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Copies & fees

How do I request copies?

Cow display

Cow display, MAC, ca.1930

Although our goal is to facilitate free and unfettered access to the materials under our care, Special Collections and University Archives (SCUA) may assess fees to recover the costs of reproduction or for publication of graphic materials. SCUA provides photocopies and reproductions in reasonable amounts for scholarly use under the following conditions:

  • Copies are prepared solely for the use of the researcher and may not be reproduced, published, broadcast, or placed in other repositories without the prior written permission of the Head of Special Collections and University Archives.
  • SCUA does not sell photocopies, photographs, or digital reproductions. Fees are assessed for services in identifying, copying, and transmitting duplicates. Copies are made only by SCUA staff.
  • SCUA reserves the right to limit the number of photoduplicates in any order and may decline to make duplicates if the item might be damaged in the process. Orders are limited to no more than 400 photocopies per researcher, per month.
  • Except for brief excerpts, SCUA will not duplicate copyrighted material without the written permission of the copyright owner. Researchers assume sole responsibility for any infringement of copyright.
  • Permission to publish must be requested separately, in writing.

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Requests may be addressed to our archivists.

What are the fees?

  • Photoreproduction fees
    • Photocopies: 30 cents per page.
    • Low Resolution Scans: 30 cents per page.
    • High Resolution Scans: $5.00 each (Images are typically scanned at 100% of the original size at a resolution of 300 dpi.)
  • Publication fees (for images):
    • Academic or not for profit publications: $35.00 per image
    • Commercial publications: $125.00 per image
    • Cover art: $100.00 (academic) to $200.00 per image (commercial)
  • Payment:
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Cornish, Michael

Michael Cornish Photograph Collection, ca.1975-2005
20 boxes (20.5 linear feet)
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

Culley, Margo

Margo Culley Papers, 1973-1985
1 box (1.5 linear feet)
Call no.: FS 103

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Women
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Amherst. Program in Women's Studies
Contributors
  • Culley, Margo

Curran, Mary Doyle, 1917-1981

Mary Doyle Curran Papers, 1917-1980
7 boxes (3.5 linear feet)
Call no.: MS 435

Mary Curran Doyle and dog

Born in Holyoke, Massachusetts in 1917 and a graduate of Massachusetts State College, Mary Doyle Curran was an author, editor, and professor, who published her only novel, The Parish and the Hill, in 1948. Curran taught English and Irish Literature at Wellesley College, Queens College, and UMass Boston before retiring; she died in 1981.

The collection includes unpublished drafts of novels and short stories; photographs; correspondence from family and friends; publishers and literary associates such as Saul Bellow and Josephine Herbst. The Parish and the Hill, Curran’s only published novel, is today considered a classic among Irish American literature.

Subjects
  • Holyoke (Mass.)--History
  • Irish American literature
  • Irish American women--History
  • Women authors--Massachusetts
Contributors
  • Bellow, Saul
  • Curran, Mary Doyle, 1917-1981
  • Halley, Anne
  • Herbst, Josephine, 1892-1969
Types of material
  • Photographs

Dean, Stephen A.

Stephen A. Dean Collection, 1983-2016 (Bulk: 2013-2016)
1 box (0.25 linear feet)
Call no.: MS 979

Since the 1960s, the chiropractor Stephen Dean has been one of the leading activists in Massachusetts opposing fluoridation of the water supply. Based in Springfield, he has been an effective organizer in antifluoridation campaigns in communities around the state, arguing against fluoridation both as a medical hazard and a violation of individual choice. In 2005, he led the successful effort to strike down a state mandate to fluoridate all civic water supplies.

This small collection contains a handful of articles and clippings collected by the activist Stephen A. Dean regarding fluoride and the fluoridation of water supplies, and a note offering his expert perspective to journalists writing about the controversy.

Gift of Stephen A. Dean, Feb. 2017
Subjects
  • Antifluoridation movement--Massachusetts

Donohue, Joseph W., 1935-

Joseph W. Donohue Papers, 1963-2003
37 boxes (55.5 linear feet)
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects
  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Donohue, Joseph W., 1935-

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

W.E.B. Du Bois Papers, 1803-1984
328 boxes (168.75 linear feet)
Call no.: MS 312
W.E.B. Du Bois Papers image
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Acquired from Shirley Graham Du Bois, 1973
Subjects
  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Crisis (New York, N.Y.)
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • National Association for the Advancement of Colored People
  • Pan-Africanism
  • United States--Race relations
Contributors
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Photographs

Duus, Peter, 1933-

Peter Duus Papers, ca.1970-2008
13 boxes (19.5 linear feet)
Call no.: MS 574

The William H. Bonsall Professor of History at Stanford University and a prolific scholar, Peter Duus has made significant contributions to the understanding of the development of Japanese imperialism and the emergence of the modern Japanese nation. Having received his doctorate from Harvard, Duus taught successively at Harvard, Washington University, and the Claremont Graduate School before arriving at Stanford in 1973. The recipient of numerous awards during his career, he has served in numerous positions within the field and as Director of the Center for East Asian Studies at Stanford.

The Duus Papers contain the professional correspondence, research notes, and other materials relating to the career of the eminent Japanologist, Peter Duus.

Subjects
  • Japan--History--20th century
  • Stanford University--Faculty
  • Stanford University. Department of History
Contributors
  • Duus, Peter, 1933-

ETHIR recipients

How can I apply for an ETHIR Fellowship?

2015

Chelsea Sams (Art)
Delene White (German and Scandinavian Studies)

2014

David Bendiksen (Comparative Literature)
Gregory Coleman (English)
Donald Geesling (Afro-American Studies)

2013

Spencer Kuchle (Afro-American Studies)
Jaime Pagana (Art History)

2012

Matthew Ferrari (Communications)
Nature, Landscape, and the Visual Culture of Sport Marketing in the McCormack Archive
Thomas Hopper (English)

2011

Molly Campbell (History)
Behold And See As You Pass By: Gravestones and Mortuary Art In Early New England
A digital exhibit drawn from the collections of the Association for Gravestone Studies
Tom Hohenstein (History)
Rhetoric or Research: The CIA at UMass
An examination of protests and counter-protests against CIA recruitment at UMass Amherst in the 1980s.
Emily Oswald (History)
Source, History, Story: Teaching U.S. History in the Archives

Events calendar

Double exposure of Steve Diamond

Double exposure of
Steve Diamond, ca.1985

To promote scholarship, raise public awareness of its collections, and encourage discussion of critical issues affecting American society, SCUA sponsors a number of events each year, including two annual colloquiua:

Throughout the year, the department sponsors other events, ranging from exhibit openings to lectures, book signings, and celebrations of donors and new donations. All SCUA events are free and open to the public. Please contact the department for additional information.

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