Results for: “University of Massachusetts Amherst. Arts Extension Service” (1036 collections)SCUA

White, B. J. (Barbara Jeanne)

BJ White Papers, 1971-1978.

3 boxes (4.5 linear feet).
Call no.: FS 116
BJ White with students
BJ White with students

A celebrated instructor of anatomy and physiology, Barbara Jeanne (BJ) White joined the UMass faculty in 1961 and became a fixture of the School of Nursing’s core curriculum, teaching the year-long service course on anatomy and physiology. She was awarded the University’s Distinguished Teaching Award in 1971 and by the time she retired in 1978, had taught nearly 2,000 aspiring nurses. White was born in Indianapolis, Indiana in 1918 and earned her A.B in 1939 and her A.M in zoology in 1941, both from Mount Holyoke College.

Documenting her teaching activities at UMass, White’s papers contain recorded lectures on audio cassettes, notes, handouts, and articles used in her classes.


  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. School of Nursing

Winston, Robert

Bob Winston Collection, 1964-1993.

(15 linear feet).
Call no.: MS 452

An educator and activist, Robert M. Winston was born in New York city during the first wave of the baby boom and lived many of the principles associated with his generation. Winston became active in the civil rights and antiwar movements while a graduate student at Indiana University in the mid-1960s, working in cause while building his academic career. After being dismissed from a position at the University of New Hampshire for his antiwar activities, he moved on the UMass, where he earned a doctorate in education, serving as head of the Valley Peace Center at the same time. His activism continued into

The Winston Papers contain a dense assemblage of personal correspondence, subject files, posters, and audiovisual and printed materials documenting a career in social justice movements. The earliest materials in the collection stem from Winston’s involvement in the civil rights movement in Indiana and his opposition to the war in Vietnam, including a surprisingly wide array of materials from left-oriented periodicals to antiwar newspapers printed for servicemen and women, and the collection documents the ups and downs of his academic career. Later materials touch on his interests in U.S. intervention in Central America during the 1980s, the prison-industrial complex, civil liberties, and environmental issues.


  • Alinsky, Saul David, 1909-1972
  • Amherst (Mass.)--History
  • Civil rights movements
  • Draft--United States--History
  • Kennedy, John F. (John Fitzgerald), 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Peace movements
  • Political activists--Massachusetts
  • Rosenberg, Ethel, 1915-1953
  • Rosenberg, Julius, 1918-1953
  • Students for a Democratic Society (U.S.)
  • Vietnam War, 1961-1975--Protest movements--Massachusetts

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.


  • Deadheads (Music fans)--Photographs


  • Wolf, Lloyd

Types of material

  • Photographs

Work on Waste USA, Inc.

Work on Waste USA, Inc. Records, ca.1980-2000.

62 boxes (93.5 linear feet).
Call no.: MS 767

In the early 1980s, Paul Connett, a chemist at St. Lawrence University, his wife Ellen, and other environmental activists in upstate New York formed Work on Waste USA to oppose the incineration of solid waste materials. Arguing that incineration was a major source of air pollution, pumping dioxin, mercury, cadmium, and lead into the atmosphere and leaving behind toxic ash and other residues, Work on Waste consulted nationally on issues surrounding incineration, coordinating with dozens of local organizations, and it became an ardent proponent of recycling as an alternative. From 1988-2000, WOW published a pro-recycling, anti-incineration newsletter, Waste Not.

The records of Work on Waste document the national struggle against the incineration of solid waste. With materials from dozens of groups opposing incineration in their communities, the collection provides insight into community activism and grassroots legal and media campaigns. The collection also includes materials relating to Work on Waste’s support for recycling and extensive data on the environmental impact of dioxin and other chemicals, medical waste, and ash landfills, and on the operation of incinerators.


  • Incinerators
  • Medical wastes


  • Connett, P. H. (Paul H.)

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.


  • Montague (Mass.)--Social life and customs


  • Aldrich family

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.

Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Listen now to music, interviews, news reports, live performances and ads from the archives of the new documentary film, The American Revolution, which tells the story of how in the late 1960s and early 70s a radio station, politics and rock and roll changed everything.

Audio recordings in this collection are licensed through SoundExchange allowing you to listen to the original content and format from the radio broadcasts.

You can listen to the stream at this link:


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Bajgier Family

Bajgier Family Papers, 1925-1986.

2 boxes (0.5 linear feet).
Call no.: MS 400
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.


  • Chicopee (Mass.)--Social life and customs
  • Polish Americans--Massachusetts
  • World War, 1939-1945


  • Bajgier, Joseph M

Types of material

  • Photographs

Bergman, Borah

Borah Bergman Papers, ca. 1970-2012.

30 boxes (20 linear feet).
Call no.: MS 806

Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.

The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.


  • Free Jazz--United States
  • Jazz musicians--United States

Types of material

  • Scores
  • Sound recordings

Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection, 1902-1941.

1 box (1.5 linear feet).
Call no.: RBR

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Types of material

  • Sheet music

Boschen, Allan C.

Allan C. Boschen Esperanto Collection, 1852-2015.

ca.750 items (18 linear feet).
Call no.: RB 028
Esperanto travel book, 1927
Esperanto travel book, 1927

A constructed language developed by a Polish physician, L.L. Zamenhof, and first published in 1887, Esperanto is the most widely spoken auxiliary language in the world. Fundamentally utopian in origin, Esperanto is a simplified and highly rationalized language derived from a pastiche of languages, primarily European. By creating a universal second language, Zamenhof hoped that Esperanto would help transcend national and cultural boundaries and thus promote peace and understanding in a fractious world. Allan Boschen, an engineer with General Electric in Pittsfield, was a student and teacher of Esperanto and longtime officer with the Esperanto Society of New England.

The Esperanto book collection includes instructional materials in the language from around the world along with a diversity of imprints ranging from novels and poetry to travel books, histories and biographies, political writings, materials on China and Vietnam, children’s literature, and even a cookbook. We expect to add to the collection in future.


  • Esperanto
  • Ido
  • Languages, Artificial
Special Collections and University Archives logo