University of Massachusetts Amherst
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Haley, Michael

Michael Haley Papers, 1968-2003
18 boxes (27 linear feet)
Call no.: MS 670
Michael Haley Papers image
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects
  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike
Contributors
  • Haley, Michael
Types of material
  • Photographs
  • Screenplays

Halpern, Joel Martin

Joel Martin Halpern Papers, 1950-2007
(ca.300 linear feet)
Call no.: FS 001
Joel Martin Halpern Papers image

The anthropologist Joel Martin Halpern (1929- ) has worked in regions from the Alaskan arctic to Laos and Lapland, but he is best known for his studies of modernization in the Balkans. Following undergraduate study in history at the University of Michigan (BA, 1950), Halpern entered the renowned anthropology program at Columbia, receiving his doctorate in 1956 for a study of the village of Orašac in the former Yugoslavia, which in turn became the basis of his first book, A Serbian Village (N.Y., 1958). After two years working in Laos as a Field Service Officer with the Community Development Division of the U.S. International Cooperation Administration, Halpern was a member of the faculty at UCLA, Brandeis, and the Russian Research Center at Harvard (1965-1967) before coming to UMass Amherst in 1967. A prolific author, Halpern has written or edited dozens of books on the Balkans and Southeast Asia, including A Serbian Village in Historical Context (1972), The Changing Village Community (1967), The Changing Peasantry of Eastern Europe (1976), and The Far East Comes Near (1989). Since retiring from the university in 1992, Halpern has remained in Amherst.

A massive collection documenting the long and varied career of a prolific ethnographer, the Halpern Papers include a wide range of textual and visual materials documenting the anthropological study of modernization, ethnicity, rural life and urbanization, the economy, and cultural change. Much of Halpern’s research centered on the Balkans (Macedonia and Serbia), Laos, and arctic Alaska and Canada, however he has worked on Asian immigrant communities in the United States and many other topics.

Subjects
  • Balkan Peninsula--Ethnic relations
  • Laos--Anthropology
  • Macedonia--Anthropology
  • Serbia--Anthropology
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Anthropology
  • Yugoslavia--Anthropology
Contributors
  • Halpern, Joel Martin
Types of material
  • Field notes
  • Photographs

Halpern, Paul

Paul Halpern Collection, ca.1975-1985
2 boxes (1 linear feet)
Call no.: MS 646

A theoretical physicist at University of the Sciences in Philadelphia, Paul Halpern is the author of a dozen popular books on science and dozens of scholarly articles. After spending his undergraduate years at Temple University, Halpern received a doctorate at SUNY Stony Brook, and has since written on complex and higher-dimensional solutions in general relativity theory and the nature of time as well as the history of the modern physical sciences. He has been a Fulbright Scholar and fellow of the John Simon Guggenheim Foundation.

The hundreds of ephemeral publications, fliers, and handbills in the Halpern Collection provide a window into political and social activism in Philadelphia during the late 1970s and early 1980s. The content ranges widely from publications produced by peace and disarmament groups to the literature of anti-imperialist (e.g. CISPES), antinuclear groups (SANE and post-Three Mile Island mobilization), radical political parties, and religious organizations including the Unification Church and the Church of Scientology.

Subjects
  • Antinuclear movement--United States
  • El Salvador--History--1979-1992
  • Nicaragua--History--1979-1990
  • Peace movements
Contributors
  • Halpern, Paul

Halporn, Roberta

Roberta Halporn Collection, 1978-2002
1 box (1.5 linear feet)
Call no.: MS 847
Roberta Halporn Collection image
Chinese funeral money

A writer, publisher, and expert in the culture of cemeteries and death, Roberta Halporn was born in New York in 1927. Although she entered NYU intending to study medicine, Halporn soon turned to dance, eventually earning a masters degree and working in the field for nearly two decades. When an injury ended her dance career, however, she changed careers to publishing, opening her own house in 1978. Her growing interest in the culture of death meshed well with her job and following her interests, she founded ran the Center for Thanatology Research and Education in 1986. Based in Brooklyn, the Center was a non-profit organization that worked to raise public awareness of the artistic and historical importance of cemeteries, and in addition to a library and museum, the Center ran tours of cemeteries, published books and periodicals, and operated a retail store. Halporn published regularly on topics ranging from Jewish cemeteries to hospice, thanatology libraries, and her passion, gravestone rubbing. Halporn died in 2014.

