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Mayo, Anna

Anna Mayo Papers, 1970-2015
2 boxes (2 linear feet)
Call no.: MS 945
Anna Mayo Papers image
John Gofman and Anna Mayo, 1970s
Photo by Lionel Delevingne

Beginning in 1969, the New York-based journalist Anna Mayo wrote a column, “Geiger Counter,” for the Village Voice, that became a sounding board for the antinuclear movement of the 1970s. With roots in community resistance to Columbia University’s plans to install a Triga-type reactor in the middle of New York City, Mayo covered the “nuclear horror stories that the New York Times neglected,” as she later wrote, including Three Mile Island and Chernobyl. A change in ownership at the Voice and ongoing pressure from the nuclear industry led to her being forced out in 1989, although it did not end her commitment to the cause. She contributed to publications such as the Texas Observer, Bulletin of Atomic Scientists, Kursbach, and Liberation (Paris) until the time of her death in March 2016.

The Mayo Papers are an assemblage of writing, research notes, and and some correspondence documenting Anna Mayo’s career as an antinculear journalist. The files include information on major figures in the antinuclear movement, including John Gofman and Ernest Sternglass, and include a special emphasis on the accident at Three Mile Island.

Gift of Meg Mayo, 2016
Subjects
  • Antinuclear movement--New York (State)
  • Three Mile Island Nuclear Power Plant (Pa.)

Medieval and Early Print Studies

Medieval and Early Print Studies Collection, 1504-2016
79 titles (24 linear feet)
Call no.: RB 030

Although SCUA’s book collections are focused heavily on modern printing, the evolution of the book and the history of production and spread of the printed word are critical to our instructional mission.

The Medieval and Early Print Studies Collection consists of a growing body of facsimiles of medieval manuscripts and early printed books selected for use in teaching about the history of printing and reading. Emphasizing high quality reproduction, the facsimiles represent a variety of regional styles and traditions in text and illustration, primarily in Europe, from the 11th century through the incunuable era. A handful of post-incunables have been included.

Subjects
  • Manuscripts, Medieval--Facsimiles
  • Printing--History

Meier, August, 1923-2003

August Meier Collection, 1837-1984
3 boxes, 329 titles (34.5 linear feet)
Call no.: MS 844
August Meier Collection image

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.

Subjects
  • African Americans--History
  • Antislavery movements
  • Camps--New York (State)
  • Civil rights movements
  • Communists--United States
  • Depressions--1929
  • Du Bois, W. E. B. (William Edward Burghardt),1868-1963
  • Oberlin College--Students
  • Pioneer Youth of America
  • Race relations
  • World War, 1939-1945
Contributors
  • Braunthal, Gerard, 1923-
Types of material
  • Newsletters
  • Songbooks

Meyer, Richard E., 1939-

Richard E. Meyer Collection, 1948-2007 (Bulk: 1980-2007)
31 boxes (15.5 linear feet)
Call no.: PH 072
Richard E. Meyer Collection image

A member of the English and Folklore faculty at Western Oregon University, Richard E. Meyer studied at Northwestern University and the Universities of Washington and Oregon. A prolific author, he has published on topics ranging from British and American literature to American folklore, but particularly on the culture and history of the American cemetery and gravemarkers. A founder of the Cemeteries and Gravemarkers section of the American Culture Association (1986) and longtime member of the Association for Gravestone Studies, serving as editor of its journal, Markers, for twelve years, Meyer has delivered dozens of talks on the subject, is co-author (with Peggy McDowell) of The Revival Styles in American Memorial Art (1994), and editor of Cemeteries and Gravemarkers: Voices of American Culture (1989) and Ethnicity and the American Cemetery (1993).

During the course of his extensive research in cemeteries throughout the United States and Europe, Meyer documented over 20,000 grave monuments. His collection consists of over 16,000 color slides and 200 black and white photographs, all meticulously well-identified, of gravestones and cemeteries. Meyer also collected ephemera and realia relating to the Tomb of the Unknown Soldier and to commemoration of the dead of the First World War.

