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Results for: “University of Massachusetts Amherst--Students” (1054 collections)SCUA

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Chase, David G.

David G. Chase Collection, ca.1975-1987.

3 boxes (4.5 linear feet).
Call no.: MS 809

An electron microscopist affiliated with the Sepulveda Veterans Administration Hospital, David Chase (1935-1986) was known for his skill in fixation, staining, and sectioning and for the exceptional quality of his micrographs. During his career, Chase applied his skills to produce thousands of images of the structure, ultrastructure, and morphology of prokaryotes, ranging from filamented, segmented bacteria to the flagellate Giardia, and gram-negative bacteria. In collaboration with Lynn Margulis of the UMass Amherst Department of Biology, Chase worked on a series of papers on the symbiotic flagellated protozoan communities in the hindguts of four species of California termites.

The Chase collection consists of over 1,800 TEM photos and their negatives, 134 polaroid prints, and about half a linear foot of loose notes and a register.

Subjects

  • Endosymbiosis
  • Protozoans--Composition

Contributors

  • Margulis, Lynn, 1938-2011

Types of material

  • Laboratory notes
  • Transmission electron micrographs

Clamshell Alliance

Digital (+)Finding aid

Clamshell Sun Quilt Collection, 1978.

1 box (1.5 linear feet).
Call no.: MS 916
Winifred Sayer and the Sun Quilt, 1978
Winifred Sayer and the Sun Quilt, 1978

To raise funds for the restoration/occupation of the nuclear power plant at Seabrook, N.H., and to support the young Clamshell Alliance, antinuclear activists raffled off a hand-made quilt, a bicycle, totebag, and t-shirts at the 1978 Towards Tomorrow Fair at UMass Amherst. Designed by Carrie Dickerson in a multi-color sun pattern and sewn by the Oklahoma Citizens for Safe Energy, the patchwork quilt (74 x 82″) was won by Winifred D. Sayer, who also took home a totebag.

This small collections the Clamshell Sun Quilt, photographs of Dickerson with the quilt, of Sayer with the quilt (by Lionel Delevingne) and Sayer with her prize, a piece of ephemera announcing the raffle, and a copy of the Clamshell Alliance songbook, Songs to Stop Seabrook (1978).

Subjects

  • Antinuclear movement--Massachusetts
  • Antinuclear movement--Oklahoma
  • Seabrook Nuclear Power Plant (N.H.)
  • Toward Tomorrow Fair

Contributors

  • Delevingne, Lionel
  • Dickerson, Carrie

Types of material

  • Photographs
  • Quilts

Class Action

Class Action Records, 2004-2010.

13 boxes (19.5 linear feet).
Call no.: MS 687

Since incorporating as a non-profit in 2004, Class Action has been dedicated to exploring issues surrounding class and identifying means of dismantling classism. Founded by Felice Yeskel (an activist and founder of the Stonewall Center at UMass Amherst) and Jennifer Ladd, Class Action offers training, workshops, and organizational consulting to raise awareness of the impact of class barriers and class privilege on the lives of individuals and communities and of the intersections between race and class. Their goals include making class a diversity issue and promoting a broader vision of economic and social justice that will create lasting systemic change.

The records of Class Action include administrative files for the organization along with a range of materials used in training sessions and workshops.

Subjects

  • Classism
  • Racism
  • Social classes

Contributors

  • Ladd, Jennifer
  • Yeskel, Felice

Types of material

  • Sound recordings

Cleary, Marie Sally

Marie Sally Cleary Papers, 1980-2000.

3 boxes (4 linear feet).
Call no.: MS 606

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

Subjects

  • Bulfinch, Thomas, 1796-1867
  • Mythology

Contributors

  • Cleary, Marie Sally

Copies & fees

How do I request copies?

