James Aronson Collection of W.E.B. Du Bois, 1946-1983.
2 boxes (1.5 linear feet).
Call no.: MS 292
Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.
- African Americans--Civil rights
- African Americans--History--1877-1964
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Death and burial
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on Pan-Africanism
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on pacifism
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on socialism
- National Guardian
- Du Bois, Shirley Graham, 1896-1977
- Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
Artists-Research-Technology, Inc., Collection, 1977-2013.
2 boxes (3 linear feet).
Call no.: MS 832
Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.
The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.
- Art and technology
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Art, Architecture, and Art History
- Davies, Hanlyn
- Feshbach, Oriole Farb
- Michaud, Ronald
- Murata, Hiroshi, 1941-
- Roy, John
- Schläppi, Dale
Types of material
Barr G. Ashcraft Photograph Collection, 1972-1975.
2 boxes, ca.125 items
Call no.: PH 007
A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.
The Ashcraft Photograph Collection represents a small fraction of the images he took as a free lance photographer in southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.
- Vietnam War, 1961-1975
Types of material