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Clamshell Alliance

Clamshell Sun Quilt Collection, 1978
1 box (1.5 linear feet)
Call no.: MS 916
Winifred Sayer and the Sun Quilt, 1978
Winifred Sayer and the Sun Quilt, 1978

To raise funds for the restoration/occupation of the nuclear power plant at Seabrook, N.H., and to support the young Clamshell Alliance, antinuclear activists raffled off a hand-made quilt, a bicycle, totebag, and t-shirts at the 1978 Towards Tomorrow Fair at UMass Amherst. Designed by Carrie Dickerson in a multi-color sun pattern and sewn by the Oklahoma Citizens for Safe Energy, the patchwork quilt (74 x 82″) was won by Winifred D. Sayer, who also took home a totebag.

This small collections the Clamshell Sun Quilt, photographs of Dickerson with the quilt, of Sayer with the quilt (by Lionel Delevingne) and Sayer with her prize, a piece of ephemera announcing the raffle, and a copy of the Clamshell Alliance songbook, Songs to Stop Seabrook (1978).

Subjects
  • Antinuclear movement--Massachusetts
  • Antinuclear movement--Oklahoma
  • Seabrook Nuclear Power Plant (N.H.)
  • Toward Tomorrow Fair
Contributors
  • Delevingne, Lionel
  • Dickerson, Carrie
Types of material
  • Photographs
  • Quilts

Clapp, Charles Wellington

Charles Wellington Clapp Papers, 1882-1886
1 box (0.25 linear feet)
Call no.: RG 050 C53

Born on Jan. 4, 1863, and raised in Montague, Mass., Charles Wellington Clapp entered Massachusetts Agricultural College as a freshman during the fall 1882. Shouldering the standard coursework in agriculture and engineering, Clapp graduated with the class of 1886 and went on to a career as a civil engineer in Greenfield, Mass.

Written by Clapp to his sister Mary during his undergraduate years at MAC, the 31 letters in this collection provide a lighthearted and engaging glimpse into the academic work and extra-curricular activities of a typical early student at Mass Aggie. Noteworthy among these letters are early references to football being played at the college and an effective hand-drawn map of campus, both from 1882.

Subjects
  • Massachusetts Agricultural College--Students
Contributors
  • Clapp, Charles Wellington
Types of material
  • Letters (Correspondence)
  • Maps

Class Action

Class Action Records, 2004-2010
13 boxes (19.5 linear feet)
Call no.: MS 687

Since incorporating as a non-profit in 2004, Class Action has been dedicated to exploring issues surrounding class and identifying means of dismantling classism. Founded by Felice Yeskel (an activist and founder of the Stonewall Center at UMass Amherst) and Jennifer Ladd, Class Action offers training, workshops, and organizational consulting to raise awareness of the impact of class barriers and class privilege on the lives of individuals and communities and of the intersections between race and class. Their goals include making class a diversity issue and promoting a broader vision of economic and social justice that will create lasting systemic change.

The records of Class Action include administrative files for the organization along with a range of materials used in training sessions and workshops.

Subjects
  • Classism
  • Racism
  • Social classes
Contributors
  • Ladd, Jennifer
  • Yeskel, Felice
Types of material
  • Sound recordings

Cleary, Marie Sally

Marie Sally Cleary Papers, 1980-2000
3 boxes (4 linear feet)
Call no.: MS 606

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

Subjects
  • Bulfinch, Thomas, 1796-1867
  • Mythology
Contributors
  • Cleary, Marie Sally

Cornish, Michael

Michael Cornish Photograph Collection, ca.1975-2005
20 boxes (20.5 linear feet)
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

Culley, Margo

Margo Culley Papers, 1973-1985
1 box (1.5 linear feet)
Call no.: FS 103

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Women
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women's Studies
Contributors
  • Culley, Margo

Curran, Mary Doyle, 1917-1981

Mary Doyle Curran Papers, 1917-1980
7 boxes (3.5 linear feet)
Call no.: MS 435
Mary Curran Doyle and dog
Mary Curran Doyle and dog

Born in Holyoke, Massachusetts in 1917 and a graduate of Massachusetts State College, Mary Doyle Curran was an author, editor, and professor, who published her only novel, The Parish and the Hill, in 1948. Curran taught English and Irish Literature at Wellesley College, Queens College, and UMass Boston before retiring; she died in 1981.

The collection includes unpublished drafts of novels and short stories; photographs; correspondence from family and friends; publishers and literary associates such as Saul Bellow and Josephine Herbst. The Parish and the Hill, Curran’s only published novel, is today considered a classic among Irish American literature.

Subjects
  • Holyoke (Mass.)--History
  • Irish American literature
  • Irish American women--History
  • Women authors--Massachusetts
Contributors
  • Bellow, Saul
  • Curran, Mary Doyle, 1917-1981
  • Halley, Anne
  • Herbst, Josephine, 1892-1969
Types of material
  • Photographs

Donohue, Joseph W., 1935-

Joseph W. Donohue Papers, 1963-2003
37 boxes (55.5 linear feet)
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects
  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Donohue, Joseph W., 1935-

Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010
23 boxes (12 linear feet)
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects
  • Theater--England--London
  • Theater--New York (State)--New York
Contributors
  • Donohue, Joseph W., 1935-
Types of material
  • Ephemera
  • Playbills

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

W.E.B. Du Bois Papers, 1803-1984
328 boxes (168.75 linear feet)
Call no.: MS 312
W.E.B. Du Bois Papers image
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Subjects
  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Crisis (New York, N.Y.)
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • National Association for the Advancement of Colored People
  • Pan-Africanism
  • United States--Race relations
Contributors
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Photographs
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