from Benjamin Smith Lyman Papers
The Department of Special Collections and University Archives collects and preserves textual, visual, and auditory materials of enduring historical value and makes them available to researchers at no charge.
The collections held by SCUA are rich and deeply interrelated, documenting four areas of historic and cultural interest: social change, New England, the University of Massachusetts, and innovation and entrepreneurship.
Among the distinguished collections held by SCUA are the records of:
- W.E.B. Du Bois and Horace Mann Bond (African American intellectuals and civil rights pioneers)
- The Africa America Institute
- The New England Yearly Meeting of Friends (350 years of Quaker history in the region)
- The Hampshire Council of Governments (350 years of county-level governance in western Massachusetts
- David Steindl-Rast (Benedictine monk, participant in interfaith dialogue, and student of the interaction between spirituality and science)
- Kenneth R. Feinberg (attorney and public figure)
- Congressman Silvio E. Conte and John Olver, Gov. Jane Swift, and state Sen. Stanley Rosenberg (politicians)
- The Clarke School for the Deaf, International Center for the Disabled, Elmer C. Bartels, Fred Pelka and Denise Kurath, Judi Chamberlin, Lucy Gwin (advocates for people with disabilities)
- Benjamin Smith Lyman, William Smith Clark, and William Penn Brooks (natural scientists)
- Mark H. McCormack and Sidney Topol (innovators)
- William Lederer, Leonard Lewin, Jodi Picoult, Andrew Coburn, Mary McGarry Morris, Harvey Swados, Robert Francis, Charles Whipple (writers)
- Carl Oglesby, Eric Mann and Lian Hurst, Raymond Mungo, Anna Gyorgy, Mary Wentworth, Randy Kehler, the Liberation News Service, and the Alternative Energy Alliance (activists)
- Jeff Albertson, Burt Brooks, Alton H. Blackington, Lionel Delevingne, Thomas and Margaret Tenney, and Diana Mara Henry (photographers and photojournalists)
Information about all of our manuscript and photographic collections is included in UMarmot. Use the search box and menus to the right to navigate our collections and to locate collections of interest.
Michella Marino Oral History Collection, 2011-2012.
Call no.: MS 812
Michella Marino received her doctorate from the Department History of at UMass Amherst in May 2013. Her dissertation, Sweating femininity: women athletes, masculine culture, and American inequality from 1930 to the present, drew on extensive oral historical and archival research to examine how feminist women negotiated the cultural boundaries surrounding gender to carve out identities as women, athletes, and mothers. Focusing on women’s participation in two sports, basketball and roller derby, Marino wrote that her goal was to “explain the tension between women’s representation and agency, between cultural constructs and women’s lives, between images of women and their individual identities.”
The Marino Collection consists of 23 oral historical interviews with female and male participants in roller derby and basketball.
- Roller derby
- Sex discrimination in sports--History
- Sports for women
- Women athletes
- Women's basketball
Types of material
August Meier Collection, 1837-1984.
3 boxes, 329 titles (34.5 linear feet).
Call no.: MS 844
A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.
Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.
- African Americans--History
- Antislavery movements
- Camps--New York (State)
- Civil rights movements
- Communists--United States
- Du Bois, W. E. B. (William Edward Burghardt),1868-1963
- Oberlin College--Students
- Pioneer Youth of America
- Race relations
- World War, 1939-1945
Types of material
Memory Corps oral histories, 2011-2012.
Memory Corps was launched in 2011 to collect brief oral histories of the alumni of UMass Amherst. Interviews will include alumni from throughout the history of the university and center on memories of their experiences at UMass and their careers since.
- University of Massachusetts Amherst--Alumni
Types of material
Mary McGarry Morris Papers, 1958-2012 (Bulk: 1987-2012).
25 boxes (31.25 linear feet).
Call no.: MS 912
When her first novel, Vanished, was published in 1988, Mary McGarry Morris was immediately celebrated as a haunting and powerful writer of character-rich novels. A finalist for the National Book Award and the PEN/Faulkner Award for Fiction, Vanished was followed by seven more acclaimed novels: A Dangerous Woman (1991; released as a feature film in 1993), Songs in Ordinary Time (1995; a selection of Oprah’s Book Club), Fiona Range (2000), A Hole in the Universe (2004), The Lost Mother (2005), The Last Secret (2009), and Light from a Distant Star (2011). Morris was born in Connecticut, grew up in Rutland, Vermont, and with her lawyer husband, Michael, has long lived—and raised five children—in Andover, Massachusetts. In her forties when Vanished was published after years of writing in near-secret, Morris has a gift for illuminating and shading the banalities, the urges, and the often fragile relationships that define and disrupt her characters’ lives and the fictional New England towns they inhabit. Her work has drawn comparisons to Steinbeck and McCullers.
The Mary McGarry Morris Papers consist of numerous drafts of her novels, including many handwritten pages and notes, as well as correspondence, book covers, clippings, and other material relating to the publication and promotion of her works. In addition, there are many early stories and some poems.
- Fiction--20th century--Stories, plots, etc
- Fiction--21st century--Stories, plots, etc
National Arts Policy Archive and Library, 1965-2013.
The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.
Constituent collections include:
- Art and state
- Government aid to the arts
- Americans for the Arts
- National Asssembly of State Arts Agencies
- National Endowment for the Arts
National Endowment for the Arts Collection, 1965-2009.
5 boxes (7.5 linear feet).
Call no.: MS 686
Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
- Art and State
- Government aid to the arts
The Natural Farmer, 1999-2005.
26 items (digital)
Call no.: Digital
Published quarterly by the Northeast Organic Farming Association, The Natural Farmer is a widely circulated newspaper devoted to the support of organic farming. These files are made available courtesy of the editors, Jack Kittredge and Julie Rawson of NOFA Massachusetts.
- Farming--United States
- Organic farmers
- Organic farming
- Northeast Organic Farming Association
Nineteenth Century Theatre Records, 1987-1996.
4 boxes (6 linear feet).
Call no.: MS 469
Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.
The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.
- Theater--History and criticism
- Theater--History--19th century
Mark G. Noffsinger Collection, 1964-1969.
1 box (0.5 linear feet).
Call no.: FS 135
Mark G. Noffsinger’s tenure as Associate Dean of Students at UMass Amherst was relatively brief, but tumultuous. Brought in during the fall semester 1964 as coordinator of student activities, he was promoted to Director of the Student Union in 1966 and Associate Dean of Students in 1968. Although he earned a reputation as a supporter of the student press, he became a focal point of controversy during the school year 1967-1968, when he prohibited the sale of the underground “hippie” newspaper, Mother of Voices on campus. Published by UMass students, the paper drew wider fire when John Norton and David Bourbeau were arrested and convicted on charges of selling obscene matter to a minor. The Mother of Voices folded in March 1969. After resigning in 1969 to accept a position at Baldwin-Wallace College, Noffsinger went on to a distinguished career as a university administrator before his death in 1994.
Tightly focused on the controversy in 1968 over banning sale of the Mother of Voices in the UMass Student Union, the Noffsinger collection includes a folder of newspaper clippings relating to underground press publications at UMass and other colleges in the Commonwealth, along with a run of the offending periodical retained by the office of the Dean of Students’ office. Additional copies of the periodical are located in the Social Change Periodicals Collection.
- Freedom of the press
- Mother of Voices
- Underground press publications--Massachusetts
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Dean of Students