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Ward, Dana F.

Dana F. Ward Diaries

1897-1982 Bulk: 1904-1951
2 linear feet
Call no.: MS 577

Born in Chelsea, Mass., in 1874, and a long-time resident of Somerville, Dana F. Ward enjoyed a prominent career in the fisheries industry in Massachusetts. Entering the wholesale fish business in 1900 when he organized the firm of Whitman, Ward, and Lee, Ward became Director and Advertising Manager of the Boston Fish Market Corporation (builder and operator of the Fish Pier) and an investor. Before the U.S. entry into the First World War, Ward was employed by the state to lecture on the benefits of frozen fish as a food source. An active member in both the Congregational Church and local Masonic lodge, he married Katherine B. Symonds (d. 1948) in Leominster in October 1899.

Personal in nature, the Ward diaries provide a chronicle of the daily life of a relatively well to do fish wholesaler from 1897 through 1951, with some gaps. Generally small in size, the diaries are densely written and are laid in with letters, various sorts of documents, stamps, newsclippings, and other ephemera that help define the contours of Ward’s life. The collection is particularly rich for the years during the Second World War and it includes three diaries (1967, 1977, 1982) from later family members.

Acquired from Ben Katz, Nov. 2008

Subjects

  • Fisheries--Massachusetts
  • Somerville (Mass.)--History

Contributors

  • Ward, Dana F

Types of material

  • Diaries
Weatherby, Una F.

Una F. Weatherby Collection

1924-1934
1 box 0.5 linear feet
Call no.: PH 036
Image of Gravestone in Putnam, Conn.
Gravestone in Putnam, Conn.

The botanical illustrator and writer Una Foster Weatherby (1878-1957) was an early student of New England gravestones. Born in Texas in 1878, Una Leonora Foster met a young pteridologist Charles Alfred Weatherby (1875-1949) while traveling abroad in 1910, and seven years later, the couple wed. As Charles advanced in his career to a position at the Gray Herbarium at Harvard, Una became his close associate, working with in the field and as illustrator and photographer. Among the many interests the couple developed was a fascination with photographing early American gravestones, and over the last three decades of her life, Una published occasionally on the subject. She died in Cambridge on August 17, 1957, and is interred with her husband at Center Cemetery in East Hartford, Conn.

The Weatherby collection consists of a substantial typed manuscript illustrating early American gravestones, mostly from New England. Meticulously assembled, the manuscript is divided into six thematic sections based on gravestone design (death’s heads, winged cherubs, wingless cherubs, portrait stones, symbolic stones, and designs and willows). Each stone is represented by a single photograph pasted onto a page, along with a transcription of the epitaph and occasional comments on the design and date on which the information was recorded. Although most stones are from Connecticut and Massachusetts, a few stones from Virginia and South Carolina are included.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Gravestones--New Hampshire

Contributors

  • Association for Gravestone Studies
  • Weatherby, Una F

Types of material

  • Photographs
  • Scrapbooks
Wells, Samuel

Samuel Wells Collection

1840-1843
1 box 0.25 linear feet
Call no.: MS 225

In November 1840, the prominent New York mercantile firm, Josiah Macy and Son, contracted with Samuel Wells to act as an agent in leasing land in Hatfield, Mass., to mine barite. Wells, a resident of nearby Northampton, consulted with the renowned geologist Edward Hitchcock of Amherst College to locate the appropriate mining site, and then, over the next two years, he negotiated the leases and prepared for the start-up of mining. Ultimately, the presence of the lead ore galena rendered the barite unfit for use as a whitening agent.

The three dozen letters written to Samuel Wells, mostly by his employer Josiah Macy and Son, document the brief and ill-fated effort to start up a barite mine in Hatfield, Mass. Although some of the letters deal with the barite itself, most concern negotiations over locating the proper mine site and obtaining mineral rights and land leases.

Acquired from Charles Apfelbaum, 1989

Subjects

  • Barite mines and mining--Massachusetts--Hatfield
  • Hatfield (Mass.)--History
  • Lead mines and mining--Massachusetts--Hatfield

Contributors

  • Chase, G. C.
  • Hitchcock, Edward, 1793-1864
  • Josiah Macy and Son
Whitaker, Elizabeth W.

Elizabeth W. Whitaker Collection

1802-1989
1 box 0.5 linear feet
Call no.: MS 682
Image of Gravestone, No. Guilford, Conn.
Gravestone, No. Guilford, Conn.

A physical education teacher from Rome, New York, Elizabeth W. Whitaker became an avid recorder of gravestone inscriptions in the 1940s. She died in 1992 at the age of 93.

