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Antislavery

Antislavery Pamphlet Collection

1725-1911
7.5 linear feet
Call no.: RB 003

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Subjects

  • Abolitionists--Massachusetts
  • Antislavery movements--United States
  • Slavery--United States

Contributors

  • American Anti-Slavery Society
  • American Colonization Society
Restrictions: Collection currently unavailable due to renovations in SCUA
Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection

1977-2013
2 boxes 3 linear feet
Call no.: MS 832
Image of John Roy, Three Cows
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects

  • Art and technology
  • Lithography
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History

Contributors

  • Davies, Hanlyn
  • Feshbach, Oriole Farb
  • Michaud, Ronald
  • Murata, Hiroshi, 1941-
  • Roy, John
  • Schläppi, Dale

Types of material

  • Lithographs
  • Photographs
Balamuth, William

William Balamuth Collection

1931-1964
1 box 0.5 linear feet
Call no.: MS 644
Image of Protist
Protist

Born in New York City in 1914, William Balamuth enjoyed a long career in protistology. Introduced to the field as a graduate student in Harold Kirby’s laboratory at the University of California Berkeley, Balamuth received his dissertation in 1939 for a study of regeneration in the heterotrichous marine ciliate, Licnophora macfarlandi. After several years at the University of Missouri and Northwestern, he returned to Berkeley in 1953 to replace his mentor. During the course of his career, Balamuth worked on fundamental issues in the biology of organisms ranging from parasitic amoebae to amoeboflagellates, publishing over 80 papers on culturing, nutritional requirements, cell cycling, and encystment. He died suddenly on June 10, 1981.

The Balamuth Collection consists of 114 drawings of ciliates prepared by William Balamuth for use in courses and publications between the 1930s and early 1960s, along with a handful of offprints of articles and scattered research notes.

Subjects

  • Ciliates
  • University of California, Berkeley--Faculty

Contributors

  • Balamuth, William

Types of material

  • Photographs
Banks, William S. M.

William S. M. Banks, From beginnings in the Sip

1997
1 vol. 0.1 linear feet
Call no.: MS 997 bd

Born in Amite County, Miss., in 1914, William S. M. Banks received his early education from his mother at home, who instilled in him an abiding respect for education. Despite the hardships of the Depression years, Banks used his athletic skills and work ethic to earn a degree at Dillard College, where he attracted the attention of Horace Mann Bond. Bond encouraged him to continue for a MA in Sociology and helped him land a position at Fort Valley State. After service during the Second World War, where he rose to rank of Captain and was awarded a Silver Star, Banks returned to Fort Valley State, completed a doctorate at Ohio State. He retired from Fort Valley after 38 years in 1978.

In his autobiography, a study of the impact of racial and class attitudes as much as personal achievement, William Banks describes his experiences growing up in a poor African American family in rural Mississippi and working his way up through distinguished military service and concerted effort to earn a doctorate at Ohio State and a career as a professor of sociology at Fort Valley State University.

Gift of Bil Banks, Oct. 2017

Subjects

  • African Americans--Georgia
  • African Americans--Mississippi
  • Bond, Horace Mann, 1904-1972
  • Fort Valley State University

Types of material

  • Autobiographies
Berkeley, Roy

Roy and Ellen Perry Berkeley Papers

ca.1954-2011
2 boxes 3 linear feet
Call no.: MS 972

Born in New York City in 1935, Roy Berkeley’s eclectic creative career began while working his way through Columbia University (BA, 1956) as an editor for the New York Post and pseudonymous author of 14 pulp novels, and continued after graduation, working for two years at the height of the Cold War in U.S. intelligence. A self-taught guitarist, he became a stalwart of the folk music scene in Greenwich Village, performing at the Gaslight regularly and at the first Newport Folk Festival in 1959, and eventually recording three albums. In 1966, Berkeley married Ellen Perry, a writer and editor for Progressive Architecture and Architectural Forum, and one of the few women architectural critics of the time. Their time in New York City ended in 1971, however, when Ellen’s job as an editor at an architectural magazine ended. Using Roy’s winnings from his appearance on the television show Jeopardy, the couple relocated to Shaftsbury, Vt., where they led a freelance life as writers, editors, teachers, and lecturers. Roy was eventually appointed deputy Sheriff in own and became a member of the state’s Fish and Wildlife Board. After a struggle with cancer, Roy Berkeley died in 2009 at the age of 73.

