Results for: “University of Massachusetts Amherst. Department of Civil Engineering” (1001 collections)SCUA

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs

Work on Waste USA, Inc.

Work on Waste USA, Inc. Records, ca.1980-2000.

62 boxes (93.5 linear feet).
Call no.: MS 767

In the early 1980s, Paul Connett, a chemist at St. Lawrence University, his wife Ellen, and other environmental activists in upstate New York formed Work on Waste USA to oppose the incineration of solid waste materials. Arguing that incineration was a major source of air pollution, pumping dioxin, mercury, cadmium, and lead into the atmosphere and leaving behind toxic ash and other residues, Work on Waste consulted nationally on issues surrounding incineration, coordinating with dozens of local organizations, and it became an ardent proponent of recycling as an alternative. From 1988-2000, WOW published a pro-recycling, anti-incineration newsletter, Waste Not.

The records of Work on Waste document the national struggle against the incineration of solid waste. With materials from dozens of groups opposing incineration in their communities, the collection provides insight into community activism and grassroots legal and media campaigns. The collection also includes materials relating to Work on Waste’s support for recycling and extensive data on the environmental impact of dioxin and other chemicals, medical waste, and ash landfills, and on the operation of incinerators.

Subjects

  • Incinerators
  • Medical wastes

Contributors

  • Connett, P. H. (Paul H.)

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.

Subjects

  • Montague (Mass.)--Social life and customs

Contributors

  • Aldrich family

Bajgier Family

Bajgier Family Papers, 1925-1986.

2 boxes (0.5 linear feet).
Call no.: MS 400
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.

Subjects

  • Chicopee (Mass.)--Social life and customs
  • Polish Americans--Massachusetts
  • World War, 1939-1945

Contributors

  • Bajgier, Joseph M

Types of material

  • Photographs

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs

Blackington, Alton H.

Alton H. Blackington Photograph Collection, 1898-1943.

15 boxes (4 linear feet).
Call no.: PH 061
Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of Blackington’s glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs

Bond, Horace Mann, 1904-1972

Horace Mann Bond Papers, 1830-1979.

169 boxes (84.5 linear feet).
Call no.: MS 411
Horace Mann Bond, ca.1930
Horace Mann Bond, ca.1930

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Subjects

  • Africa--Description and travel
  • African American educators
  • African Americans--Education--History--20th century
  • American Society of African Culture
  • Atlanta University
  • Dillard University
  • Fort Valley State College
  • International African American Corporation
  • Julius Rosenwald Fund
  • Lincoln University
  • Race relations--United States

Contributors

  • Barnes, Albert C. (Albert Coombs), 1872-1951
  • Bond, Horace Mann, 1904-1972
  • Bond, James, 1863-1929
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Nkrumah, Kwame, 1909-1972

Types of material

  • Photographs

Brown, Daniel A.

Daniel A. Brown Photograph Collection, 1968-2003.

ca.450 items
Call no.: PH 011
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Subjects

  • Babbitt, Elwood, 1922-
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Metelica, Michael
  • Renaissance Community (Commune)

Contributors

  • Brown, Daniel A
  • Cohen, Gary

Types of material

  • Photographs

Brown, John, 1800-1859

John Brown Research Collection, 1826-1942.

10 reels of microfilm (0.5 linear feet).
Call no.: MS 308 mf

Microfilm containing documents drawn from various repositories including John Brown’s correspondence with family, friends, and others; court records and testimony; transcripts of interviews and other personal reminiscences; drafts of narratives; memorandum book; drafts of speeches; church records; minutes of Anti-slavery Society of Lawrence, Kansas; financial and legal records; broadsides and circulars; newspaper clippings; other miscellaneous records.

Subjects

  • Abolitionists--United States--History
  • Slavery--United States--History
  • United States--History--Civil War, 1861-1865--Causes

Contributors

  • Brown, John, 1800-1859

Chapin, Irene A.

Irene A. Chapin Diaries, 1926-1935.

4 vols. (0.25 linear feet).
Call no.: MS 585
Irene Chapin and friends
Irene Chapin and friends

In March 1926, Irene A. Chapin (1901-1987) left La Crescenta, Calif., having lost her job in the office of Certain-Teed Corp., and returned home to Chicopee, Mass. Resuming work at the Fisk Tire Co., where she had begun at age 18, Chapin led an active social life, playing bridge and tennis, going to the theatre, and dining with friends. In 1927, she and a fellow stenographer at Fisk, Marion E. Warner (1904-1989), developed an intense friendship that blossomed into a same sex relationship.

Irene Chapin’s pocket-sized diaries include a brief, but densely written record of daily life, from the weather to work and the ebb and flow of a young woman’s social relations. Concerned about her ability to make a success of her job and personal life, Chapin remained sociable and possessed of a wide circle of friends, mostly women. Her diary records a long succession of bridge parties, hikes in the hills, vacations, hockey games, and Chapin alludes frequently to her increasingly intimate intimacy with Marion. Several passages written in shorthand provide additional details on the developing relationship. A photograph laid into the diary for 1927 depicts three women standing in front of a house, one of whom is presumably Chapin.

Subjects

  • Chicopee (Mass.)--Social life and customs
  • Lesbians--Massachusetts
  • Women--Diaries

Contributors

  • Chapin, Irene A
  • Warner, Marion E

Types of material

  • Diaries
  • Photographs
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