Kevin McVeigh Papers, 1974-2010.
15 boxes (22.5 linear feet).
Call no.: MS 668
A lifelong activist for social and environmental justice, Kevin McVeigh was among the founders of two prominent antinuclear and environmental organizations in Northern California, the Pelican Alliance (1978) and Interhelp (1981). After relocating to Massachusetts, he continued in environmental activism, founding the Green River Center in Greenfield in 1987, but in response to the intense public health crisis, he gradually shifted his focus to become an advocate for persons with HIV/AIDS. As a founder of the AIDS Community Group of Franklin County (Mass.), he has coordinated AIDS services for Tapestry Health, a not-for-profit organization providing affordable health care to in Western Massachusetts.
The McVeigh Papers document a career as a committed antinuclear activist and advocate for persons with HIV/AIDS. The collection includes organizational materials from each of the groups McVeigh helped found: The Pelican Alliance, Interhelp, the Green River Center, the AIDS Community Group of Franklin County, and Tapestry Health, as well as correspondence, newspaper clippings, journals and magazines related to the issues concerning, notes from HIV/AIDS caregivers’ conferences, materials relating to men’s support groups, and other material related to environmental protection and anti-war activism. Finally, the collection includes audio files of an oral history (approximately two hours) conducted with McVeigh in July 2010, and a small collection of antinuclear books from small publishing houses.
- AIDS (Disease)
- AIDS Community Group of Franklin County
- AIDS activists--Massachusetts
- Antinuclear movement--California
- Green River Center (Greenfield, Mass.)
- Pelican Alliance
- Public health--Massachusetts
- Tapestry Health
Types of material
Miller Family Photographs, ca.1880-1980.
1 boxes, 1 oversize envelope (1.25 linear feet).
Call no.: MS 119
Four generations of the Miller family from Roxbury and Hull, Massachusetts. Includes photographs mounted on twenty-eight sheets of posterboard and 158 slides stored in two slide trays that are comprised of formal and informal family portraits; family businesses; church and business gatherings; a wedding announcement; and postcards from the early 1900s depicting public recreation sites. More recent photographs reveal how the public recreation sites have changed over the years. Robert Parker Miller, a graduate of the University of Massachusetts Amherst and a member of the Miller family, displayed these images in an exhibit entitled “Trying to Live the American Dream” (1986, Wheeler Gallery).
- Family--United States--History
- Hull (Mass.)--Photographs
- Massachusetts--Social life and customs--19th century--Photographs
- Massachusetts--Social life and customs--20th century--Photographs
- Roxbury (Mass.)--Pictorial works
Types of material
Montague Nuclear Power Station Environmental Report, 1975.
1 box (1 linear feet).
Call no.: MS 061
Planning for construction of a nuclear power plant in Montague, Mass., in 1973, Northeast Utilities was required to conduct an environmental impact survey of the site, building a 500-foot tall weather monitoring tower to gather data. Their plans, however, were thwarted by the rise of a powerful antinuclear opposition, symbolized by a renowned act of civil disobedience in February 1974. On Washington’s Birthday, a member of the Montague Farm commune, Sam Lovejoy, took down the tower using simple farm tools, turning himself in to the police immediately afterward. The ensuing trial, the effective organizing by his colleagues, and the success of their effort to prevent construction of the power plant is often regarded as a formative moment in the history of the modern antinuclear movement.
This environmental report for the proposed Montague Nuclear Power Station includes an accounting of the purpose of the facility, its environmental, archaeological, and social impact, and an analysis of the costs and benefits of operation.
- Antinuclear movement--United States
- Lovejoy, Sam
- Montague (Mass.)--History
- Northeast Utilities
- Nuclear power plants--Massachusetts
New Victoria Publishers Records, 1974-2009.
6 boxes (11 linear feet).
Call no.: MS 883
Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization. Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.
- Collective labor agreements – Printing industry
- Feminist literature – Publishing
- Lesbian authors
- Lesbians' writings -- Publishing
- Women printers – New England
- Women publishers – New England
- Beth Dingman
- Claudia McKay
- New Victoria Printers
- New Victoria Publishers
Types of material
New WORLD Theater Records, 1979-2010.
41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.
- African Americans--Drama
- American drama--Minority authors
- Asian Americans--Drama
- Ethnic groups--United States--Drama
- Hispanic Americans--Drama
- Minorities--United States--Drama
- University of Massachusetts Amherst
- New WORLD Theater
- Page, Priscilla
- Uno, Roberta, 1956-
Types of material
- Audiovisual materials
- Sound recordings
David F. Noble Papers, 1977-2010.
15 boxes (22.5 linear feet).
Call no.: MS 879
David F. Noble was a critical and highly influential historian of technology, science, and education, writing from a strong leftist perspective. Receiving his doctorate at the University of Rochester, Noble began his academic career at MIT. His first book, America By Design (1977), received strong reviews for its critique of the corporate control of science and technology, but proved too radical for MIT, which denied him tenure despite strong support from his peers. A stint at the Smithsonian followed, but ended similarly, and he continued to face opposition in his career for his radicalism and persistence. After several years at Drexel (1986-1994), Noble landed at York University, where he remained committed to a range of social justice issues, including opposition to the corporatization of universities. Among his major works Forces of Production (1984), A World Without Women (1992), The Religion of Technology (1997), Digital Diploma Mills (2001), and Beyond the Promised Land (2005). Noble died of complications of pneumonia in December 2010, and was survived by his wife Sarah Dopp and three daughters.