The bulk of the Perry Papers consists of Roy’s research files and drafts of a never-completed history of the folk music scene, along with some correspondence, notes, and ephemera that includes both editions of his Bosses Songbook, a satirical send-up of the People’s Songbook. The collection also contains a sampling of the exceptional range of Ellen’s writing on topics from architecture to cats, cookery, to grieving.

Gift of Ellen Perry Berkeley, April 2017

Subjects

  • Architecture
  • Folk music

Contributors

  • Berkeley, Ellen Perry
Bernhard, Michael H.

Michael H. Bernhard Solidarity Collection

ca.1975-1989
3 boxes 4.5 linear feet
Call no.: MS 575

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Language(s): Polish

Subjects

  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland

Contributors

  • Bernhard, Michael H
Black Mass Communications Project

Black Mass Communications Project Collection

ca.1970-1985
10 boxes 15 linear feet
Call no.: RG 045/30 B4

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

Subjects

  • African American college students
  • African American music
  • College radio stations--Massachusetts
  • WFCR (Radio station : Amherst, Mass.)
  • WMUA (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings
Blumenthal, Norman B.

Norman B. Blumenthal Collection

1999-2005
30 boxes 45 linear feet
Call no.: MS 951

A native of Washington, D.C., and graduate of the University of Wisconsin (1970) and Loyola University of Chicago Law School (1973), Norman Blumenthal moved to La Jolla, Calif., in 1976 to accept a position as Chief Operating Officer and General Counsel for an oil and gas exploration company. After twelve years in the corporate sector, Blumenthal entered private practice, shifting focus to the protection of employees, consumers, and securities buyers from unfair business practices and pursuing both class action and individual cases. Among other notable cases, Blumenthal led a class action suit against the city of Escondido, Calif. (Coshow v. City of Escondido, 132 Cal. App. 4th 687), arguing that their decision to fluoridate the city water supply in 2001 amounted to “mass medicating the entire community” without consent using chemicals that were known to be carcinogenic. In 2005, the court upheld the City’s fluoridation plan.

The Blumenthal collection represents the extensive legal and research files employed by the plaintiffs in Coshow v. Escondido and the appeals that ensued, including correspondence, litigants’ files, depositions, exhibits, “expert documents,” research materials and drafts, “extras.”

Subjects

  • Antifluoridation movement
  • Drinking water--Law and legislation--California
  • Fluorides--Physiological effect
Boardman, Charles M.

Charles M. Boardman Papers

1919-1949
1 box 0.5 linear feet
Call no.: FS 035

A member of of QTV fraternity, Charles Meade Boardman graduated from the Massachusetts Agricultural College in 1920 with a degree in landscape gardening.

Boardman’s Papers include two of his college yearbooks, a smattering of correspondence from the 1920s relating to landscape gardening, and approximately 30 photographs, apparently taken during or shortly after his time at MAC.

Subjects

  • Landscape gardening
  • University of Massachusetts Amherst--Students

Contributors

  • Boardman, Charles M
Boothroyd, G. (Geoffrey), 1932-

Geoffrey Boothroyd Papers

1978-1980
1 box 0.5 linear feet
Call no.: FS 041

After receiving a doctorate from the University of London in 1962, Geoffrey Boothroyd was invited to join the faculty in Mechanical Engineering at UMass in 1967. An expert in automated assembly, mechanization, and automation, Boothroyd quickly became a leading figure in manufacturing engineering at the University. Active in a variety of professional organizations, he was author of dozens of articles and two textbooks.

The Boothroyd collection consists almost exclusively of two of his major publications from the late 1970s: Feeding and Orienting Techniques for Small Parts and Design for Assembly.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Mechanical Engineering

Contributors

  • Boothroyd, G. (Geoffrey), 1932-