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Yeats, W. B. (William Butler), 1865-1939

Russell K. Alspach Collection of William Butler Yeats
1888-1984
ca.475 items (35 linear feet)
Call no.: RB 014

The Irish poet W.B. Yeats was a key figure in the Celtic literary revival of the early twentieth century. Born into an artistic family in Dublin in 1865, Yeats was heavily influenced early in his career by Irish folk literature and Theosophical mysticism, but he was simultaneously rooted in the political issues of the day. An Irish nationalist by inclination, he became a two-term Senator in the Irish Free State and he was a key supporter of the arts and theatre in the new nation. His international reputation was cemented when he received the Nobel Prize for literature in 1923. Yeats died in 1939 at the age of 73.

The Alspach collection consists of hundreds of works by and about W.B. Yeats, collected by Yeats scholar Russell K. Alspach, a member of the UMass English faculty. An extensive assemblage with first editions of most of the key works, the collection also includes critical works on Yeats, works by his literary peers, bibliographies, and items published by the Cuala Press, a private press operated by Yeats’s sister Elizabeth that was a strong influence in the Celtic revival. A few items have been added to the collection since its acquisition in 1971.

Subjects
  • Irish poetry--20th century
Contributors
  • Alspach, Russell K. (Russell King), 1901-
  • Cuala Press
Restrictions: Collection currently unavailable due to renovation in SCUA

Baker, James

James Baker Free Spirit Press Collection
1969-2005 (Bulk: 1969-1974)
3 boxes (1.25 linear feet)
Call no.: MS 834
Image of Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects
  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs
Contributors
  • Geisler, Bruce
Types of material
  • Photographs

Boston Jazz Society

Boston Jazz Society Records
ca. 1973-2014
6 boxes (10 linear feet)
Call no.: MS 880
Image of

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Gift of Aureldon Edward Henderson, July 2014, Aug. 2015
Subjects
  • Jazz musicians--Massachusetts--Boston
  • Jazz--Massachusetts--Boston
Contributors
  • Berklee School of Music
  • Haynes, Roy
  • Henderson, Aureldon Edward
  • New England Conservatory of Music

Goldspinner, Jay

Jay Goldspinner Periodicals Collection
1974-2012
1 box (1 linear feet)
Call no.: MS 909

1977 Spring Equinox cover of WomenSpirit

All social change and cultural movements have their associated resources for the exchange of information, ideas, stories, and art. Particularly in the women’s movement, the effort to create newsletters, journals, and other forms of information dissemination was a proactive step taken to assert women’s stories and to locate the power of the press within women-run communities. These periodicals, both large and small in scale, reveal the ways women connected to each other and to larger spiritual and cultural concepts. Local artist, activist, and feminist Jay Goldspinner was engaged with many of these communities, particularly those characterizing the spiritual elements of the women’s liberation and feminist movements, and collected and saved their periodicals. Her collection includes journals focusing on feminist linguistics, goddess myths and spirituality, Wiccan and witch traditions, progressive politics, and women’s spirituality and community in local and international settings. Each is a unique window into discourses of women’s history, feminist movements, and social change work.

The Jay Goldspinner Periodicals Collection consists of issues of feminist and progressive periodicals, journals, and newsletters from four decades. The titles represented include Always in Season, Goddessing, The Lonesome Node, The People’s Voice of Franklin County, Themis/Thesmophoria, Wicked Word, and an almost complete run, including the two indexes, of the seminal magazine of feminist spirituality, WomenSpirit.

Subjects
  • Feminism--Periodicals
  • Franklin County (Mass.) --Periodicals
  • Goddess religion--Periodicals
  • Neopaganism--Periodicals
  • Spiritual feminism--Periodicals
  • Wicca--Periodicals
  • Witchcraft--Periodicals
  • Women and spiritualism--Periodicals
  • Women's rights and spiritualism--Periodicals
Types of material
  • Periodicals

Green Mountain Post

Green Mountain Post and New Babylon Times
1969-1994
6 issues
Call no.:

The New Babylon Times was a politically-informed countercultural literary magazine produced by members of the Montague Farm commune during the fall 1969. Edited by John Wilton, the first issue featured writing by commune stalwarts such as Ray Mungo, Verandah Porche, and Jon Maslow and photographs by Peter Simon, among others. Renamed the Green Mountain Post, the magazine appeared on an irregular basis until issue five in 1977, with writing and artwork by a range of associates of the commune, including Harvey Wasserman, Tom Fels, and Steve Diamond. In 1994, Fels edited a single issue of Farm Notes, in some ways a successor to the Post.