The challenges of academic freedom and corporate influence that Noble confronted throughout his career, and his trenchant analysis of technology, science, and religion in contemporary culture, form the core of this collection. Although the files relating to his first book were mostly lost, each of his later books is well represented, accompanied by general correspondence, documentation of his lawsuits against his employers, and selective public talks and publications. Noble’s time at York is particularly well documented, including content relating to his principled stand against grading students.
- Academic freedom
- Massachusetts Institute of Technology--Faculty
- Science--Social aspects
- Technology--Social aspects
- York University--Faculty
Norfolk Prison Colony Collection, 1932-1934.
1 box (0.25 linear feet).
Call no.: MS 074
In the late 1920s, the sociologist and prisoner reformer Howard Belding Gill proposed building a “model community prison” at Norfolk, Mass., that would represent a radical new approach to dealing with crime and punishment. Integrating social work and sociological theory into the workings of the prison system, Gill reasoned that it would be possible to diagnose and treat the root problems that led to crime and redirect inmates toward constructive behaviors. Built by inmates themselves, the prison opened in 1932, but with opponents decrying the experiment as a “country club” that coddled prisoners, Gill was forced from the superintendency within just two years.
The collection consists of several drafts of a manuscript by a supporter of Gill’s, Thomas O’Connor, that was intended for publication in The Survey magazine, along with associated correspondence and photographs. Although The Survey’s editor, Arthur Kellogg, was sympathetic enough to pass through several drafts and seek opinions widely, the manuscript appears to have been rejected so as not to cause the governor undue political problems.
- Massachusetts Correctional Institution, Norfolk
- Prison reformers--Massachusetts
- Gill, Howard B. (Howard Belding)
- Kellogg, Arthur
- O'Connor, Thomas
- Parsons, Herbert Collins, 1862-1941
- Wilkins, Raymond S.
Types of material
Norwegian Information Service Photographs of Sami (Lapp) People
1 envelope (0.1 linear feet).
Call no.: MS 297
During the Second World War, the Nazi occupation and subsequent liberation of the arctic regions of northern Norway resulted in the near total devastation of the existing infrastructure and the displacement of most of the population, including the native Sami (Lapps). The end of the war did not signal an end to hardship: the challenges of post-war resettlement was accompanied by a sustained effort by the Norwegian government to modernize and assimilate the Sami, largely through the systematic suppression of Sami culture. The language was banned from use in schools until 1958 and other forms of suppression persisted longer, and it was decades more before the rights of the Sami as an indigenous people were codified into law.
The dozen photographs that comprise this collection document Sami life in northern Norway during the period just after the end of the Second World War when Sami people were returning home after years as refugees. Taken by the Norwegian Information Service and presumably associated with the Norwegian modernization program, the collection includes images of traditional Sami sod dwellings, men at work on construction of sled and boat, and portraits of women and children.
- General stores--Norway--Photographs
- Sami (European people)--Photographs
- Sod houses--Norway--Photographs
- Norwegian Information Service
Types of material
Barbara Parker History of the Book Collection, 1508-1905.
75 items (12 linear feet).
Call no.: RB 007
A long-time librarian at UMass Amherst and Brown University, Barbara Parker became an avid collector of rare books. Interested in the history of printing, binding, and book design, and herself a bookbinder, Parker collected widely, from early printing to the Victorian book artists of the Chiswick Press.
The Parker Collection contains an eclectic mix of books to illustrate various aspects of the history of the book through 1900. The collection includes eight volumes printed prior to 1600, a fine leaf from the Nuremberg Chronicles, and a strong collection of the work of Charles Whittingham and the Chiswick Press. In addition to fine examples of binding and illustration, the collection includes works printed by Elsevier, Gregorium de Gregoris, and Domenico Farri, five by Joseph Barbou, and two each by the Aldine Press, Simon Colin, and John Baskerville.
Marie Phillips Collection, 1948-2007.
1 box (0.5 linear feet).
Call no.: FS 170
For many years, the UMass Amherst campus was home to several colonies of feral cats that took up residence in its barns and outbuildings, and beginning with Leo V. Robinson in 1945, a succession of individuals were moved to feed and care for the cats. An alumna and employee in Human Relations, Marie Phillips (BA ’78, MPA ’91) took over as feral cat caretaker between 1991 and 2007, joined by her colleague Meg Caulmare of the English Department, and together they supported the colonies along the Cat Corridor stretching from the rear of Munson Hall to the Queen Anne Horse Barn. With increasing construction on campus and careful rehoming, the feral cat population was gradually reduced on campus until 2014, when the last cats to live in the Horse Barn, Mr. Junie Moon and Rusty, were given a home by Caulmare. Phillips wrote about her experiences with two of the more notable cats on campus, Dadcat and Ashes, in her book Dadcat University (2007).
The Phillips collection offers a visual records of the lives of the feral cats on the UMass Amherst campus. A strong supporter of efforts to preserve the declining Horse Barn, Phillips also accumulated photographs, reports, and research materials on the barn and horses at the university.
- Feral cats--Massachusetts--Amherst
- Munson Annex (University of Massachusetts Amherst)
- Queen Anne Horse Barn (University of Massachusetts Amherst)
Types of material