Results for: “Housing--Massachusetts--Amherst--History” (977 collections)SCUA

Váli, Ferenc A. (Ferenc Albert), 1905-

Ferenc A. Vali Papers, 1964-1969.

1 box (0.5 linear feet).
Call no.: FS 137
Ferenc Vali
Ferenc Vali

A scholar of international politics, Ferenc Vali left his native Hungary during the revolution of 1956 after five years of imprisonment for his political activities. Born on May 25, 1905, Vali was educated at the University of Budapest and London School of Economics (PhD, 1932), and worked as a Professor of International Law at the University of Budapest until his arrest. Following his escape and a brief period as Fellow at Harvard, he joined the faculty in political science at UMass Amherst in 1961. A popular lecturer, he became the first member of the Political Science Department to receive emeritus status in 1975. He died at his home in Amherst in 1984.

The Vali collection includes both published and unpublished essays by Ferenc Vali on Hungary during the post-revolutionary years and idealism and realism in American foreign policy.


  • Hungary--History--1945-1989
  • United States--Foreign relations
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Political Science


  • Váli, Ferenc A. (Ferenc Albert), 1905-

W.H. Grindol and Son

W.H. Grindol and Son, 1895-1900.

1 letterbook (0.25 linear feet).
Call no.: MS 705
Monument design
Monument design

A great-grandson of Revolutionary War general Henry Haller, William H. Grindol (1840-1927) settled with his family in Decatur, Illinois, in 1864, building a successful career in the retail marble trade. Beginning in partnership with Paul F. Jones, and later with his son, Grindol advertised his firm as dealers in “all kinds of foreign and American monuments,” selling marble and granite monuments, building stone, and iron reservoir vases. He was one of the founders of the Retail Marble and Granite Dealer’s Association of Illinois, serving as President of the Central District in 1897. Grindol died in Decatur in 1927 and is buried at Fairlawn Cemetery.

Grindol and Son’s letterpress copy book contains approximately 900 outgoing letters, 1895-1900, to marble and granite suppliers, in Vermont, Massachusetts, and other states. The majority of the correspondence consists of orders for gravemarkers, with many letters including measurements and other details, along with rough sketches of monuments, decorative motifs, and inscriptions.


  • Marble industry and trade--Illinois
  • Sepulchral monuments--Illinois


  • W.H. Grindol and Son

Types of material

  • Letterpress copies

Wangerin, David

David Wangerin Soccer Collection, 1887-2012.

4 boxes (6 linear feet).
Call no.: MS 850

David Wangerin (1962-2012) was a noted soccer historian, writing for When Saturday Comes, a British soccer magazine, and authoring several highly-respected books on the history of soccer in America, including Soccer in a Football World: The Story of America’s Forgotten Game (2006) and Distant Corners: American Soccer’s History of Missed Opportunities and Lost Causes (2008). Born in Chicago and growing up in Wisconsin, Wangerin was a soccer enthusiast all his life and in 1978 helped to set up one of the first adult soccer leagues in the Jefferson County area. He also coached the first girls’ and boys’ soccer teams at Fort Atkinson High School in 1986. He moved to the U.K. in 1987, in part as a fan of Aston Villa Football Club, and was employed at an Edinburgh-based asset management firm. He passed away from cancer in 2012 at 50.

The Wangerin collection encompasses research materials for his books and articles, almost extensively photocopies of newspaper articles on American soccer matches, plus approximately 200 books on the history of soccer and the NFL. Wangerin plots the ebb and flow of American soccer through stories in major publications and, more significantly, small local newspapers. A rare collection of sources on a topic that can almost only be researched through the press it garnered, a selection of materials documents early St. Louis and Wisconsin soccer leagues.


  • Soccer--History


  • American Soccer League
  • Major League Soccer (Organization)
  • North American Soccer League

What is in UMarmot?

The Marmot, a Wayfinder

UMarmot is an online interactive catablog containing information on all manuscript and archival collections held by the Department of Special Collections and University Archives of the UMass Amherst Libraries.

What does a UMarmot record contain?

Each UMarmot record contains a brief description of each collection, including the collection name, size, and date range, a brief description of its contents, selected subject terms, and links (when available) to detailed finding aids and other online resources. Each record is also indexed under one or more general subject categories, which may be selected using the drop-down menu on the right side of the page.

Searches in UMarmot cover the complete contents of all records, including the detailed finding aids when available. Finding aids are cross-posted on the Five Colleges Consortium finding aids website.

We welcome comments on collections or the website and thank you for bearing with us while we burrow into the future.

What collections are included in UMarmot?

  • Manuscript collections: personal papers, organizational records, and documents
  • Papers of faculty, staff, and administrators from UMass Amherst
  • University Archives from UMass Amherst
  • Photographic collections, some containing thumbnails of individual images
  • Book collections: overviews at the collection level only. Individual titles are cataloged in the UMass Amherst Libraries’ online catalog.
  • Digital collections, including those that are part of manuscript, archival, photographic, or book collections

What is not included in UMarmot?

What lies behind the UMarmot catablog?

UMarmot was launched in early 2007 as a response to two perceived needs. First, we were seeking a low cost solution to maximizing public access to our collections, and second, we hoped to find a solution that could be shared with colleagues in institutions with less support for technological initiatives. After completing a comprehensive survey of our holdings and generating standards-compliant, minimal descriptions of each collection, we recognized that the indexing capacity, web-readiness, and familiarity of blogging software made it easy to adapt into an online catalog. Thus the “catablog” was born.

After reviewing surveying options for blogging software, we selected WordPress for its superior combination of power, ease of development and maintenance, and flexibility in design. Because our goal was to make catablogging accessible to all, we initially refrained from developing UMarmot beyond installing freely-available plugins, and although we have subsequently delved into building our own themes, we have sought to keep the focus on keeping UMarmot as an inexpensive, easily implemented, open source alternative. The UMarmot approach had been taken up by many institutions and projects, some of whom have added their own interesting twists.

