University of Massachusetts Amherst
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Chase, David G.

David G. Chase Collection
ca.1975-1987
3 boxes (4.5 linear feet)
Call no.: MS 809

An electron microscopist affiliated with the Sepulveda Veterans Administration Hospital, David Chase (1935-1986) was known for his skill in fixation, staining, and sectioning and for the exceptional quality of his micrographs. During his career, Chase applied his skills to produce thousands of images of the structure, ultrastructure, and morphology of prokaryotes, ranging from filamented, segmented bacteria to the flagellate Giardia, and gram-negative bacteria. In collaboration with Lynn Margulis of the UMass Amherst Department of Biology, Chase worked on a series of papers on the symbiotic flagellated protozoan communities in the hindguts of four species of California termites.

The Chase collection consists of over 1,800 TEM photos and their negatives, 134 polaroid prints, and about half a linear foot of loose notes and a register.

Subjects
  • Endosymbiosis
  • Protozoans--Composition
Contributors
  • Margulis, Lynn, 1938-2011
Types of material
  • Laboratory notes
  • Transmission electron micrographs

Clamshell Alliance

Clamshell Sun Quilt Collection
1978
1 box (1.5 linear feet)
Call no.: MS 916

Winifred Sayer and the Sun Quilt, 1978

To raise funds for the restoration/occupation of the nuclear power plant at Seabrook, N.H., and to support the young Clamshell Alliance, antinuclear activists raffled off a hand-made quilt, a bicycle, totebag, and t-shirts at the 1978 Towards Tomorrow Fair at UMass Amherst. Designed by Carrie Dickerson in a multi-color sun pattern and sewn by the Oklahoma Citizens for Safe Energy, the patchwork quilt (74 x 82″) was won by Winifred D. Sayer, who also took home a totebag.

This small collections the Clamshell Sun Quilt, photographs of Dickerson with the quilt, of Sayer with the quilt (by Lionel Delevingne) and Sayer with her prize, a piece of ephemera announcing the raffle, and a copy of the Clamshell Alliance songbook, Songs to Stop Seabrook (1978).

Subjects
  • Antinuclear movement--Massachusetts
  • Antinuclear movement--Oklahoma
  • Seabrook Nuclear Power Plant (N.H.)
  • Toward Tomorrow Fair
Contributors
  • Delevingne, Lionel
  • Dickerson, Carrie
Types of material
  • Photographs
  • Quilts

Clapp, Charles Wellington

Charles Wellington Clapp Papers
1882-1886
1 box (0.25 linear feet)
Call no.: RG 050 C53

Born on Jan. 4, 1863, and raised in Montague, Mass., Charles Wellington Clapp entered Massachusetts Agricultural College as a freshman during the fall 1882. Shouldering the standard coursework in agriculture and engineering, Clapp graduated with the class of 1886 and went on to a career as a civil engineer in Greenfield, Mass.

Written by Clapp to his sister Mary during his undergraduate years at MAC, the 31 letters in this collection provide a lighthearted and engaging glimpse into the academic work and extra-curricular activities of a typical early student at Mass Aggie. Noteworthy among these letters are early references to football being played at the college and an effective hand-drawn map of campus, both from 1882.

Subjects
  • Massachusetts Agricultural College--Students
Contributors
  • Clapp, Charles Wellington
Types of material
  • Letters (Correspondence)
  • Maps

Class Action

Class Action Records
2004-2010
13 boxes (19.5 linear feet)
Call no.: MS 687

Since incorporating as a non-profit in 2004, Class Action has been dedicated to exploring issues surrounding class and identifying means of dismantling classism. Founded by Felice Yeskel (an activist and founder of the Stonewall Center at UMass Amherst) and Jennifer Ladd, Class Action offers training, workshops, and organizational consulting to raise awareness of the impact of class barriers and class privilege on the lives of individuals and communities and of the intersections between race and class. Their goals include making class a diversity issue and promoting a broader vision of economic and social justice that will create lasting systemic change.

The records of Class Action include administrative files for the organization along with a range of materials used in training sessions and workshops.

