You searched for: "“Packer Corners Community (Vt.)”" (page 9 of 30)

Crouch, Rebecca

Rebecca Crouch Papers

ca.1936-1986
1 box 0.5 linear feet
Call no.: MS 602

In the late 1870s, a middle-aged farmer from Richmond, Minnesota, Samuel Crouch, married a woman eleven years his junior and asked her to relocate to the northern plains. Possessed of some solid self-confidence, Rebecca left behind her family a friends and set out to make a life for herself, adjusting to her new role as step-mother and community member, as well as the familiar role of family member at a distance.

The Crouch Papers includes approximately 225 letters offering insight into life in Minnesota during the late 1870s and early 1880s, and into the domestic and social life of a woman entering into a new marriage with an older man. Rebecca’s letters are consumed with the ebb and flow of daily life, her interactions with other residents of the community at church or in town, the weather, and chores from cooking to cleaning, farming, gardening, writing, going to town, or rearranging furniture.

Subjects

  • Farmers--Minnesota
  • Minnesota--Social life and customs--19th century
  • Women--Minnesota

Contributors

  • Crouch, Rebecca
  • Jones, Sarah
  • Loomis, Emma

Types of material

  • Letters (Correspondence)
Cummington School of the Arts

Cummington School of the Arts Records

1908-1993
30 boxes 45 linear feet
Call no.: MS 891
Image of Poster, ca.1925
Poster, ca.1925

In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.

The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.

Transferred from Springfield Museums through Margaret Humberston, Dec. 2015
Cushing, David F., 1814-1899

David F. Cushing Records

1851-1862
2 vols. 0.2 linear feet
Call no.: MS 248 bd

Born in Newfane, Vermont in 1814, David F. Cushing journeyed to West Medway, Massachusetts, at the age of sixteen to learn the tailor’s trade. There he met and married Polly Adams (b. 1821), who gave birth to their son, Winfield, in 1843, the first of at least nine children. Shortly after starting his family, Cushing returned home to Vermont, establishing a general store in the village of Cambridgeport, situated on the border of Grafton and Rockingham. He enjoyed considerable success in his work, rising from being listed as a “retail dealer” in the early years to a merchant; by 1860, Cushing owned real estate valued at $4,000 and personal property worth $7,000. A deacon of the Congregational church, his frequent appointment as a postmaster hints at a degree of political connection within the community to accompany his financial and personal success. He remained active in his store for 56 years until his death in 1899.

Cushing’s daybook (1860) includes lists of stock, how he acquired his goods, and the method and form of payment (cash or exchange of goods and services). The receipt book, comprised of printed forms, records freight hauling activities, with records of the freight (usually hay or oxen), weight, and date.

Subjects

  • Barter--Vermnont--Cambridgeport--19th century
  • Cambridgeport (Vt.)--Economic conditions--19th century
  • Freight and freightage--Rates--Vermont--19th century
  • General stores--Vermont--Cambridgeport

Contributors

  • Cushing, David F., 1814-1899

Types of material

  • Account books
  • Daybooks
Czaja, Mrs. Joseph

Josephine Czaja Papers

1936-1987
1 box 0.5 linear feet
Call no.: MS 189

Born in Poland, Josephine Latosinski emigrated with her parents to the United States as an infant in 1905. After study at the Booth and Bayliss Commercial College in Waterbury, Connecticut, she worked briefly as a secretary for a Waterbury firm, however in 1926, she married an electrical engineer, Joseph Czaja, and moved to Springfield, Mass. An active member of the Polish community and a talented musician, Czaja sang in the St. Cecilia Choir of Our Lady of the Rosary Church, was an officer in the church’s Ladies Guild, and she became a key member of the local Polish Women’s Club.

The collection consists of photocopies of news clippings, probably compiled into scrapbooks by Josephine Czaja, depicting her activities, her family, the Polish community of Springfield more generally, particularly the Polish Women’s Club.

Language(s): PolishEnglish`

Subjects

  • Polish Americans--Massachusetts--Springfield
  • Polish Women's Club
  • Springfield (Mass.)--Social conditions

Types of material

  • News clippings
Dobrowski, Elaine

Elaine Dobrowski Boston Polish Community Collection

ca.1935-1995
1 box 0.25 linear feet
Call no.: MS 376

Compiled by Elaine Dobrowski, this collection of photographs, printed materials, and news clippings documents the Polish community in Boston during the 1930s through the 1990s. Includes photographs of the Kosciusko Monument in the Boston Public Gardens, a children’s dance festival, and a Polish Women’s circle outing at Blinstrub’s Village as well as images of parades, receptions, and conventions.

Subjects

  • Boston (Mass.)--Social life and customs
  • Polish Americans--Massachusetts

Contributors

  • Dobrowski, Elaine
Donohue, Joseph W., 1935-

Joseph W. Donohue Papers

1963-2003
37 boxes 55.5 linear feet
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects

  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Donohue, Joseph W., 1935-
Double Edge Theater

Double Edge Theatre Records

1970-2002
28 boxes 15.5 linear feet
Call no.: MS 455
Image of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs
Drinkwater, Robert W.

