Rebecca Crouch Papers, ca.1936-1986.
1 box (0.5 linear feet).
Call no.: MS 602
In the late 1870s, a middle-aged farmer from Richmond, Minnesota, Samuel Crouch, married a woman eleven years his junior and asked her to relocate to the northern plains. Possessed of some solid self-confidence, Rebecca left behind her family a friends and set out to make a life for herself, adjusting to her new role as step-mother and community member, as well as the familiar role of family member at a distance.
The Crouch Papers includes approximately 225 letters offering insight into life in Minnesota during the late 1870s and early 1880s, and into the domestic and social life of a woman entering into a new marriage with an older man. Rebecca’s letters are consumed with the ebb and flow of daily life, her interactions with other residents of the community at church or in town, the weather, and chores from cooking to cleaning, farming, gardening, writing, going to town, or rearranging furniture.
- Minnesota--Social life and customs--19th century
- Crouch, Rebecca
- Jones, Sarah
- Loomis, Emma
Types of material
Cummington School of the Arts Records, 1908-1993.
30 boxes (45 linear feet).
Call no.: MS 891
In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.
The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.
David F. Cushing Daybook, 1860.
1 vol. (0.1 linear feet).
Call no.: MS 248 bd
Operator of a general store in Cambridgeport, Vermont, as well as a postmaster and a deacon of the Congregational Church. Daybook includes lists of stock, how he acquired his goods, and method and form of payment (cash or exchange of goods and services).
- Barter--Vermnont--Cambridgeport--History--19th century
- Cambridgeport (Vt.)--Economic conditions--19th century
- Freight and freightage--Rates--Vermont--History--19th century
- General stores--Vermont--Cambridgeport
- Households--Vermont--Cambrigeport--History--19th century
- Cushing, David F., 1814-1899
Types of material
Josephine Czaja Papers, 1936-1987.
1 box (0.5 linear feet).
Call no.: MS 189
Born in Poland, Josephine Latonsinska emigrated with her parents to the U.S. at the age of two. After studies at the Booth and Bayliss Commercial College in Waterbury, Connecticut, Josephine worked as a secretary for a Waterbury firm. Married to Joseph Czaja in 1926, the couple moved to Springfield, Massachusetts where Joseph worked as a druggist. Trained as a musician, Mrs. Czaja was an active member of the St. Cecilia Choir and the Ladies Guild, both of Our Lady of the Rosary Church.
The collection consists of photocopies of news clippings, probably compiled as a series of scrapbooks by Mrs. Czaja, depicting the activities of Polish community of Springfield from 1936 to 1987.
- Polish Americans--Massachusetts--Springfield
- Springfield (Mass.)--Social conditions
Types of material
Elaine Dobrowski Boston Polish Community Collection, ca.1935-1995.
1 box (0.25 linear feet).
Call no.: MS 376
Compiled by Elaine Dobrowski, this collection of photographs, printed materials, and news clippings documents the Polish community in Boston during the 1930s through the 1990s. Includes photographs of the Kosciusko Monument in the Boston Public Gardens, a children’s dance festival, and a Polish Women’s circle outing at Blinstrub’s Village as well as images of parades, receptions, and conventions.
- Boston (Mass.)--Social life and customs
- Polish Americans--Massachusetts
Joseph W. Donohue Papers, 1963-2003.
37 boxes (55.5 linear feet).
Call no.: FS 110
Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.
The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.
- Theater--History--Great Britain
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of English
- Donohue, Joseph W., 1935-
Double Edge Theatre Records, 1970-2002.
28 boxes (15.5 linear feet).
Call no.: MS 455
Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.
The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.
- Experimental theater
- Theater and society
- Theatrical companies--Massachusetts
- Arnoult, Philip
- Double Edge Theatre
- Durand, Carroll
- Klein, Stacy
- Odin teatret
- Staniewski, Wlodzimierz
- Stowarzyszenie Teatralne "Gardzienice"
Types of material
Bill Duesing Collection, 1995-2000.
14 items (1.5 linear feet).
Call no.: MS 760
A pioneer in organic agriculture in New England, Bill Duesing has been as an environmental educator, writer, artist, and lecturer over for four decades. After graduating from Yale University (1964), Duesing worked as a Cooperative Extension agent before turning to organic principles in the early 1970s. Emphasizing sustainability and greater local food sufficiency, he has been instrumental in developing organic standards for gardening and land care and he has served as both founding president and later executive director of the Northeast Organic Farming Association Connecticut and president of the NOFA Interstate Council. During the 1990s, Duesing produced two radio shows, “Living on the Earth” (WSHU) and “The Politics of Food” (WPKN), and he is author of Living on the Earth: Eclectic Essays for a Sustainable and Joyful Future
The Duesing collection consists of transcripts of his radio show, “Living on the Earth” (1990-2000) and fourteen recordings of “The Politics of Food,” which was broadcast monthly over WPKN (89.5 FM) in Bridgeport in 1997-1998. Each half hour segment of “Politics” included news, a fifteen minute interview, recipes, and tips, with interviewees including Mel Bristol, Jac Smit, Vincent Kay, John Wargo, Hugh Joseph, Joseph Kiefer, Julie Rawson, Michael Sligh, Kathy Lawrence, Lee Warren, and Elizabeth Henderson.
- Cookery, Health aspects
- Living on the Earth
- Natural foods--Certification
- Organic farming
- Organic farming--Law and legislation
- Politics of food
- Sustainable agriculture
- Henderson, Elizabeth, 1943-
- Rawson, Julie
Types of material
Tulip poplar leaf
Arthur Mange Collection
Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.
Growing Season: Women in Agriculture and Food Production
- Jan 2016-Sept 2016
- Location: SCUA and Learning Commons, Du Bois Library
On the Lower Level, “Growing Season” focuses on the growth and encouragement of women in agriculture and food production at Massachusetts Agricultural College (MAC or “Mass Aggie,” the precursor to UMass Amherst) from the 1910s through the 1930s. With growing local food supply issues from 1900-1920 due to WWI and population movement from farms to cities, MAC started special and short course programs that engaged women in practical agriculture, like gardening, fruit growing, dairying and also rural social services and home economics. The growing Extension Service program reached out to rural and farm community members with instructional workshops and pamphlets.
On display in Special Collections and University Archives, floor 25, are collections that reflect women and food production, including cookbooks focused on preservation and canning; Helen Hunerwadel who taught and advised on agricultural in Burma and Iran in the 1940s and 1950s; and Elizabeth Henderson, an organic farming pioneer and founding member of the Northeast Organic Farming Association.
Photographs of Diana Mara Henry
- Sept 2016-Jan 2017
- Location: SCUA and Lower Level, Du Bois Library
The exhibit showcases the work of Diana Mara Henry, a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem.