint in the Navy during the Second World War and began work as a florist. A small publication begun for his customers, Flowery Talks, grew so quickly in popularity that Crockett sold his flower shop in 1950 to write full time. His first book, Window Sill Gardening (N.Y., 1958), was followed by seventeen more on gardening, ornamental plants, and horticulture, culminating with twelve volumes in the Time-Life Encyclopedia of Gardening. He was the recipient of numerous awards for garden writing and was director of the American Horticultural Society. In 1975, he was contacted about a new gardening show on PBS, Victory Garden, which he hosted until his death by cancer in 1979.

Documenting an important career in bringing horticulture to the general public, the Crockett Papers contain a mix of professional and personal correspondence and writing by Jim Crockett from throughout his career. The collection includes a particularly extensive set of letters from George B. Williams, Crockett’s father in law, and copies most of his publications.

Subjects
  • Garderning
  • Horticulture
Contributors
  • Crockett, James Underwood

Crouch, Rebecca

Rebecca Crouch Papers
ca.1936-1986
1 box (0.5 linear feet)
Call no.: MS 602

In the late 1870s, a middle-aged farmer from Richmond, Minnesota, Samuel Crouch, married a woman eleven years his junior and asked her to relocate to the northern plains. Possessed of some solid self-confidence, Rebecca left behind her family a friends and set out to make a life for herself, adjusting to her new role as step-mother and community member, as well as the familiar role of family member at a distance.

The Crouch Papers includes approximately 225 letters offering insight into life in Minnesota during the late 1870s and early 1880s, and into the domestic and social life of a woman entering into a new marriage with an older man. Rebecca’s letters are consumed with the ebb and flow of daily life, her interactions with other residents of the community at church or in town, the weather, and chores from cooking to cleaning, farming, gardening, writing, going to town, or rearranging furniture.

Subjects
  • Farmers--Minnesota
  • Minnesota--Social life and customs--19th century
  • Women--Minnesota
Contributors
  • Crouch, Rebecca
  • Jones, Sarah
  • Loomis, Emma
Types of material
  • Letters (Correspondence)

Culley, Margo

Margo Culley Papers
1973-1985
1 box (1.5 linear feet)
Call no.: FS 103

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Women
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women's Studies
Contributors
  • Culley, Margo

Culver, Asa, 1793-

Asa Culver Account Book
1820-1876
1 vol. (0.25 linear feet)
Call no.: MS 350 bd

Farmers who provided services (such as putting up fences, shingling, butchering, and cutting brush) for townspeople. Seventy page book of business transactions, and miscellaneous papers including mortgage payments, highway building surveyor assessments, and poems.

Subjects
  • Agriculture--Massachusetts--History
  • Blandford (Mass.)--Economic conditions--19th century
  • Farm management--Massachusetts--Blandford--Records and correspondence
  • Farmers--Massachusetts--Blandford--Economic conditions
  • Wages--Domestics--Massachusetts--Blandford
Contributors
  • Culver, Asa, 1793-
Types of material
  • Account books

Cummington School of the Arts

Cummington School of the Arts Records
1908-1993
30 boxes (45 linear feet)
Call no.: MS 891
Image of Poster, ca.1925
Poster, ca.1925

In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.

The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.

Transferred from Springfield Museums through Margaret Humberston, Dec. 2015

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