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Jose, Colin

Colin Jose Soccer Collection
1910-2010
11 boxes (21 linear feet)
Call no.: MS 811
Image of Colin Jose
Colin Jose

One of the most respected historians of soccer in North America, Colin Jose was the official historian at the National Soccer Hall of Fame from 1997-2007 and subsequently at The Soccer Hall of Fame in Vaughan, Ontario. Born in England and a resident of London, Ontario, Jose has been a scrupulous researcher in the sport’s history for over four decades, doing research in an area in which documentation is often sparse. His nine books include The Encyclopedia of American Soccer History (written with Roger Allaway and David Litterer), two books on the North American Soccer League, and works on the early American Soccer League, soccer in Canada, and the history of the U.S. in the World Cup. The US Soccer Federation gives out an annual media award named in Jose’s honor.

The Jose collection contains a wealth of material documenting the history of North American soccer from the early 20th century to the present. The heart of the collection consists of an extensive series of books, magazines, and newspapers on the sport, including fine runs of Soccer News from the 1950s and photocopies of the ASL News (1930s-1960s). The collection also includes correspondence and promotional materials from the Soccer Hall of Fame, a variety of league and team media guides, game programs from various leagues (NASL, International Soccer League, 1960s-1990s), press releases from various teams (particularly from the Washington Darts in the 1960s-1970s), biographical files on players and coaches from the 1920s-1950s (approx 50 files), and research files on soccer in the Olympics, World Cup, USSF, ASL, and NASL. Most of the material from prior to 1960 is supplied in photocopy.

Subjects
  • Soccer--History
Contributors
  • International Soccer League
  • North American Soccer League

Junkins, Donald

Donald Junkins Papers
ca. 1920-2015
13 boxes (ca. 16.5 linear feet)
Call no.: FS 074

A poet, expert on the works of Earnest Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document his youth in Saugus, experience as a student at the University, and his professional and creative life. The collection includes correspondence with his family throughout his life, photographs documenting his family in Eastern Mass., his records as head of the MFA in English program, and his personal and professional correspondence.

Subjects
  • Hemingway, Ernest, 1899-1961
  • Poets--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst--Students
  • University of Massachusetts Amherst. Department of English
Contributors
  • Junkins, Donald, 1931-

Justice for Woody

Justice for Woody Records
1998-2005
3 boxes (1.5 linear feet)
Call no.: MS 444
Image of Rally against police brutality
Rally against police brutality

The organization Justice for Woody (JFW) was formed in December of 2001 in the weeks immediately following the death of Robert “Woody” Woodward, a political and environmental activist, social worker, teacher, and mountaineer. JFW seeks not only to honor Woody’s legacy, but also to advocate for a fair an independent investigation. The collection consists primarily of newspaper articles from various New England papers as well as Attorney General Sorrell’s Report and an independent analysis of it.

Subjects
  • Brattleboro (Vt.). Police
  • Law enforcemnet--Vermont
  • Police brutality--Vermont
  • Police discretion
  • Woodward, Robert, d. 2001
  • Wrongful death--Vermont

Kaplan, Sidney, 1913-

Sidney and Emma Nogrady Kaplan Papers
ca.1937-1993
58 boxes (85 linear feet)
Call no.: FS 149
Image of Sidney Kaplan, May 1972
Sidney Kaplan, May 1972

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.

Gift of Paul Kaplan, May 2011
Subjects
  • African Americans--History
  • Massachusetts Review
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • University of Massachusetts Amherst. Department of English
  • University of Massachusetts Press
Contributors
  • Kaplan, Emma Nogrady, 1911-
  • Kaplan, Sidney, 1913-

Klaw, Alonzo

Alonzo Klaw Photograph Collection
1929-1931
3 boxes (1.5 linear feet)
Call no.: PH 048
Image of New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Gift of Thomas W. Tenney and family, Nov. 2012
Subjects
  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs
Contributors
  • Klaw, Alonzo
Types of material
  • Photographs

Kleckner, Susan

Susan Kleckner Papers
ca. 1870-2010 (Bulk: 1970-2010)
89 (ca. 180 linear feet)
Call no.: MS 725
Image of Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Gift of Linda Cummings and Susan Jahoda, Dec. 2011
Subjects
  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center
Contributors
  • Kleckner, Susan
Types of material
  • Artists' films
  • Drawings (Visual works)
  • Photographs

Knapp, David C.

David C. Knapp Papers
1990-1995.
1 box (1.5 linear feet)
Call no.: RG 003/1 K63
Image of Bears
Bears

Born in Syracuse, New York, in 1927, David C. Knapp studied at Syracuse University (BA, 1947) and the University of Chicago (M.A., 1948; PhD, 1953)., before joining the faculty in government at the University of New Hampshire. Recognized as an able administrator from early in his career, Knapp was appointed assistant to the university president and then Dean of the College of Liberal Arts (1961-1962). Leaving UNH in 1963, he served successively as associate director of the Study of American Colleges of Agriculture, director of the Institute of College and University Administrators of the American Council on Education, and Dean of the New York State College of Human Ecology at Cornell University (1968-1974) before being elected president of the University of Massachusetts in 1978. He retired in 1990.

