Contact SCUA

Search

  • Collection areas

Browse collections

[ UMass ]

Digital

Results for: “University of Massachusetts Amherst. College of Natural Resources and the Environment” (1079 collections)SCUA

  1. Pages:
  2. 1
  3. ...
  4. 94
  5. 95
  6. 96
  7. 97
  8. 98
  9. 99
  10. 100
  11. ...
  12. 108

Class Action

Class Action Records, 2004-2010.

13 boxes (19.5 linear feet).
Call no.: MS 687

Since incorporating as a non-profit in 2004, Class Action has been dedicated to exploring issues surrounding class and identifying means of dismantling classism. Founded by Felice Yeskel (an activist and founder of the Stonewall Center at UMass Amherst) and Jennifer Ladd, Class Action offers training, workshops, and organizational consulting to raise awareness of the impact of class barriers and class privilege on the lives of individuals and communities and of the intersections between race and class. Their goals include making class a diversity issue and promoting a broader vision of economic and social justice that will create lasting systemic change.

The records of Class Action include administrative files for the organization along with a range of materials used in training sessions and workshops.

Subjects

  • Classism
  • Racism
  • Social classes

Contributors

  • Ladd, Jennifer
  • Yeskel, Felice

Types of material

  • Sound recordings

Cleary, Marie Sally

Marie Sally Cleary Papers, 1980-2000.

3 boxes (4 linear feet).
Call no.: MS 606

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

Subjects

  • Bulfinch, Thomas, 1796-1867
  • Mythology

Contributors

  • Cleary, Marie Sally

Codey, Regina

Regina Codey Papers, 1936-1978.

1 box (0.25 linear feet).
Call no.: MS 314

Letters to Regina Codey, writer and chair of English department at Bennett Junior College. Two typescript poems by Robert Francis (“White Sunday Morning” and “Tit for Tat”). Biographical materials about Regina Codey and news clippings about Robert Francis.

Subjects

  • Poetry--Massachusetts

Contributors

  • Codey, Regina
  • Francis, Robert, 1901-1987

Copies & fees

How do I request copies?

Cow display
Cow display, MAC, ca.1930

Although our goal is to facilitate free and unfettered access to the materials under our care, Special Collections and University Archives (SCUA) may assess fees to recover the costs of reproduction or for publication of graphic materials. SCUA provides photocopies and reproductions in reasonable amounts for scholarly use under the following conditions:

  • Copies are prepared solely for the use of the researcher and may not be reproduced, published, broadcast, or placed in other repositories without the prior written permission of the Head of Special Collections and University Archives.
  • SCUA does not sell photocopies, photographs, or digital reproductions. Fees are assessed for services in identifying, copying, and transmitting duplicates. Copies are made only by SCUA staff.
  • SCUA reserves the right to limit the number of photoduplicates in any order and may decline to make duplicates if the item might be damaged in the process. Orders are limited to no more than 400 photocopies per researcher, per month.
  • Except for brief excerpts, SCUA will not duplicate copyrighted material without the written permission of the copyright owner. Researchers assume sole responsibility for any infringement of copyright.
  • Permission to publish must be requested separately, in writing.

Request copies by email:

Requests may be addressed to our archivists.

What are the fees?

  • Photoreproduction fees
    • Photocopies: 30 cents per page.
    • Low Resolution Scans: 30 cents per page.
    • High Resolution Scans: $5.00 each (Images are typically scanned at 100% of the original size at a resolution of 300 dpi.)
  • Publication fees (for images):
    • Academic or not for profit publications: $35.00 per image
    • Commercial publications: $125.00 per image
    • Cover art: $100.00 (academic) to $200.00 per image (commercial)

Donohue, Joseph W., 1935-

Joseph W. Donohue Papers, 1963-2003.

37 boxes (55.5 linear feet).
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects

  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Donohue, Joseph W., 1935-

Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010.

23 boxes (12 linear feet).
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects

  • Theater--England--London
  • Theater--New York (State)--New York

Contributors

  • Donohue, Joseph W., 1935-

Types of material

  • Ephemera
  • Playbills

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

DigitalFinding aid

W.E.B. Du Bois Papers, 1803-1984.

328 boxes (168.75 linear feet).
Call no.: MS 312
W.E.B. Du Bois
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Subjects

  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Crisis (New York, N.Y.)
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • National Association for the Advancement of Colored People
  • Pan-Africanism
  • United States--Race relations

Contributors

  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

  • Photographs

Duus, Peter, 1933-

Peter Duus Papers, ca.1970-2008.

13 boxes (19.5 linear feet).
Call no.: MS 574

The William H. Bonsall Professor of History at Stanford University and a prolific scholar, Peter Duus has made significant contributions to the understanding of the development of Japanese imperialism and the emergence of the modern Japanese nation. Having received his doctorate from Harvard, Duus taught successively at Harvard, Washington University, and the Claremont Graduate School before arriving at Stanford in 1973. The recipient of numerous awards during his career, he has served in numerous positions within the field and as Director of the Center for East Asian Studies at Stanford.

The Duus Papers contain the professional correspondence, research notes, and other materials relating to the career of the eminent Japanologist, Peter Duus.

Subjects

  • Japan--History--20th century
  • Stanford University--Faculty
  • Stanford University. Department of History

Contributors

  • Duus, Peter, 1933-

Ellis, James, 1935-

James Ellis Theatre Collection, 1700-2005.

ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Subjects

  • Actors--Great Britain
  • Actors--United States
  • Amateur theater--Great Britain--19th century
  • Theater--Great Britain--19th century
  • Theater--United States--19th century

Contributors

  • Ellis, James, 1935-

Types of material

  • Broadsides
  • Lithographs
  • Photographs

Entin, David Hudson

David Entin Papers, 1966-2015 (Bulk: 1966-1968).

1 box (0.5 linear feet).
Call no.: MS 876
Vietnamese children
Vietnamese children

A worker in the struggle against poverty and racism for five decades, David Entin was raised in Queens, N.Y., but moved to Jacksonville, Florida, with his family in 1953. As a student at the University of North Carolina in 1964, Entin took part in antipoverty work with the North Carolina Volunteers, parlaying that experience into a position with the Durham County Welfare Department and then with antipoverty groups in Jacksonville. His new career, however, was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.

The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundered slides and photosgraphs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.

Subjects

  • Economic assistance, American--Vietnam
  • Technical assistance, American--Vietnam
  • United States. Agency for International Development
  • Vietnam War, 1961-1975--Children--Photographs
  • Vietnam War, 1961-1975--Civilian relief
  • Vietnam War, 1961-1975--Personal narratives

Contributors

  • Entin, David Hudson

Types of material

  • Color slides
  • Photographs
  • Slides (Photographs)
  1. Pages:
  2. 1
  3. ...
  4. 94
  5. 95
  6. 96
  7. 97
  8. 98
  9. 99
  10. 100
  11. ...
  12. 108