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Junkins, Donald

Donald Junkins Papers, ca. 1920-2015
13 boxes (ca. 16.5 linear feet)
Call no.: FS 074

A poet, expert on the works of Earnest Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document his youth in Saugus, experience as a student at the University, and his professional and creative life. The collection includes correspondence with his family throughout his life, photographs documenting his family in Eastern Mass., his records as head of the MFA in English program, and his personal and professional correspondence.

Subjects
  • Hemingway, Ernest, 1899-1961
  • Poets--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Students
  • University of Massachusetts Amherst. Department of English
Contributors
  • Junkins, Donald, 1931-

Kallas, Phil

Phil Kallas Collection, ca.1915-2000
1 box (0.25 linear feet)
Call no.: PH 023
Part of: Association for Gravestone Studies Collection
Image of Cemetery at San Gabriel, Calif.
Cemetery at San Gabriel, Calif.

A former guest editor of the Association for Gravestone Studies Newsletter and member of the Wisconsin Old Cemeteries Society, Phil Kallas has researched and written on Wisconsin gravestones and stonecarvers.

The Kallas collection contains 37 postcards of cemeteries from ten states, ranging from Alaska to New York.

Subjects
  • Association for Gravestone Studies
  • Sepulchral monuments--Massachusetts
Contributors
  • Kallas, Phil
Types of material
  • Postcards

Katanka, Michael

Katanka-Fraser Political Music Collection, 1885-1975
10 boxes (7 linear feet)
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Gift of James and Sibylle Fraser, June 2007
Subjects
  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music
Contributors
  • Fraser, James
  • Katanka, Michael

King, Anita

Anita King Papers, 1989-2003
3 boxes (4.5 linear feet)
Call no.: MS 727

A lifelong activist and organizer, King graduated from Smith College in 1937 and completed her master’s in social work at Columbia University. By the 1960s she was active with the Women’s International League for Peace and Freedom and later went on to work as an administrator with the National Institute of Mental Health. In 1988, King returned to the Pioneer Valley and opened up a small family therapy practice from her home in Williamsburg. Soon after, she began her affiliation with the Sierra Club’s population program recruiting students as interns and volunteers from her alma mater. After volunteering as the chair of the Massachusetts Sierra Club population committee for 19 years, Anita King retired at the age of 95 in 2011.

Part of the Global Population and Environmental Program of Sierra Club, the population program was headed by Anita King for nearly two decades. During that time she organized 20 lectures with speakers from a variety of organizations, such as Thoraya Obaid and Margaret Catley-Carlson. Her papers contain correspondence, speeches, administrative and subject files she kept on various issues through the early 2000s.

Gift of Anita King, Dec. 2011
Subjects
  • Overpopulation
  • Sierra Club. Massachusetts Chapter
Contributors
  • King, Anita

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931
3 boxes (1.5 linear feet)
Call no.: PH 048
Image of New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Gift of Thomas W. Tenney and family, Nov. 2012
Subjects
  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs
Contributors
  • Klaw, Alonzo
Types of material
  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca. 1870-2010 (Bulk: 1970-2010)
89 (ca. 180 linear feet)
Call no.: MS 725
Image of Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Gift of Linda Cummings and Susan Jahoda, Dec. 2011
Subjects
  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center
Contributors
  • Kleckner, Susan
Types of material
  • Artists' films
  • Drawings (Visual works)
  • Photographs

Kotker, Zane

Zane and Norman Kotker Papers, 1961-2014
29 boxes (32 linear feet)
Call no.: MS 948
Image of Zane Kotker, photo taken by her husband Norman, ca. 1972
Zane Kotker, photo taken by her husband Norman, ca. 1972

The writer Zane Kotker was born Mary Zane Hickcox in Southbury, Connecticut, in 1934. After graduating from Middlebury College (1956), Kotker led a busy life working short stints in and out of Manhattan as a secretary, researcher, writer, teacher, and editor, collaborating on the side with a friend to publish a little magazine while earning a master’s degree in history from Columbia University. In 1965, she married a fellow writer, Norman Kotker, and while raising their two children, David (born 1967) and Ariel (1969), the couple began writing in earnest. An editor at Horizon Books, Norman used his weekends to write his first book, The Holy Land in the Time of Jesus (1967), following up with two novels, Miss Rhode Island (1978) and Learning About God (1988). A stay-at-home, free-lancing mother, Zane used her “free” time for writing as well, completing her first novel by taking advantage of a babysitter on Tuesday and Friday mornings, and going on to publish five other novels, numerous short stories, and a volume of poetry. Norman Kotker died in 1999 years after first being diagnosed with multiple sclerosis. Zane Kotker continues to write and publish; her novella Goodnight Ladies was released in 2016.