The Knapp Papers consist primarily of materials relating to efforts in the early 1990s to designate Hokkaido and Massachusetts as sister states, to celebrate the long relationship Between UMass and the University of Hokkaido, and to commemorate the legacy of Benjamin Smith Lyman. In addition to correspondence with the Massachusetts Hokkaido Society and Hokkaido University, the collection includes memorabilia associated with Knapp’s connections with Japan.

Gift of David C. Knapp, Dec. 2009
Subjects
  • Hokkaid¯o Daigaku
  • Lyman, Benjamin Smith, 1835-1920
  • University of Massachusetts. President
Contributors
  • Knapp, David C
  • Massachusetts Hokkaido Society

Kraner, Doug

Doug Kraner Collection
1978-2014
3 boxes, 7 tubes (4 linear feet)
Call no.: MS 942
Image of Doug Kraner (right)<br />Photo By <a href='http://www.mylesaronowitz.com/'>Myles Aronowitz</a>
Doug Kraner (right)
Photo By Myles Aronowitz

With an MFA in theater from UMass Amherst (1979), Doug Kraner built a career of thirty five years that grew from scenic design for the stage into production design for feature films and television. After his time in Amherst, Kraner taught at SUNY Stonybrook and worked on and off-Broadway, but by 1981, he moved to Hollywood and began a film career as set decorator for My Dinner With Andre (1981). Among dozens of credits as art director or production designer, Kraner worked on commercially successful films such as Uncle Buck, Lean on Me, Sleeping with the Enemy (which was the start of a long and productive working relationship with the director Danny Cannon), Extreme Measures, and I Still Know What You Did Last Summer. He received an Emmy nomination in 1983 for Little Gloria… Happy at Last, and in his work on the television show Gotham in 2014-2015 earned both Emmy and Art Directors Guild Award nominations. After a lengthy struggle with cancer, Kraner died on April 4, 2016.

Organized project by project, the Kraner collection includes a cross-section of work from a production designer in the film and television industries from the 1980s to 2010s. Although the depth of coverage and contents vary from film to film, the files may contain anything from rough concept sketches to finished designs, photographs of three-dimensional models, and schematics for the construction of sets, and in the aggregate, the work documents the transition from paper-based to purely digital production techniques. Kraner retained a small number of sketches from his time as a graduate student at UMass Amherst, two sketchbooks, and a portfolio of his work for film.

Gift of Ron Duby, Sept. 2016

Lajoie, Coralie Guertin

Coralie Guertin Lajoie Collection
1950-1951
4 folders (0.1 linear feet)
Call no.: MS 637 bd
Image of Japanese flutist
Japanese flutist

When Capt. Henry Guertin, a native of Leominster, Mass., was ordered to active duty with the 24th Infantry Division during the Korean War, his wife Rita relocated to Japan to raise their growing family in Kokura (Kyushu), Japan. Just 13 at the time and already used to the regular relocation of a military life, the eldest daughter, Coralie Ann (“Coco”) spent the next two years attending the Kokura Dependent School. As an adult, Coco married golf pro Ray Lajoie and settled in central Massachusetts.

The collection contains ephemera and photographs from young Coco Lajoie’s two-year sojourn on Kyushu. These include a copy of her school yearbook for 1951, a bill for a folk dance performance, and a series of letters from Japanese schoolchildren she met on a visit.

Subjects
  • Japan--Description and travel
Types of material
  • Ephemera
  • Photographs

Latimer, Catherine A.

Catherine A. Latimer Collection
1854-1953 (Bulk: 1915-1948)
ca.130 vols. (12 linear feet)
Call no.: RB 031

A friend and associate of W.E.B. Du Bois, Catherine A. Latimer became the first African American librarian at the New York Public Library, when she was hired at the 135th Street Branch in 1920. Born in Tennessee and raised in a relatively well to do family in Brooklyn , Latimer studied librarianship at Howard University, graduating in 1918. From early on, she had a keen interest in the burgeoning cultural scene in Harlem in the 1920s and in African American history more generally, and she played a pivotal role in acquiring Arturo Schomburg’s outstanding African American collection in 1926. Latimer worked at the NYPL for 28 years, up until her death in 1948.

The collection contains a remarkable assemblage of books by African American writers and on African American subjects collected by Catherine Latimer during the 1920s through 1940s. Amoing the books are scarce titles in African American history, poetry, and literature including signed volumes by W.E.B. Du Bois (5 titles), Claude McKay, Langston Hughes, and James Weldon Johnson.

Gift of Ruby C. Latimer with the assistance of Dario Bosley, Sept. 2015.
Subjects
  • African Americans--History
  • American literature--African American authors
Contributors
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • McKay, Claude, 1890-1948
Types of material
  • Books
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