Results for: “Working class--Massachusetts--Northampton--Intellectual life--History” (959 collections)SCUA

Williams, William Carlos, 1883-1963

William Carlos Williams Letters, 1946-1986.

1 box (0.25 linear feet).
Call no.: MS 367

An obstetrician from Rutherford, N.J., William Carlos Williams (1883-1963) was a key figure in modernist poetry in the United States. Innovative and experimental in his poetry, Williams was a member of the avant garde poetically and politically, writing in a simple though never simplistic style that was unencumbered by the formalism and literary allusion of peers such as T.S. Eliot and Ezra Pound.

This collection consists of a small group of eleven letters and postcards written by Williams during the years 1946-1962, the majority of which were sent to Marie Leone, a nurse at the Passaic General Hospital in Passaic, New Jersey. In these letters Williams thanks Marie and her coworkers for the cards, good wishes, and gifts they sent to cheer him up. The letters are friendly and humorous even though they are for the most part written from Williams’s hospital bed during one of the frequent illnesses he suffered from in the later years of his life.

Contributors

  • Williams, Florence H. (Florence Herman), d. 1976
  • Williams, William Carlos, 1883-1963

Types of material

  • Letters (Correspondence)
  • Photographs
  • Postcards

Winston, Robert

Bob Winston Collection, 1964-1993.

(15 linear feet).
Call no.: MS 452

An educator and activist, Robert M. Winston was born in New York city during the first wave of the baby boom and lived many of the principles associated with his generation. Winston became active in the civil rights and antiwar movements while a graduate student at Indiana University in the mid-1960s, working in cause while building his academic career. After being dismissed from a position at the University of New Hampshire for his antiwar activities, he moved on the UMass, where he earned a doctorate in education, serving as head of the Valley Peace Center at the same time. His activism continued into

The Winston Papers contain a dense assemblage of personal correspondence, subject files, posters, and audiovisual and printed materials documenting a career in social justice movements. The earliest materials in the collection stem from Winston’s involvement in the civil rights movement in Indiana and his opposition to the war in Vietnam, including a surprisingly wide array of materials from left-oriented periodicals to antiwar newspapers printed for servicemen and women, and the collection documents the ups and downs of his academic career. Later materials touch on his interests in U.S. intervention in Central America during the 1980s, the prison-industrial complex, civil liberties, and environmental issues.

Subjects

  • Alinsky, Saul David, 1909-1972
  • Amherst (Mass.)--History
  • Civil rights movements
  • Draft--United States--History
  • Kennedy, John F. (John Fitzgerald), 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Peace movements
  • Political activists--Massachusetts
  • Rosenberg, Ethel, 1915-1953
  • Rosenberg, Julius, 1918-1953
  • Students for a Democratic Society (U.S.)
  • Vietnam War, 1961-1975--Protest movements--Massachusetts

Yankee Publishing Incorporated

Yankee Publishing Inc. Records, 1799-1999 (Bulk: 1935-1999).

50 boxes (61.5 linear feet).
Call no.: MS 732
First issue of Yankee Magazine
First issue of Yankee Magazine

Yankee Publishing was founded in 1935 by Robb Sagendorph, who saw an opportunity for a magazine devoted to depicting New England life and culture. With an initial subscription of 614, Yankee Magazine was launched in September of that year and despite the hardships of Depression and war, it has thrived, becoming a beloved institution. In 1939, Sagendorph purchased publishing rights for the Old Farmer’s Almanac, which had been published continuously since 1792, and quickly restored it to profitability. Still based in Dublin, N.H., Yankee remains an independent, family-owned enterprise, with responsibilities passing to his nephew Judson Hale, son-in-law Rob Trowbridge, and grandson Jamie Trowbridge. Although the company has made forays into other areas of publishing, Yankee Magazine and Old Farmer’s Almanac remain its core business.