The records of a highly productive literary couple, the Zane and Norman Kotker Papers contain manuscript drafts, notes, research materials, correspondence, and reviews. Reflecting both the co-operation and the competition connecting married writers, the collection offers insight issues ranging from the financial challenges of supporting the writing careers of two novelists to the challenges of a woman attempting to define herself professionally during the early 1970s and the publishing scene in New York City in the 1970s through 1990s. The collection also include materials related to the founding of the Well Spouse Association–Zane was a founding member of the organization created to provide a support system for individuals caring for chronically ill and/or disabled spouses–including her nonfiction writing published under the name Maggie Strong.

Gift of Zane Kotker, Sept. 2016
Subjects
  • Well Spouse Association
  • Women writers
Contributors
  • Kotker, Norman
  • Kotker, Zane

Kraner, Doug

Doug Kraner Collection, 1978-2014
3 boxes, 7 tubes (4 linear feet)
Call no.: MS 942
Image of Doug Kraner (right)<br />© Photo By <a href=Myles Aronowitz" title="Image of Doug Kraner (right)
© Photo By Myles Aronowitz" />
Doug Kraner (right)
© Photo By Myles Aronowitz

With an MFA in theater from UMass Amherst (1979), Doug Kraner built a career of thirty five years that grew from scenic design for the stage into production design for feature films and television. After his time in Amherst, Kraner taught at SUNY Stonybrook and worked on and off-Broadway, but by 1981, he moved to Hollywood and began a film career as set decorator for My Dinner With Andre (1981). Among dozens of credits as art director or production designer, Kraner worked on commercially successful films such as Uncle Buck, Lean on Me, Sleeping with the Enemy (which was the start of a long and productive working relationship with the director Danny Cannon), Extreme Measures, and I Still Know What You Did Last Summer. He received an Emmy nomination in 1983 for Little Gloria… Happy at Last, and in his work on the television show Gotham in 2014-2015 earned both Emmy and Art Directors Guild Award nominations. After a lengthy struggle with cancer, Kraner died on April 4, 2016.

Organized project by project, the Kraner collection includes a cross-section of work from a production designer in the film and television industries from the 1980s to 2010s. Although the depth of coverage and contents vary from film to film, the files may contain anything from rough concept sketches to finished designs, photographs of three-dimensional models, and schematics for the construction of sets, and in the aggregate, the work documents the transition from paper-based to purely digital production techniques. Kraner retained a small number of sketches from his time as a graduate student at UMass Amherst, two sketchbooks, and a portfolio of his work for film.

Gift of Ron Duby, Sept. 2016

Kress, Claude Washington

Kress Political Economy Collection, 1673-1925 (Bulk: 1750-1850)
2,934 items (46.5 linear feet)
Call no.: D8 .A2

The heart of the Kress Collection lies in the lively pamphlet literature regarding Anglo-American political economics in the late eighteenth and early nineteenth centuries. Although somewhat miscellaneous, the collection contains thousands of titles touching on many of the major issues in trade, finance, political reform, and public policy in Britain and to a lesser degree America. Topics range from tariffs and free trade to public debt and taxation, imports and exports, banking, unionism, and socialism. Nearly three quarters of the collection dates from before 1848.

Subjects
  • Economics--History--18th century
  • Economics--History--19th century
  • Great Britain--Politics and Government--18th century
  • Great Britain--Politics and Government--19th century

Landon, Mary G. and Edward R.

Mary G. and Edward R. Landon Letters, 1836-1841
1 file (0.1 linear feet)
Call no.: MS 038 bd

A native of Guilford, Conn., Edward Ruggles Landon emigrated to the Michigan Territory after graduating from Yale (1833) and receiving legal training in a New Haven law office. His time in the west, however, would prove difficult. Settling first in Detroit and then Tecumseh, Landon bore the full brunt of financial hardship, and after marrying in 1837 and losing both his wife and infant son the next year, he returned home to Guilford. Landon went on to enjoy a prominent career as attorney and judge of the New Haven County Probate Court.

The Landon collection consists entirely of typed transcripts of letters written by Mary Griswold Landon to her son Edward, during the few years he spent in Michigan. Filled with news of day to day life in Guilford, family and friends, domestic duties, financial challenges, and the occasional intervention of politics and national affairs, the letters are both a reflection of Edward’s experiences in the west and Mary’s strong personality and attitudes toward family and life in nineteenth-century Connecticut.

Subjects
  • Depressions--1837
  • Guilford (Conn.)--History
  • Landon, Anna Theodora Lay, 1817-1838
  • Lawyers--Michigan--19th century
Contributors
  • Landon, Edward Ruggles, 1812-1883
  • Landon, Mary Griswold, 1786-1871
Types of material
  • Letters (Correspondence)

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