Results for: “Massachusetts State College--Faculty” (962 collections)SCUA

Whisler, Howard C. (Howard Clinton)

Howard C. Whisler Papers, 1963-2007.

5 boxes (7.6 linear feet).
Call no.: MS 716

As an undergraduate at the University of California Berkeley, Howard Whisler was introduced to the study of zoosporic fungi, beginning what would become a lifelong interest in evolutionary protistology. During his graduate work at Berkeley, Whisler focused on fungi associated with invertebrates, receiving his doctorate in 1960 for a study of the entomogenous fungus Amoebidium parasiticum. He joined the faculty at the University of Washington in 1963, where he remained until his retirement in 1999. A prolific researcher, and developer of the fungal research program at the Friday Harbor Marine Biological Laboratory, he became noted for his work on zoosporic fungi and protists, particularly of parasites or commensals in arthropods, with publications ranging from studies of reproduction in the Monoblepharidales to the molecular systematics of Saprolegnia in salmon, and the sexual stages and life cycle of Coelomomyces, a fungal pathogen of mosquitos. An active member of the Mycological Society of America, Whisler was also a founder of the International Society of Evolutionary Protistology with Max Taylor and Lynn Margulis. Whisler died on Sept. 16, 2007, at the age of 76.

The Whisler Papers contain correspondence, notebooks, scanning electron micrographs, and motion pictures dating primarily from the mid- to late 1970s.


  • Fungi--Study and teaching
  • International Society of Evolutionary Protistology
  • Mycology


  • Whisler, Howard C. (Howard Clinton)

Types of material

  • Motion pictures (Visual work)
  • Scanning electron micrographs

Woodbury, Walter B. (Walter Bentley), 1834-1885

Walter B. Woodbury Photograph Collection, 1865-1866.

2 boxes (1.5 linear feet).
Call no.: PH 003
Tanah Abang House, ca.1866
Tanah Abang House, ca.1866

In the late 1850s and early 1860s, the pioneering British photographer Walter Woodbury captured images of Java, and especially its capital city Batavia (modern day Jakarta). Working in partnership with James Page, the two established a photographic firm that continued to produce and sell images long after Woodbury’s return to England in 1863.

Consisting of 42 albumen prints, the Woodbury Collection includes numerous images of the landscape and colonial buildings in Batavia, Buitenzorg (Bogor), and Surabaya. A few photographs capture images of the European community in Java, and local Javanese residents.


  • Bogor (Indonesia)--Photographs
  • Indonesia--Photographs
  • Jakarta (Indonesia)--Photographs
  • Java (Indonesia)--Photographs
  • Surabaya (Indonesia)--Photographs


  • Woodbury & Page
  • Woodbury, Walter B. (Walter Bentley), 1834-1885

Types of material

  • Albumen prints
  • Photograps

Yamashita, Yoshiaki, 1865-1935

Yoshiaki Yamashita Photograph Album, ca.1904.

1 vol. (0.25 linear feet).
Call no.: PH 006
Yoshiaki and Fude Yamashita, ca.1904
Yoshiaki and Fude Yamashita, ca.1904

From 1903 to 1906, Professor Yoshiaki Yamashita of Tokyo traveled the United States providing instruction in the new martial art of judo. In Washington, D.C., he provided instruction for the sons and daughters of the nation’s political and business elite and was brought to the White House to teach President Theodore Roosevelt. In 1905-1906, Yamashita was employed by the U.S. Naval Academy to train midshipmen, but after his contract ended in the fall 1906, he returned to Japan and continued to teach judo until his death on October 26, 1935. He was posthumously awarded the 10th degree black belt, the first ever so honored.

The Yamashita photograph album contains 53 silver developing out prints apparently taken to illustrate various judo throws and holds, along with Yamashita’s calling card and four documents relating to his time teaching judo in Washington.