Gift of Richard E. Meyer, May 2016
Subjects
  • Cemeteries
  • Gravestones
  • Sepulchral monuments
  • Soldiers' monuments
  • Tomb of the Unknowns (Va.)
Types of material
  • Photographs

Miller, Cynthia

Cynthia Miller Papers, 1973-1995
6 boxes (2.25 linear feet)
Call no.: MS 869

Known in the psychiatric survivors’ movement as Kalisa, Cynthia Miller was a radical activist on behalf of the mentally ill. An ex-patient based in New York, she became a member of Project Release in the early 1970s, one of the first wave of organizations fighting for the civil rights of mental patients and combatting forced institutionalization, and was a contributor to Madness Network News and other publications. A poet, writer, and a committed feminist and out lesbian, she took part in civil disobedience to oppose electroconvulsive therapy, working with Judi Chamberlin, George Ebert, Leonard Roy Frank, and others.

Though varied and fragmentary, Cynthia Miller’s collection is a rich resource for study of the early history of the psychiatric survivors movement and the work of one activist in resisting psychiatric oppression. The collection contains some of Kalisa’s writings and correspondence along with ephemera and a varied collection of newspapers, newsletters, and other publications relating to Project Release and several other organizations that Kalisa supported, including the Mental Patients Liberation Front and the Alliance for the Liberation of Mental Patients.

Subjects
  • Electroconvulsive therapy
  • Feminism
  • Mentally ill--Civil rights
  • Psychiatric survivors movement--New York (City)
Contributors
  • Alliance for the Liberation of Mental Patients
  • Chamberlin, Judi, 1944-2010
  • Mental Patients Liberation Front
  • Project Release
Types of material
  • Newsletters

Morehouse, Ward, 1929-

Ward Morehouse Papers, ca.1950-2012
120 boxes (180 linear feet)
Call no.: MS 764

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Subjects
  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions
Contributors
  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy

Morris, Mary McGarry

Mary McGarry Morris Papers, 1958-2012 (Bulk: 1987-2012)
25 boxes (31.25 linear feet)
Call no.: MS 912

When her first novel, Vanished, was published in 1988, Mary McGarry Morris was immediately celebrated as a haunting and powerful writer of character-rich novels. A finalist for the National Book Award and the PEN/Faulkner Award for Fiction, Vanished was followed by seven more acclaimed novels: A Dangerous Woman (1991; released as a feature film in 1993), Songs in Ordinary Time (1995; a selection of Oprah’s Book Club), Fiona Range (2000), A Hole in the Universe (2004), The Lost Mother (2005), The Last Secret (2009), and Light from a Distant Star (2011). Morris was born in Connecticut, grew up in Rutland, Vermont, and with her lawyer husband, Michael, has long lived—and raised five children—in Andover, Massachusetts. In her forties when Vanished was published after years of writing in near-secret, Morris has a gift for illuminating and shading the banalities, the urges, and the often fragile relationships that define and disrupt her characters’ lives and the fictional New England towns they inhabit. Her work has drawn comparisons to Steinbeck and McCullers.

The Mary McGarry Morris Papers consist of numerous drafts of her novels, including many handwritten pages and notes, as well as correspondence, book covers, clippings, and other material relating to the publication and promotion of her works. In addition, there are many early stories and some poems.

Gift of Mary McGarry Morris, 2016
Subjects
  • Fiction--20th century--Stories, plots, etc
  • Fiction--21st century--Stories, plots, etc
Contributors
  • Morris, Mary McGarry

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile, ca.1894
1 item (0.1 linear feet)
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects
  • Kelmscott Press
Contributors
  • Morris, William, 1834-1896
Types of material
  • Holographs (Autographs)

National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library, 1965-2013
National Arts Policy Archive and Library image

The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects
  • Art and state
  • Arts--Management
  • Government aid to the arts
Contributors
  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

National Endowment for the Arts

National Endowment for the Arts Collection, 1965-2016
5 boxes (7.5 linear feet)
Call no.: MS 686
National Endowment for the Arts Collection image

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts
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