We are always glad to share our experiences with UMarmot and are available to help anyone interested in building their own catablog.

Williams, Gray

Association for Gravestone Studies Collection

Gray Williams Photograph Collection, ca.1988-2000.

3 boxes (1.5 linear feet).
Call no.: PH 027

The editor, writer, and photographer Gray Williams was born in New York City in 1932, and spent most of his life in Chappaqua (Westchester County), N.Y. A 1954 graduate of Yale, Williams worked in the publishing industry for many years, including for the Metropolitan Museum of Art and the Museum of Modern Art, and since 1988, he has been a freelance writer, editor, and photographer. Long dedicated to history and historical preservation, he has served as New Castle Town Historian, chair of the New Castle Landmarks Advisory Committee, trustee of the Westchester County Historical Society, and as a member of the Property Council at the National Trust property Lyndhurst. He is the author of Picturing Our Past: National Register Sites in Westchester County (Westchester County Historical Society, 2003). A specialist in the early stone carvers of New York and Connecticut, as well as the use of grave monuments to illuminate and enrich the study of American history, art, and culture, Williams is a former trustee of the Association for Gravestone Studies and has contributed articles to its annual journal, Markers, and its Quarterly. In 2007, he was awarded the Association’s Harriette Merrifield Forbes Award for contributions to scholarship and preservation in the field.

The photographs and research materials he has contributed to the Association for Gravestone Studies are largely devoted to the subjects of three articles in the AAGS journal, Markers: “‘Md. by Thomas Gold': The Gravestones of a New Haven Carver,” in collaboration with Meredith M. Williams, Markers V (1988); “Solomon Brewer: A Connecticut Valley Yankee in Westchester County,” Markers XI (1994); “By Their Characters You Shall Know Them: Using Styles of Lettering to Identify Gravestone Carvers,” Markers XVII (2000). The collection also includes photographs taken during AGS conferences, principally in New England, as well as a small group taken in Natchez Cemetery in Mississippi.


  • Sepulchral monuments--New York
  • Stone carving--New York


  • Association for Gravestone Studies
  • Williams, Gray

Types of material

  • Photographs

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.


  • Deadheads (Music fans)--Photographs


  • Wolf, Lloyd

Types of material

  • Photographs

Woodcock, Christopher L. F.

Christopher L. F. Woodcock Papers, 1968-1974.

2 boxes (3 linear feet).
Call no.: FS 158

The distinguished cellular biologist Chris Woodcock came to UMass Amherst in 1972 after receiving a doctorate at the University College London (1966) and appointments at the University of Chicago and Harvard. During a long and highly productive career, Woodcock became widely known for work on the structure and functions of the cell nucleus and its components, applying a variety of advanced techniques to investigate the architecture and dynamics and chromatin folding at the nucleosome level and the larger scale architecture of chromosomes. A prolific grant writer and recipient, he helped build the Central Microscopy Facility at UMass, serving as its Director, and was appointed Gilbert Woodside Chair in Zoology in 1994.

The Woodcock collection consists of a series of laboratory notebooks kept during his early research on the green alga Acetabularia, accompanied by hundreds of electron micrographic photographs of cellular structures.


  • Cytology
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Zoology

Types of material

  • Laboratory notes

Zube, Ervin H.

Ervin H. Zube Papers, 1959-1997.

19 boxes (28.5 linear feet).
Call no.: FS 017
Ervin H. Zube
Ervin H. Zube

Ervin H. Zube was the head of the University’s Landscape Architecture and Regional Planning department (LARP) from 1965-1977. His groundbreaking research on landscape architecture and assessment helped define the international importance and influence of the field and his consultancy work, most notably with the National Park Service, brought his intellectual achievements into practical application. Born on April 24, 1931 in Milwaukee, Wisconsin, Zube earned his B.S. at the University of Wisconsin in 1954. After a two year service in the United States Air Force, Zube enrolled in Harvard’s Graduate School of Design where he received his M.L.A in 1959. Zube held teaching positions at the University of Wisconsin and the University of California, Berkeley before beginning his ten year professorship at the University of Massachusetts in 1965. As the head of LARP, Zube established the Environmental Design program, which introduced a revolutionary cross-discipline approach to the study of landscape architecture. Zube became the director of the Institute for Man and the Environment in 1972 and restructured the institute to support academic research in new, important topics including community development and cooperation with the National Park Service, seeding important national and international institutions with progressively educated researchers. As a consultant, Zube helped the National Park Service develop their “master plan” for Yosemite and worked with numerous national and international institutions to manage and assess their environmental resources. Zube ended his career as a professor at the University of Arizona where he retired in 1983. He remained active in the field until his death in 2001.

The Ervin H. Zube papers include Zube’s lecture notes and academic correspondence, research materials and publications representing his work in landscape assessment and architecture, notes and reports from his consultancy work with many institutions and committees, correspondence from his role as a conference planner, as well as correspondence relating to his many book reviews. Zube’s papers also cover his research and teaching while at the University of Arizona and contain photographs from his research on the Connecticut River Valley.


  • Institute for Man and the Environment
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning


  • Zube, Ervin H.

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.


  • Montague (Mass.)--Social life and customs


  • Aldrich family

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.

Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Listen now to music, interviews, news reports, live performances and ads from the archives of the new documentary film, The American Revolution, which tells the story of how in the late 1960s and early 70s a radio station, politics and rock and roll changed everything.

Audio recordings in this collection are licensed through SoundExchange allowing you to listen to the original content and format from the radio broadcasts.

You can listen to the stream at this link:


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings
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