Robert W. Drinkwater Collection

ca.1975-2004
6 boxes 5 linear feet
Call no.: PH 067
Wildwood Cemetery, Amherst, Non. 2004
Wildwood Cemetery, Amherst, Non. 2004

An historical archaeologist with an MA in Anthropology from UMass Amherst, Bob Drinkwater has recorded, photographed, and reported on the eighteenth- and early nineteenth-century gravestones and stonecutters of western Massachusetts for over four decades, and he has identified a number of Connecticut River Valley carvers. A charter member of the Association for Gravestone Studies, he has been active in nearly every aspect of the organization, contributing scholarly articles to its journals, organizing and presenting at its conferences, and serving terms as President and Trustee. He offers a workshop, “Gravestone Studies 101: A Survey of Gravestone Art in the Pioneer Valley”, at Greenfield Community College.

Focused on Bob Drinkwater’s research on western Massachusetts, the collection contains several hundred images recording early gravestones in the cemeteries of Amherst and Hadley, photo documentation of the stonecutters of Berkshire County and the Quabbin region, and two longer works written by Drinkwater: “From quarry to graveyard: a schematic reconstruction of early New England gravestone-carving technology” (his honor’s thesis, ca.1975) and “Notes on Methods of Collection, Classification, Recording, and Analysis of Data for Stylistic and Demographic Studies of Early New England Gravestones.”

Subjects

  • Gravestones--Massachusetts--Amherst
  • Gravestones--Massachusetts--Hadley
  • Stone carving--Massachusetts

Contributors

  • McArdle, Alan

Types of material

  • Photographs
Du Bois Fellowship Recipients

2016

John Hyland (English, University of Buffalo and Haverford College)
“The forest of melody: Black Diasporic Poetics and the Sounding of the Environment”
Nicholas T. Rinehart (English, Harvard University)
“‘These illegitimate children of my thought’: The dramatic work and criticism of W.E.B Du Bois”

2015

Nneka Dennie (Afro-American Studies, UMass Amherst)
“Black Male Feminism and the Evolution of Du Boisian Thought, 1903-1920”
Crystal Webster (Afro-American Studies, UMass Amherst)
“‘The Transfiguring Soul of Childhood’: Du Bois and the Social, Political, and Cultural Role of Black Children”

2014

Brandon Byrd (Assistant Professor of History, Mississippi State University and University of North Carolina)
“The Problem of Haiti as it Stands Today:” W.E.B. Du Bois on the U.S. Occupation of Haiti, 1915-1934″
Donald Geesling (Afro-American Studies, UMass Amherst)
“Black Song and the Talented Tenth: The Musical Imagination of W.E.B. Du Bois, 1902-1942”

2013

Horace D. Ballard Jr. (Public Humanities, History of Art, and American Studies, Brown University)
“Ethics and Aesthetics: Citizenship and Form”
Emahunn Raheem Ali Campbell (Afro-American Studies, UMass Amherst)
“W.E.B. Du Bois’s Literary Interventions on Black Criminality”
Daniel Chard (History, UMass Amherst)
Exploring the history of ’60s-’70s radical groups allows Chard to investigate the origins of the first police institutions in the U.S. dedicated to domestic “counter-terrorism”

2012

J. Anthony Guillory (Afro-American Studies, UMass Amherst)
“The Physical Uplift of Race”
Desmond Jagmohan (Government, Cornell)
“Creating Community, Cultivating Citizens, and Interrogating Jim Crow: The Political Thought of Booker T. Washington”

2011

Markeysha Davis (Afro-American Studies, UMass Amherst)
“Daring propaganda for the beauty of the Human Mind’:
Redefinition and Reaffirmation of the New Black Self in Poetry and Drama of the 1960s and 1970s”
Ricky Fayne (English, Northwestern)
“‘The Shadow of a Mighty Negro Past’: Du Bois and the Re-memory of Africa in to the Black America”
Du Bois Five College Fellowships

du bois
Du Bois at his desk

The Department of Special Collections and University Archives (SCUA) of the W.E.B. Du Bois Library offers short-term residential fellowships to assist scholars in conducting research in its collections. Among the approximately 15,000 linear feet of manuscripts held by SCUA are many valuable collections for the study of social change in the United States, including the papers of the most important exponent of the politics and culture of the twentieth century, W.E.B. Du Bois. In addition, the University Library houses over three million volumes and a rich suite of electronic resources to support advanced research in the humanities. Comprehensive, searchable guides and finding aids to SCUA’s collections are available on this website.

Five College Graduate fellowships are awarded to graduate students at UMass Amherst or in the Five College community.

View past Du Bois Fellows

Application information

Eligibility:

All graduate students enrolled at UMass Amherst or in the Five College community are eligible to apply. Applicants must be U.S. citizens.

Award & expectations:

Five College graduate student fellows will receive a stipend of $3,000 for an eight-week library residency. Fellows may schedule their residencies for any time between July in the year of award through the following April.

Selection criteria: All fellows will be selected on a competitive basis from applicants interested in conducting original research in the Du Bois Papers and other SCUA collections. The criteria for selection will include: 1) potential of the proposal to contribute to scholarship, 2) fit with Du Boisian themes, 3) the need for use of SCUA collections, and 4) the letter of support. The application will consist of a brief (up to 3 pages) description of the research project, a curriculum vita, and a letter of support.
Deadline for submission:

Five College graduate student applications must be received by March 16, 2018.

How to submit: Applications should be submitted electronically to scua [at] library.umass.edu with “Du Bois application” and your name in the subject line. Letters of recommendation should be sent separately to the same address.

Five College Graduate Student Du Bois Fellowship application 2018