The collection consists of files relating to Roberta Halporn’s extensive thanatological research, including drafts, correspondence, photographs, and ephemera from two of her projects: on Chinese American funeral practices (resulting in the book Gods, Ghosts, and Ancestors) and on Jewish cemeteries. A significant number of books donated with the collection have been added to the Association for Gravestone Studies Book Collection.

Subjects
  • Funeral rites and ceremonies--China
  • Jewish funeral rites and ceremonies
Contributors
  • Center for Thanatology Research and Education
Types of material
  • Ephemera
  • Photographs

Hasen, Irwin, 1918-

Irwin Hasen: A Legacy Portfolio, 2005
10 items (0.1 linear feet)
Call no.: MS 744
Irwin Hasen: A Legacy Portfolio image

A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.

Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.

Subjects
  • Cartoons and comics
Contributors
  • Hasen, Irwin, 1918-
  • Lichtenstein, Gary
Types of material
  • Cartoons (Humorous images)
  • Comic strips
  • Prints (Visual works)
  • Screen prints

Healy, Mary Frances

Mary Frances Healy Photograph Album, 1919
1 vol., 53 images (0.25 linear feet)
Call no.: PH 069
Mary Frances Healy Photograph Album image
Etoile Club, 1919

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

Subjects
  • Belleau, Bois de (France)--Photographs
  • National Catholic War Council---Photographs
  • Nurses--Photographs
  • Paris (France)--Photographs
  • World War, 1914-1919--Photographs
Types of material
  • Photograph albums
  • Photographs

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer), 1934-2014
Diana Mara Henry Collection (20th Century Photographer) image
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

Hoag, Benjamin

Benjamin Hoag Records, 1901-1915 (Bulk: 1907-1914)
3 boxes (4.5 linear feet)
Call no.: MS 710

Born at Ancram, N.Y., the merchant Benjamin Hoag (1865-1932) lived most of his life in Stephentown, N.Y., near the Massachusetts border. In 1900, he was listed as a dealer in bicycles, but by 1910, he was operating a broader retail trade in dry goods and grains. At the same time, he conducted a thriving trade in ornithological and oological supplies, announcing in journals such as The Oologist that he sold “books, periodicals, tools, supplies, eggs” as well as “fine line fish tackle and rods.” He also appears to have run a magazine subscription agency, offering everything from the Saturday Evening Post and Good Housekeeping to professional journals such as the Condor Magazine.

The Hoag collection consists of 1,345 letters, mostly incoming, and over 800 pieces receipts, ephemeral items, and other documents, relating to both Hoag’s oological and magazine businesses. Concentrated between 1901 and 1914, the collection offers a rich documentation of the oological trade in the years shortly before it was outlawed in 1918.

Subjects
  • Birds--Eggs
  • Egg trade--New York (State)
Contributors
  • Hoag, Benjamin

Hours & directions

Monday through Friday, 9:30 a.m. to 5:00 p.m., during the academic year, except major holidays. During semester breaks, on certain holidays, and in the summer, SCUA is open 10:00 a.m. to 4:00 p.m. SCUA will be closed on days when the W.E.B. Du Bois Library is closed.

If you are planning a visit from a distance, please contact us in advance to verify that the department will be open. A small number of collections are stored off site and advance notice will expedite service.

Dates SCUA is closed:
Holiday 2015 2016
New Year’s Day Jan. 1 Jan. 1
Memorial Day May 25 May 30
Independence Day July 4 July 4
Labor Day Sept. 7 Sept. 5
Thanksgiving Day Nov. 26 Nov. 24
Christmas holiday Dec. 25, 30, 31; Jan. 1, 2016 Dec. 26, 29, 30; Jan. 2, 2017

Contact information

Location
Mailing address

25th Floor
W.E.B. Du Bois Library
UMass Amherst

University Libraries
154 Hicks Way
UMass Amherst
Amherst, Mass. 01003-9275

Phone: 413-545-2780
Email us

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For directions to campus, see also the UMass Visitor’s Center Home Page. If you are driving, park in the Campus Center Parking Garage. When you emerge from the garage, the tall brick tower to the south is the W.E.B. Du Bois Library. Inside the Library, take the elevators to the 25th floor.

The most convenient accommodations are located in the Campus Center Hotel, however other options are listed on the Robsham Memorial Center website.

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Hrdlicka, Ales, 1869-1943

Ales Hrdlicka Collection, 1995
1 box (2 linear feet)
Call no.: MS 149

Fourteen panels used in a public exhibition depicting the life and work of the Czech-born American anthropologist Ales Hrdlicka through photographs, documents, and narrative.

Subjects
  • Hrdlicka, Ales, 1869-1943
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