Stage coach line that carried passengers and mail from Berlin, Bolton, and Feltonville (Hudson) to the Boston area. Includes account book documenting expenses of running the line, with passenger fares recorded elsewhere. Last several pages contain an individual’s accounts, as well as photocopies of passages about the stage coach line and a poem written when the company folded. Amos Sawyer, Jr., and his son-in-law Lorren Arnold ran the business.

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.

Martha Bevis

An important figure in building a network of antifluoridation activists, Martha Bevis was born in North Carolina in 1927 and lived most of her adult life in Houston, Texas. She worked on the staff of Senator Lyndon Johnson beginning in the early 1950s, remaining with him through his period as Vice President. Always energetic, she was involved in a number of political and civic organizations, including those promoting natural childbirth and breastfeeding, but from the mid-1970s, she was especially associated with the antifluoridation movement. A founder of the Safe Water Foundation of Texas, she became a key litigant in a case seeking to block fluoridation of the water supply in Houston, and although the court ruled in 1980 that fluoride was harmful, it permitted the city council to proceed with fluoridation. From that point forward, she played a key role regionally and nationally as an organizer, researcher, propagandist, and funding source for the antifluoridation movement. Bevis died in Houston on April 22, 2007.

This massive archive stems from Martha Bevis’s role as a connector and mediator of information for the antifluoridation movement. Beginning in the 1970s, Bevis gathered, copied, and distributed huge quantities of information on the health effects of fluoride, legal strategies and cases opposing fluoridation of public water supplies, and the antifluoridation movement generally. Bevis maintained a regular correspondence with other activists and antifluoride organizations and played an important role in gathering and preserving the papers of other activists.

Hanif Shabazz Bey

Hanif Shabazz Bey is one of the “Virgin Island Five” accused and convicted of murdering eight tourists at a golf course in the U.S. Virgin Islands on September 6, 1972. The murders occurred during a turbulent period of rebellion on the Islands, a time when a movement to resist colonial rule was growing in the U.S. occupied Virgin Islands and elsewhere. The reaction to the crime, which was rapidly characterized as racially and politically motivated, from the authorities was both swift and revealing: over a hundred Black activists were picked up for interrogation and the island of St. Croix was put under martial law. Beaumont Gereau (Hanif Shabazz Bey) was one of five men apprehended and charged with the attack; each of the men accused was a known supporter of the Virgin Island independence movement. Detained and subjected to torture, the five men ultimately confessed to the crime and were tried for murder. Despite the many indications that the subsequent trial was profoundly flawed, the men were found guilty and sentenced to eight consecutive life terms.

“The Beginning of Hell” is a typed memoir by Hanif Shabazz Bey, a prisoner from the Virgin Islands held in the U.S. Written sometime after 1985, the memoir provides a personal account of Bey’s childhood in the Virgin Islands, his service in the U.S. Army in Vietnam, and the social and political conditions of the Islands during the early 1970s that led up to his arrest and conviction for the murder of eight tourists in 1972. Bey details the torture and other harsh interrogation tactics employed by prosecutors, the trial, and its aftermath, including his confinement to prisons first in Puerto Rico and then the U.S. In prison, Bey chronicles inhumane treatment and conditions, his conversion to Islam, and his efforts to seek assistance to reduce his sentence.

Composer and professor of music, University of Iowa and University of Massachusetts Amherst.

Correspondence, scores and parts for instrumental and vocal compositions, sound recordings, programs and posters for performances of Bezanson’s works (1951-1980), sound recordings and other papers relating to development, performance, and publication of Bezanson’s compositions. Includes papers related to the development of the opera Golden Child, broadcast on national television and written in collaboration with Paul Engle; and score of the opera Stranger in Eden, with libretto by William R. Reardon.

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

A new medical waste incinerator for New York city hospitals became the focal point of drawn-out controversy in the 1990s. After proposals to place the facility in Rockland County and downtown Manhattan were scotched, a site in the South Bronx was selected. Even before it opened in 1991, the Bronx-Lebanon incinerator touched off fierce opposition. Built to dispose of up to 48 tons per day of medical waste gathered from fifteen regional hospitals, the incinerator was located in a poor and densely populated area, and worse, raising charges of environmental racism. Making matters worse, during its years of operation, it was cited for hundreds of violations of state pollution standards. A coalition of grassroots organizations led an effective campaign to close the facility, and in June 1997 the plant’s owner, Browning Ferris Industries agreed. In an agreement with the state two years later, BFI agreed to disable the plant and remove the emission stacks.

Gathered by an environmental activist and consultant from New York city, Sam Bishop, this collection documents the turbulent history of public opposition to the Bronx-Lebanon medical waste incinerator. In addition to informational materials on medical waste incineration, the collection includes reports and legal filings relative to the facility, some materials on the campaign to close it, and a small quantity of correspondence and notes from activists.

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.