Subjects
  • Classism
  • Racism
  • Social classes
Contributors
  • Ladd, Jennifer
  • Yeskel, Felice
Types of material
  • Sound recordings

Cleary, Marie Sally

Marie Sally Cleary Papers
1980-2000
3 boxes (4 linear feet)
Call no.: MS 606

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

Subjects
  • Bulfinch, Thomas, 1796-1867
  • Mythology
Contributors
  • Cleary, Marie Sally

Cornish, Michael

Michael Cornish Photograph Collection
ca.1975-2005
20 boxes (20.5 linear feet)
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

Curran, Mary Doyle, 1917-1981

Mary Doyle Curran Papers
1917-1980
7 boxes (3.5 linear feet)
Call no.: MS 435

Mary Curran Doyle and dog

Born in Holyoke, Massachusetts in 1917 and a graduate of Massachusetts State College, Mary Doyle Curran was an author, editor, and professor, who published her only novel, The Parish and the Hill, in 1948. Curran taught English and Irish Literature at Wellesley College, Queens College, and UMass Boston before retiring; she died in 1981.

The collection includes unpublished drafts of novels and short stories; photographs; correspondence from family and friends; publishers and literary associates such as Saul Bellow and Josephine Herbst. The Parish and the Hill, Curran’s only published novel, is today considered a classic among Irish American literature.

Subjects
  • Holyoke (Mass.)--History
  • Irish American literature
  • Irish American women--History
  • Women authors--Massachusetts
Contributors
  • Bellow, Saul
  • Curran, Mary Doyle, 1917-1981
  • Halley, Anne
  • Herbst, Josephine, 1892-1969
Types of material
  • Photographs

Davis, Bobby

Bobby Davis Photograph Collection
1980-1983
1 box (0.2 linear feet)
Call no.: PH 065

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Gift of Bobby Davis, Jan. 2015
Subjects
  • Jazz musicians--Photographs
Types of material
  • Photographs

Du Bois Fellowship Recipients

2016

John Hyland (English, University of Buffalo and Haverford College)
“The forest of melody: Black Diasporic Poetics and the Sounding of the Environment”
Nicholas T. Rinehart (English, Harvard University)
“‘These illegitimate children of my thought’: The dramatic work and criticism of W.E.B Du Bois”

2015

Nneka Dennie (Afro-American Studies, UMass Amherst)
“Black Male Feminism and the Evolution of Du Boisian Thought, 1903-1920”
Crystal Webster (Afro-American Studies, UMass Amherst)
“‘The Transfiguring Soul of Childhood’: Du Bois and the Social, Political, and Cultural Role of Black Children”

2014

Brandon Byrd (Assistant Professor of History, Mississippi State University and University of North Carolina)
“The Problem of Haiti as it Stands Today:” W.E.B. Du Bois on the U.S. Occupation of Haiti, 1915-1934″
Donald Geesling (Afro-American Studies, UMass Amherst)
“Black Song and the Talented Tenth: The Musical Imagination of W.E.B. Du Bois, 1902-1942”

2013

Horace D. Ballard Jr. (Public Humanities, History of Art, and American Studies, Brown University)
“Ethics and Aesthetics: Citizenship and Form”
Emahunn Raheem Ali Campbell (Afro-American Studies, UMass Amherst)
“W.E.B. Du Bois’s Literary Interventions on Black Criminality”
Daniel Chard (History, UMass Amherst)
Exploring the history of ’60s-’70s radical groups allows Chard to investigate the origins of the first police institutions in the U.S. dedicated to domestic “counter-terrorism”

2012

J. Anthony Guillory (Afro-American Studies, UMass Amherst)
“The Physical Uplift of Race”
Desmond Jagmohan (Government, Cornell)
“Creating Community, Cultivating Citizens, and Interrogating Jim Crow: The Political Thought of Booker T. Washington”

2011

Markeysha Davis (Afro-American Studies, UMass Amherst)
“Daring propaganda for the beauty of the Human Mind’:
Redefinition and Reaffirmation of the New Black Self in Poetry and Drama of the 1960s and 1970s”
Ricky Fayne (English, Northwestern)
“‘The Shadow of a Mighty Negro Past’: Du Bois and the Re-memory of Africa in to the Black America”

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

W.E.B. Du Bois Papers
1803-1984
328 boxes (168.75 linear feet)
Call no.: MS 312
Image of W.E.B. Du Bois
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Acquired from Shirley Graham Du Bois, 1973
Subjects
  • African Americans--Civil rights
  • African Americans--History--1877-1964
  • Crisis (New York, N.Y.)
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracy
  • National Association for the Advancement of Colored People
  • Pan-Africanism
  • United States--Race relations
Contributors
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Photographs
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