Cow display
Cow display, MAC, ca.1930

Although our goal is to facilitate free and unfettered access to the materials under our care, Special Collections and University Archives (SCUA) may assess fees to recover the costs of reproduction or for publication of graphic materials. SCUA provides photocopies and reproductions in reasonable amounts for scholarly use under the following conditions:

  • Copies are prepared solely for the use of the researcher and may not be reproduced, published, broadcast, or placed in other repositories without the prior written permission of the Head of Special Collections and University Archives.
  • SCUA does not sell photocopies, photographs, or digital reproductions. Fees are assessed for services in identifying, copying, and transmitting duplicates. Copies are made only by SCUA staff.
  • SCUA reserves the right to limit the number of photoduplicates in any order and may decline to make duplicates if the item might be damaged in the process. Orders are limited to no more than 400 photocopies per researcher, per month.
  • Except for brief excerpts, SCUA will not duplicate copyrighted material without the written permission of the copyright owner. Researchers assume sole responsibility for any infringement of copyright.
  • Permission to publish must be requested separately, in writing.

Request copies by email:

Requests may be addressed to our archivists.

What are the fees?

  • Photoreproduction fees
    • Photocopies: 30 cents per page.
    • Low Resolution Scans: 30 cents per page.
    • High Resolution Scans: $5.00 each (Images are typically scanned at 100% of the original size at a resolution of 300 dpi.)
  • Publication fees (for images):
    • Academic or not for profit publications: $35.00 per image
    • Commercial publications: $125.00 per image
    • Cover art: $100.00 (academic) to $200.00 per image (commercial)

Cornish, Michael

Michael Cornish Photograph Collection, ca.1975-2005.

20 boxes (20.5 linear feet).
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Cornish, Michael

Types of material

  • Photographs

Crampton, Guy C.

Guy C. Crampton Papers, 1912-1942.

1 box (0.25 linear feet).
Call no.: FS 052
Guy Crampton
Guy Crampton

Guy Chester Crampton was an insect morphologist who taught at the University from 1911 until his retirement in 1947. Crampton earned his B.A. from Princeton in 1904, his M.A. from Cornell in 1905, and a Ph.D. from the University of Berlin in 1908, then began his professorship at the University, where he was a dedicated teacher and active researcher. A life-long bachelor, Crampton died from a heart attack in 1951.

The Guy C. Crampton Papers include published articles by Crampton, including a guide to the insects of Connecticut, published in 1942, as well as Crampton’s lecture notes for one of his courses in the Department of Entomology.

Subjects

  • Entomology--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Entomology

Contributors

  • Crampton, Guy C

Curran, Mary Doyle, 1917-1981

Finding aid

Mary Doyle Curran Papers, 1917-1980.

7 boxes (3.5 linear feet).
Call no.: MS 435
Mary Curran Doyle and dog
Mary Curran Doyle and dog

Born in Holyoke, Massachusetts in 1917 and a graduate of Massachusetts State College, Mary Doyle Curran was an author, editor, and professor, who published her only novel, The Parish and the Hill, in 1948. Curran taught English and Irish Literature at Wellesley College, Queens College, and UMass Boston before retiring; she died in 1981.

The collection includes unpublished drafts of novels and short stories; photographs; correspondence from family and friends; publishers and literary associates such as Saul Bellow and Josephine Herbst. The Parish and the Hill, Curran’s only published novel, is today considered a classic among Irish American literature.

Subjects

  • Holyoke (Mass.)--History
  • Irish American literature
  • Irish American women--History
  • Women authors--Massachusetts

Contributors

  • Bellow, Saul
  • Curran, Mary Doyle, 1917-1981
  • Halley, Anne
  • Herbst, Josephine, 1892-1969

Types of material

  • Photographs

Donohue, Joseph W., 1935-

Joseph W. Donohue Papers, 1963-2003.

37 boxes (55.5 linear feet).
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects

  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Donohue, Joseph W., 1935-

Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010.

23 boxes (12 linear feet).
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects

  • Theater--England--London
  • Theater--New York (State)--New York

Contributors

  • Donohue, Joseph W., 1935-

Types of material

  • Ephemera
  • Playbills
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