Results for: “University of Massachusetts Amherst--Students” (967 collections)SCUA

Winston, Robert

Bob Winston Collection, 1964-1993.

(15 linear feet).
Call no.: MS 452

An educator and activist, Robert M. Winston was born in New York city during the first wave of the baby boom and lived many of the principles associated with his generation. Winston became active in the civil rights and antiwar movements while a graduate student at Indiana University in the mid-1960s, working in cause while building his academic career. After being dismissed from a position at the University of New Hampshire for his antiwar activities, he moved on the UMass, where he earned a doctorate in education, serving as head of the Valley Peace Center at the same time. His activism continued into

The Winston Papers contain a dense assemblage of personal correspondence, subject files, posters, and audiovisual and printed materials documenting a career in social justice movements. The earliest materials in the collection stem from Winston’s involvement in the civil rights movement in Indiana and his opposition to the war in Vietnam, including a surprisingly wide array of materials from left-oriented periodicals to antiwar newspapers printed for servicemen and women, and the collection documents the ups and downs of his academic career. Later materials touch on his interests in U.S. intervention in Central America during the 1980s, the prison-industrial complex, civil liberties, and environmental issues.

Subjects

  • Alinsky, Saul David, 1909-1972
  • Amherst (Mass.)--History
  • Civil rights movements
  • Draft--United States--History
  • Kennedy, John F. (John Fitzgerald), 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Peace movements
  • Political activists--Massachusetts
  • Rosenberg, Ethel, 1915-1953
  • Rosenberg, Julius, 1918-1953
  • Students for a Democratic Society (U.S.)
  • Vietnam War, 1961-1975--Protest movements--Massachusetts

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs

Work on Waste USA, Inc.

Work on Waste USA, Inc. Records, ca.1980-2000.

62 boxes (93.5 linear feet).
Call no.: MS 767

In the early 1980s, Paul Connett, a chemist at St. Lawrence University, his wife Ellen, and other environmental activists in upstate New York formed Work on Waste USA to oppose the incineration of solid waste materials. Arguing that incineration was a major source of air pollution, pumping dioxin, mercury, cadmium, and lead into the atmosphere and leaving behind toxic ash and other residues, Work on Waste consulted nationally on issues surrounding incineration, coordinating with dozens of local organizations, and it became an ardent proponent of recycling as an alternative. From 1988-2000, WOW published a pro-recycling, anti-incineration newsletter, Waste Not.

The records of Work on Waste document the national struggle against the incineration of solid waste. With materials from dozens of groups opposing incineration in their communities, the collection provides insight into community activism and grassroots legal and media campaigns. The collection also includes materials relating to Work on Waste’s support for recycling and extensive data on the environmental impact of dioxin and other chemicals, medical waste, and ash landfills, and on the operation of incinerators.

Subjects

  • Incinerators
  • Medical wastes

Contributors

  • Connett, P. H. (Paul H.)

Yiamouyiannis, John

John Yiamouyannis Papers, 1967-1999.

22 boxes (33 linear feet).
Call no.: MS 645

One of the most prominent and vocal scientific critics of fluoridation, the biochemist John Yiamouyiannis (1943-2000) spent over three decades fighting the professional and political establishment. A graduate of the University of Chicago with a doctorate in biochemistry from the University of Rhode Island (1967), Yiamouyiannis became interested in the health effects of fluoride while employed as an editor with the Chemical Abstracts Service. His growing opposition to fluoridation, however, led to conflict with his employers and after being placed on probation in 1972, he resigned. Becoming a key organizer in the antifluoridation movement, he served at various times as the Executive Director of Health Action, the Science Director of the National Health Federation, founder and president of the Safe Water Foundation, and editor of the journal Fluoride. He also ran for the Senate from Ohio and twice for the U.S. Presidency on small party tickets, never garnering more than a handful of votes. Yiamouyiannis died of cancer at his home in Delaware, Ohio, on Oct. 8, 2000, at the age of 53.

Offering important insight into the antifluoridation movement in the 1970s through 1990s, the papers of John Yiamouyiannis offer a perspective on an unusually prolific and determined activist. The collection contains a large quantity of research material and correspondence relating to Yiamouyiannis’s antifluoridation work, and perhaps most importantly an extensive series of transcripts relating to civil cases in which he was involved.

Subjects

  • Antifluoridation movement
  • Drinking water--Law and legislation--United States
  • Fluorides--Physiological effect
  • Fluorides--Toxicology

Contributors

  • Yiamouyannis, John

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.

Subjects

  • Montague (Mass.)--Social life and customs

Contributors

  • Aldrich family

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.


Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Subjects

  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Bajgier Family

Bajgier Family Papers, 1925-1986.

2 boxes (0.5 linear feet).
Call no.: MS 400
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.

Subjects

  • Chicopee (Mass.)--Social life and customs
  • Polish Americans--Massachusetts
  • World War, 1939-1945

Contributors

  • Bajgier, Joseph M

Types of material

  • Photographs

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects

  • Berry, Chuck
  • Brotherhood of the Spirit
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs

Contributors

  • Geisler, Bruce

Types of material

  • Photographs

Blackington, Alton H.

Alton H. Blackington Photograph Collection, ca.1920-1942.

700 items (4 linear feet).
Call no.: PH 061
Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was succesful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of Blackington’s glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs

Brown, Daniel A.

Daniel A. Brown Photograph Collection, 1968-2003.

ca.450 items
Call no.: PH 011
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Subjects

  • Babbitt, Elwood, 1922-
  • Brotherhood of the Spirit
  • Communal living--Massachusetts
  • Metelica, Michael

Contributors

  • Brown, Daniel A
  • Cohen, Gary

Types of material

  • Photographs
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