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Burt V Brooks image of farmstead
Alton Blackington image of woman with feathered hat
Alton Blackington image of woman selling walnuts
Burt V Brooks image of young woman
Burt V Brooks image of family
Burt Brooks image of young woman
Alton Blackington image of crystal gazer
Burt V Brooks image of dog on porch
Alton Blackington image of woman and parrot
Alton Blackington image of cat
Alton Blackington image of young woman
Alton Blackington image of Cleo the monkey
SCUA

Results for: “University Dancers (University of Massachusetts Amherst)” (1058 collections)SCUA

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Andrews, Carol D.

Carol D. Andrews Collection, 2001-2002.

1 box (0.5 linear feet).
Call no.: PH 031

A resident of New Braintree, Massachusetts, Carol Andrews became interested in the work of gravestone carvers when working on the history of her local cemetery. She has subsequently conducted research on the history and production of carvers from central and western Massachusetts during the eighteenth and early nineteenth centuries.

The Andrews Collection contains photographs and research notes arranged in alphabetical order regarding the work of identified Massachusetts carvers. Among the names represented in the collection are Abercrombie, Codner, Colburn, Daugherty, Geyer, Hartwell, Hastings, Kenfield, Kilburn, Kinney, Lewis, New, Park, Pool, Pratt, Rankin, Reed, Sikes, White, and Woods. Andrews assembled more comprehensive representations of the work of the Soules (Beza Sr. and Jr., Coomer, et al.), William Young, and Thomas Harmon. The collection also includes some correspondence with Vincent Luti and Robert Drinkwater relating to her research.

Subjects

  • Gravestones--Massachusetts
  • Stone carving--Massachusetts

Contributors

  • Andrews, Carol D
  • Association for Gravestone Studies
  • Drinkwater, Robert
  • Luti, Vincent

Types of material

  • Letters (Correspondence)
  • Photographs

Antislavery

Digital (+)

Antislavery Pamphlet Collection, 1725-1911.

(7.5 linear feet).
Call no.: RB 003

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Subjects

  • Abolitionists--Massachusetts
  • Antislavery movements--United States
  • Slavery--United States

Contributors

  • American Anti-Slavery Society
  • American Colonization Society

Archivo General de Notarias (Mexico)

Archivo General de Notarias (Mexico) Collection, 1829-1875.

8 boxes (12 linear feet).
Call no.: MS 272

With funding from the Tinker Foundation, the historian Robert Potash and colleagues in the UMass Amherst Computing Center and at the Colegio de Mexico collaborated in 1982 on a project to test the feasibility of using computers to create guides to the richly structured, but poorly organized records of notaries in Spanish America. The collaborative issued their results under the title Guide to the notarial records… (1982), which was followed by several volumes issued by the Colegio de Mexico.

This collection consists of photocopies of records selected from the Notarial Archives in Mexico City from the years 1829, 1847, and 1875, along with data tabulation sheets and computer print-outs.

Subjects

  • Mexico--History--19th century
  • Notaries -- Mexico -- History

Contributors

  • Potash, Robert A., 1921-

Types of material

  • Notarial documents

Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection, 1977-2013.

2 boxes (3 linear feet).
Call no.: MS 832
John Roy, Three Cows
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects

  • Art and technology
  • Lithography
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History

Contributors

  • Davies, Hanlyn
  • Feshbach, Oriole Farb
  • Michaud, Ronald
  • Murata, Hiroshi, 1941-
  • Roy, John
  • Schläppi, Dale

Types of material

  • Lithographs
  • Photographs

Bartels, Elmer C.

Elmer C. Bartels Papers, 1965-2010.

8 boxes (12 linear feet).
Call no.: MS 817

As the Commissioner of the Massachusetts Rehabilitation Commission for thirty years, Elmer C. Bartels became a national leader on issues related to vocational rehabilitation and independent living for people with disabilities. While studying physics at Colby College in 1960, Bartels broke his neck in an inter-fraternity hockey game, but returned to complete his degree and then to earn an MS at Tufts. While working as a computer programmer at the Laboratory for Nuclear Science at MIT and later at Honeywell, he became involved in coordinating services and access that members of the community needed to survive. To address the range of issues relating to employment, housing, and architectural barriers for people with disabilities, he helped found three significant organizations: the Massachusetts Association of Paraplegiacs (1964), the Massachusetts Council of Organizations of the Handicapped (a cross-disability organization created in the late 1960s with Harold Remmes) and the Boston Center for Independent Living (1972). Bartels was a key figure in securing passage of the Rehabilitation Act of 1973, considered the first civil-rights statute for persons with disabilities. In 1977, Bartels was appointed to the Massachusetts Rehabilitation Commission by Gov. Michael Dukakis, serving under seven successive administrations, leaving an important mark on public policy. Since leaving the MRC, Bartels has remained active as a teacher and advocate for disability issues.