The records of Yankee Publishing offer insight into the early years and growth of the corporation and its remarkable survival in age of media conglomeration. The collection includes two boxes of materials relating to the founder, Robb Sagendorph, and extensive correspondence, reports, memos, and other materials relating to Yankee Magazine and Old Farmer’s Almanac through 1999. In addition to nearly complete runs of both of the mainstay periodicals, the collection also includes a variety of materials accumulated by Yankee’s owners over the years, including several hundred glass plate negatives depicting New England and its characters.

Subjects

  • Almanacs, American
  • New England--History
  • New England--Social life and customs
  • Old Farmer's Almanac
  • Perodicals--New England
  • Publishers and publishing--New England
  • Yankee Magazine

Contributors

  • Hale, Judson D
  • Sagendorph, Robb Hansell
  • Trowbridge, Rob

Types of material

  • Almanacs
  • Photographs

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.

Subjects

  • Montague (Mass.)--Social life and customs

Contributors

  • Aldrich family

Allen, Dwight William, 1931-

Dwight William Allen Papers, 1967-1975.

10 boxes (15 linear feet).
Call no.: FS 165
Dwight Allen in classroom
Dwight Allen in classroom

A influential and flamboyant educational reformer, Dwight W. Allen served as Director of Teacher Education at his alma mater Stanford from 1959 until accepting a position as Dean of the School of Education at UMass Amherst in 1967. A proponent of integrating technology into teaching and co-developer of the technique of microteaching, Allen cemented his reputation as an innovator during his time at UMass (1968-1975), a time that coincided with the rapid expansion of the university. Allen helped recruit students of color to the graduate program in significant numbers, opened admissions to students with unconvential credentials, allowed students a voice in directing and governing the program, and abolished grading, among other initiatives, but while supporters lauded the creativity and excitement of the period, his radical ideas elicited considerable opposition as well. He resigned in 1975, in part due to the increasing demands his international consulting, later accepting a position at Old Dominion University, where he remained until his retirement in 2008. Allen is author of nine books, including American Schools: The $100 Billion Challenge, written with his former graduate student Bill Cosby.

The Allen papers contain a wealth of materials pertaining to the tumultuous years at UMass, including Allen’s curricular and teaching reforms, special projects, and his efforts to recruit African American students and address institutional racism. The correspondence, memos, and private reports that Allen maintained are particularly valuable for understanding the period as are the various surveys, studies, and reports on the state of the School of Education. The collection also includes material relating to some of Allen’s academic interests in education, including microteaching, alternative schools, and certification.

Subjects

  • Alternative education
  • Educational change
  • Racism in education
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. School of Education

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.


Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs

Blackington, Alton H.

Alton H. Blackington Photograph Collection, ca.1920-1942.

700 items (4 linear feet).
Call no.: PH 061
Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was succesful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of Blackington’s glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs

Cambodian-Americans in Amherst

Cambodian Americans in Amherst Exhibition Collection, 1986.

1 box (1.5 linear feet).
Call no.: MS 114

Organized by UMass anthropology professor Joel Halpern, the images in this collection were put on display during the Cambodian New Year celebration in 1986. As part of the celebration, members of the large community of Cambodian refugees who have resettled in Amherst were recognized.

Subjects

  • Cambodians--Massachusetts--Amherst

Types of material

  • Photographs

CIA on Trial Project (Amherst, Mass.)

CIA on Trial Project Records, 1985-1989.

1 box (0.5 linear feet).
Call no.: MS 508

In 1986 demonstrations against CIA recruitment on the University’s campus led by activists Abbie Hoffman and Amy Carter, daughter of former President Jimmy Carter, resulted in the takeover of two school buildings and more than sixty arrests. The CIA on Trial Project was a group established in Amherst to support the individuals arrested as well as to raise funds for their legal defense.

News clippings covering the protests, fliers, memos from the University’s administration, and correspondence with Chancellor Duffey capture the mood on campus during and after the protests.

Subjects

  • Activists--Massachusetts
  • CIA on Trial Project (Amherst, Mass.)
  • University of Massachusetts Amherst--History
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