  • Judo--Photographs
  • Kawaguchi, Saburo
  • Yamashita, Fude
  • Yamashita, Yoshiaki

Types of material

  • Photograph albums
  • Photographs

Yantshev, Theodore

Theodore Yantshev Collection, 1947-1958.

1 box (0.5 linear feet).
Call no.: MS 141

A native of Sofia, Bulgaria, Theodore Konstantin Yantshev found himself in danger in the years immediately after the Second World War when his anti-Communist activities became known to the new Communist regime. With the assistance of an American naval officer, Yantshev escaped to the United States as a stowaway aboard the American ship S.S. Juliet Victory in the spring of 1946. In July of 1947, however, Yantshev’s presence came to the attention of United States immigration authorities and a warrant for his deportation back to Bulgaria was issued against him.

This small collection consists chiefly of correspondence documenting Yantshev’s struggle to gain permanent residency and then citizenship in the United States.


  • Bulgarians--United States
  • Political refugees--United States


  • Yantshev, Theodore

Yeomans, Lawrence D.

Lawrence D. Yeomans Papers, 1895-1946 (Bulk: 1917-1919).

1 box (0.25 linear feet).
Call no.: MS 873
Lawrence D. Yeomans, nurse, and dog
Lawrence D. Yeomans, nurse, and dog

A native of Ontario, Lawrence D. Yeomans was working in New York when he volunteered for service in the U.S. Army Signal Corps during the First World War. For eighteen months, Yeomans served as a chauffeur with the Signal Corps in France, driving senior officers around Paris and to and from the front.

This small collection documents Lawrence Yeomans’ time as a chauffeur with the Signal Corps during the First World War. In addition to a handful of official documents relating to his service, Yeomans held onto a few pieces of ephemera as souvenirs, some postcards, and a set of photographs, including three depicting him in uniform and ten showing a display of German war materiel confiscated at war’s end.


  • World War, 1914-1918

Types of material

  • Ephemera
  • Photographs
  • Postcards

Activism of the 1980s

Activism of the 1980s Photograph Collection, 1985-1987.

(0.5 linear feet).
Call no.: PH 012

During the academic year 1986-1987, the campus at UMass Amherst was a hotbed of political protest, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, daughter of former president Jimmy Carter. The occupation of the Whitmore Administration Building was followed by a larger occupation of adjacent Munson Hall, resulting in a number of arrests. Hoffman, Carter, and eleven co-defendants were tried and acquitted on charges of disorderly conduct were tried in April 1987.

The Collection contains 61 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard, all students at UMass Amherst. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.


  • Amherst (Mass.)--Photographs
  • Anti-apartheid movements--Massachusetts
  • CIA on Trial Project (Amherst, Mass.)
  • Carter, Amy
  • Central America--Foreign relations--United States
  • Demonstrations--Massachusetts
  • Hoffman, Abbie
  • Northampton (Mass.)--Photographs
  • Student movements
  • United States--Foreign relations--Central America
  • United States. Central Intelligence Agency
  • University of Massachusetts Amherst--Students


  • Carroll, Charles F
  • Guarnotta, Byrne
  • Hubbard, Libby
  • Radical Student Union

Types of material

  • Photographs

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.


  • Montague (Mass.)--Social life and customs


  • Aldrich family

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.

Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Listen now to music, interviews, news reports, live performances and ads from the archives of the new documentary film, The American Revolution, which tells the story of how in the late 1960s and early 70s a radio station, politics and rock and roll changed everything.

Audio recordings in this collection are licensed through SoundExchange allowing you to listen to the original content and format from the radio broadcasts.

You can listen to the stream at this link:


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Bajgier Family

Bajgier Family Papers, 1925-1986.

2 boxes (0.5 linear feet).
Call no.: MS 400
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.


  • Chicopee (Mass.)--Social life and customs
  • Polish Americans--Massachusetts
  • World War, 1939-1945


  • Bajgier, Joseph M

Types of material

  • Photographs

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.


  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs


  • Geisler, Bruce

Types of material

  • Photographs
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