The Bartels Papers are an important resource for study of the early history of disability advocacy and public policy in Massachusetts. The collection includes a wealth of material on the formation and activity of the Massachusetts Association of Paraplegiacs, the National Paraplegia Foundation, and the Mass Rehabilitation Commission; correspondence with other leading figures in the disability rights movement; and publications relating to legislation on disability issues, vocational rehabilitation, and independent living.

Subjects

  • People with disabilities--Civil rights
  • People with disabilities--Legal status, laws, etc.

Contributors

  • Massachusetts Association of Paraplegiacs
  • Massachusetts Rehabilitation Commission

Black Mass Communications Project

Black Mass Communications Project Collection, ca.1970-1985.

10 boxes (15 linear feet).
Call no.: RG 045/30 B4

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

Subjects

  • African American college students
  • African American music
  • College radio stations--Massachusetts
  • WFCR (Radio station : Amherst, Mass.)
  • WMUA (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings

Boardman, Charles M.

Charles M. Boardman Papers, 1919-1949.

1 box (0.5 linear feet).
Call no.: FS 035

A member of of QTV fraternity, Charles Meade Boardman graduated from the Massachusetts Agricultural College in 1920 with a degree in landscape gardening.

Boardman’s Papers include two of his college yearbooks, a smattering of correspondence from the 1920s relating to landscape gardening, and approximately 30 photographs, apparently taken during or shortly after his time at MAC.

Subjects

  • Landscape gardening
  • University of Massachusetts Amherst--Students

Contributors

  • Boardman, Charles M

Brotherhood of the Spirit

Brotherhood of the Spirit Documentary, ca.1973.

15.24 minutes
Call no.: Video

Beginning in a treehouse in Leyden, Mass., during the summer of 1968, the Brotherhood of the Spirit (later the Renaissance Community) grew to become the largest commune in the eastern United States. Founded by Michael Metelica and six friends, and infused with the spiritual teachings of Elwood Babbitt, the commune relocated several times during its first half decade, setting down at different points in Heath, Charlemont, Warwick, Turners Falls, and Gill, Mass., as well as Guilford, Vt.

Produced at UMass Amherst, this video (digitized from a 16mm motion picture original) provides a largely laudatory glimpse of commune life during the boom years of the Brotherhood of the Spirit, probably around 1973. Sound quality in the video is highly uneven, often poor, particularly in the first two minutes.

Subjects

  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Metelica, Michael

Types of material

  • Motion pictures (Visual works)

Business (misc.)

Business Collection, 1915-1989.

1 box (0.25 linear feet).
Call no.: MS 329

Publications and reports from miscellaneous businesses including Northeast Utilities and Turners Falls Power and Electric Company as well as from the Employers’ Association of Western Massachusetts and the Industrial Accident Board.

Contributors

  • Employers' Association of Western Massachusetts
  • Northeast Utilities Company
  • Turners Falls Power and Electric Company

Cambodian New Year

Finding aid

Cambodian New Year Celebration Collection, 1986.

1 box (1.5 linear feet).
Call no.: MS 114
At home, photo by Cham Nan Koy, 1982
At home, photo by Cham Nan Koy, 1982

Organized by UMass anthropology professor Joel Halpern, the images in this collection were put on display during the Cambodian New Year celebration in 1986. As part of the celebration, members of the large community of Cambodian refugees who have resettled in Amherst were recognized.

The collection consists of photographs as well as programs, correspondence, and financial records pertaining to the Cambodian-Americans in Amherst New Year’s Day Celebration and Exhibit of 1986.

Subjects

  • Amherst (Mass.)--Social life and customs
  • Cambodian Americans
  • Political refugees--United States
  • Refugees--Cambodia

Contributors

  • Halpern, Joel M. (Joel Martin), 1929-

Types of material

  • Photographs
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