The core of the Whitaker collection consists of 25 receipts and accounts relating to the early marble industry in western Massachusetts. The key figures in this series are Rufus Willson and his father-in-law, John Burghardt, who quarried stone near West Stockbridge, Mass., conveying it to Hudson, N.Y. The collection also includes a selection of photographs and postcards of gravestones, mostly in New England and New York; two folders of typed transcriptions and newspaper clippings of epitaphs from the same region, ranging in date from the early colonial period to the mid-19th century; and a price list of Barre granite from Wetmore and Morse Granite Co., 1934.

Subjects

  • Gravestones--Massachusetts
  • Marble industry and trade--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Burghardt, John
  • Whitaker, Elizabeth W
  • Willson, Rufus

Types of material

  • Photographs
  • Receipts (Financial records)
Wilson, John S.

John S. Wilson Collection

1970-1983
1 box 0.5 linear feet
Call no.: MS 858
Image of Amos Foster stone, 1793, New Salem Cemetery
Amos Foster stone, 1793, New Salem Cemetery

As an undergraduate at UMass Amherst, John S. Wilson undertook of study of gravestones in New Salem, Mass. Working under George Armelagos, he receiving a BA in Anthropology with honors (1971) for his work on the “social dimension of New England mortuary art,” and returned for an MA in (1976). Wilson later worked as Regional Historic Preservation Officer and Archaeologist for the Northeast Region of the US Fish and Wildlife Service.

Part of the collections of the Association for Gravestone Studies, the collection includes two copies of John Wilson’s senior honors thesis, a card file associated with the thesis, and several dozen slides (both color and black and white) of New Salem headstones. Some images appear to be later prints of images taken in 1970-1971.

Subjects

  • Gravestones--Massachusetts--New Salem
  • New Salem (Mass.)--History

Types of material

  • Photographs
Wolf, Lloyd

Lloyd Wolf Photograph Collection

1989
13 digital color prints
Call no.: PH 008
Image of Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs
Women Against Garage (WAG)

WAG Records

1995-2002
2 boxes 3 linear feet
Call no.: MS 530

Informally referring to themselves as WAGs (Women Against Garage), Fay Kaynor, Mary Snyder, Merrylees Turner, and Mary Wentworth, opposed the building of a parking garage in the center of Amherst. Together they collected newspaper clippings, reports, minutes of meetings, and flyers that tell both sides of the story, but in particular shed light on the motivations of those opposed to the garage, concerns not well represented in the local paper, the Amherst Bulletin, at the time. Potential problems raised by garage opponents focused on the environmental issues that added traffic in Amherst would introduce, as well as the financial impact both on the town, if the revenues from the garage did not cover the investment or maintenance costs, and on locally-owned businesses that might not be able to afford higher rents if property values near the garage increased significantly.

Subjects

  • Amherst (Mass.)--Politics and government

Contributors

  • Kaynor, Fay
  • Snyder, Mary
  • Turner, Merrylees
  • Wentworth, Mary L
Yeats, W. B. (William Butler), 1865-1939

Russell K. Alspach Collection of William Butler Yeats

1888-1984
ca.475 items 35 linear feet
Call no.: RB 014

The Irish poet W.B. Yeats was a key figure in the Celtic literary revival of the early twentieth century. Born into an artistic family in Dublin in 1865, Yeats was heavily influenced early in his career by Irish folk literature and Theosophical mysticism, but he was simultaneously rooted in the political issues of the day. An Irish nationalist by inclination, he became a two-term Senator in the Irish Free State and he was a key supporter of the arts and theatre in the new nation. His international reputation was cemented when he received the Nobel Prize for literature in 1923. Yeats died in 1939 at the age of 73.

The Alspach collection consists of hundreds of works by and about W.B. Yeats, collected by Yeats scholar Russell K. Alspach, a member of the UMass English faculty. An extensive assemblage with first editions of most of the key works, the collection also includes critical works on Yeats, works by his literary peers, bibliographies, and items published by the Cuala Press, a private press operated by Yeats’s sister Elizabeth that was a strong influence in the Celtic revival. A few items have been added to the collection since its acquisition in 1971.

Subjects

  • Irish poetry--20th century

Contributors

  • Alspach, Russell K. (Russell King), 1901-
  • Cuala Press
Restrictions: Collection currently unavailable due to renovation in SCUA
Baker, James

James Baker Free Spirit Press Collection

1969-2005 Bulk: 1969-1974
3 boxes 1.25 linear feet
Call no.: MS 834
Image of Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs
Boston Jazz Society

Boston Jazz Society Records

ca. 1973-2014
6 boxes 10 linear feet
Call no.: MS 880
Image of

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Gift of Aureldon Edward Henderson, July 2014, Aug. 2015

Subjects

  • Jazz musicians--Massachusetts--Boston
  • Jazz--Massachusetts--Boston

Contributors

  • Berklee School of Music
  • Haynes, Roy
  • Henderson, Aureldon Edward
  • New England Conservatory of Music