The Famous Long Ago Archive contains a complete run of the magazine, which have been digitized and made available on Credo.

Subjects
  • Communal living--Massachusetts
  • Montague Farm Community (Mass.)
  • Packer Corners Community (Vt.)

Green Mountain Post Films

Green Mountain Post Films Records
1968-ca.1985
10 boxes (13 linear feet)
Call no.: MS 516

Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.

The collection contains very little that documents the activities of GMP Films, chiefly research files, correspondence, and proposals relating to film projects either produced or under consideration. The bulk of the collection consists of alternative press publications from the 1960s-1970s.

Subjects
  • Antinuclear movement--Massachusetts
  • Nuclear energy--Law and legislation--New England
  • Social action--Massachusetts--History
Contributors
  • Green Mountain Post Films

Grillo, Jean Bergantini

Jean Bergantini Grillo Collection
1969-1974
12 (24 linear feet)
Call no.: MS 950

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

Gift of Jean Bergantini Grillo, 2016
Subjects
  • Counterculture--United States--20th century
  • Journalism--Massachusetts--20th century
  • Politics and culture--Massachusetts
Contributors
  • Boston Phoenix
Types of material
  • Newspapers
  • Notebooks

Krakowiak Polish Dancers of Boston

Krakowiak Polish Dancers of Boston Records
1937-1997
1 box (0.5 linear feet)
Call no.: MS 466

The oldest active Polish folk dance ensemble in the United States, the Krakowiak Polish Dancers of Boston was formed in 1937 by a group of young ladies of Polish heritage interested in promoting Polish culture through the mediums of song and dance. The club opened its membership to young men in 1947, and was offcially incorporated in 1957. Since its formation, the dancers have appeared throughout the U.S., Canada, and Poland, and the group has received recognition and awards worldwide, including a special performance before his Holiness Pope John Paul II in 1983.

The collection includes programs for performances from the club’s earliest days, tickets, newspaper clippings featuring articles about the group, and copies of the organization’s constitution describing the group’s mission and membership.

Subjects
  • Folk dancing, Polish
  • Polish Americans--Massachusetts
Contributors
  • Krakowiak Polish Dancers of Boston

Tertulia (Radio program)

Tertulia Collection
1985-1999
6 boxes (9 linear feet)
Call no.: MS 961

A popular Spanish-language community radio program broadcast on the New England Public Radio station WFCR, Tertulia featured a wide range of music from the Caribbean region and South and Central America, news in both English and Spanish, and discussions of topics of importance to the Latino community. As of 2017, the show has enjoyed over thirty years on air.

The Tertulia collection consists of hundreds of cassette recordings of the radio show, mostly taken as air-checks and many of interviews with members of the Latino community in Western New England.

Gift of Victor E. Guevara, Dec. 2016
Language(s): Spanish
Subjects
  • Ethnic radio programs--Massachusetts
  • Puerto Ricans--Massachusetts
Types of material
  • Audiocassettes

Wendell Post

Wendell Post Collection
1977-2001
1 box (1 linear feet)
Call no.: MS 762
Image of Wendell Post editorial crew
Wendell Post editorial crew

From 1977 through 2001, the Wendell Post newspaper was published by and for the residents of Wendell, Mass. With its distinctive local perspective, the Post covered local politics, people, and events, but also issues with national implications, including the anti-nuclear movement, environmental concerns, recycling, and peacework.

The Wendell Post collection contains nearly every issue of a community newspaper produced in a small, rural New England town. Most issues include reports on town meetings and elections, the schools, and public works, but the Post also carried news of the stuff of daily life such as births and deaths, high school graduations, anniversaries and Old Home Day, profiles of town residents and town history, and the crime report.

Subjects
  • New Salem (Mass.)--History
  • Newspapers--Massachusetts
  • Wendell (Mass.)--History
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