Collections: B

Born into a wealthy and prominent family from Springfield, Mass., Daniel Chauncey Brewer became a prodigy in the antebellum nursery trade. While still in his teens, he was running a substantial traffic in fruits trees and ornamentals. After marrying in 1853, Brewer moved to Boston, where he died of an infection in 1862.

The accounts of Chauncey Brewer’s Springfield-based nursery operation record substantial sales of cherry, peach, apple, and fruit trees, ornamentals such as arbor vita, spruce, and rose, and seeds, vegetables, and grapes. The sales appear to have extended throughout southern New England, as far as Providence, and include charges from grafts and labor.

A long time teacher in the schools in Amherst, Mass., Marybeth Bridegam operated tour agency, Cross-Culture Inc., from the late 1980s through early 2000s. Cross-Culture ran small-group tours of locations around the world led by local tour leaders and specialized guides that were distinguished by itineraries that included sites outside the usual tourist routes.

The Bridegam collection consists of thousands of images taken by Bridegam during her travels, many in preparation for Cross Culture tour groups. Locations include China, Japan, Hong Kong, Australia, New Zealand, Scandinavia, and Russia.

Perched at the western boundary of Plymouth County, Bridgewater, Massachusetts, grew rapidly during the antebellum period, spurred by the growth of its industry. During the mid-nineteenth century, the town’s most valuable products revolved around the local iron industry, with large manufacturers like Lazell, Perkins, and Co. producing iron and heavy machinery as early as 1810.

The daybook of this unidentified trader and merchant in Bridgewater, Mass., reveals the quickening pace of economic activity connected to the burgeoning Plymouth County iron industry. While many of the transactions at the store are small purchases of consumable goods such as flour, fabric, sugar, tobacco, meats, and molasses, more substantial purchases ae interspersed throughout for bar iron, nails, metal plates, and other manufactured metal items.

In 1982, Eloise A. Brière received a grant from the Massachusetts Foundation for Humanities to conduct a series of oral histories with French Americans in Massachusetts. A noted scholar of Francophone communities, Brière interviewed 44 first- and second-generation immigrants of varied background, ranging from parish priests and nuns to former textile workers, activists in language preservation, and the Mayor of Holyoke.

The interviews in this collection, conducted mostly in French between August 8, 1982, and Jan. 18, 1983, document the lives and experiences of forty-four Franco-American residents of Massachusetts, concentrated in the areas around Easthampton and Lowell.

Ship’s captain and cobbler from Scituate, Massachusetts. Includes list of ship expenses (harbor master’s fees, wages, wharf fees, provisions, carpenter and blacksmith bills, and bills for loading labor, rigging, and mending the sails), debt accounts with individuals, and accounts for making and mending shoes and boots.

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Mark Taylor Brinsfield studied languages and law in Europe before receiving his MA in European Studies at the University of Exeter. His research has included work in the history of multiracial people in post-World War II Southeast Asia. Brinsfield currently lives in Northampton, Mass.

The posters in the Brinsfield Collection represent a cross-section of West German political campaigning during the decade leading up to reunification. Focused primarily on national, rather than regional elections, the collection includes representative work from the major left- and right-leaning political parties (CDU and RCDS, SDU, the Greens) as well as a few posters addressed at major political issues, including the antinuclear and antiwar movements.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

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