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Results for: “Argonne National Laboratories” (272 collections)SCUA

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Enola Gay Controvery

Enola Gay Controversy Collection, 1995.

2 boxes (1 linear feet).
Call no.: MS 615

On January 30, 1995, the National Air and Space Museum capitulated to popular and political pressure and scuttled an exhibit they had planned to coincide with the fiftieth anniversary of the end of the Second World War. Early in 1993, curators began to develop plans for an exhibit that would center around the Enola Gay, the B-29 Stratofortress bomber that dropped the atomic bomb on Hiroshima, but opposition from veterans’ groups rose almost immediately. By mid-summer, the Air Force Association and American Legion led opposition to the exhibit, fearing that it would not present a balanced view of the events and that it would focus exclusively on the “horrors of war” and an alleged “moral equivalence” between Japan and the United States. Although several attempts were made to rewrite the script of the exhibit, congressional and public pressure eventually led to the cancellation of the exhibit in January 1995 and to the resignation of the Director of the Museum, Martin Harwit, in May.

Collected by historian Waldo Heinrichs, the Enola Gay Controversy Collection contains the various versions of the scripts of the planned exhibition and copies of correspondence, memos, publications, and the three volumes of “Revisionism gone wrong: Analysis of the Enola Gay controversy” issued by the Air Force Association.

Subjects

  • Atomic bomb--Moral and ethical aspects
  • Enola Gay (Bomber)--Exhibitions--Political aspects
  • National Air and Space Museum--Exhibitions--Political aspects

Contributors

  • Heinrichs, Waldo

ETHIR Fellowships

Experiential Training in Historic Information Resources (Ethir) is an initiative of the Department of Special Collections and University Archives in the UMass Amherst Libraries designed to provide students with structured, hands-on experience using and interpreting historical documentary resources. As part of our effort to integrate Special Collections more fully into the learning and research mission of the university, we offer an opportunity for select graduate students to work in the Department on a research project, while gaining first-hand experience in historical and archival praxis. Ethir fellows will take part in a range of activities in the digital humanities tied to primary source material, including curating exhibits, building digital corpora, or developing other interpretive materials.

Successful applicants will work with SCUA staff to identify a digital project that will make use of their interests and experience and that will provide a creative opportunity for building new digital skills. We ask students write a 1-2 page statement of interest outlining how their research interests might engage the department and the primary source material we collect.

Projects may include work with our collections in:

Or fellows can propose to work with a collection or topic of their choice.

Through the Ethir program, we also offer orientation for classes in any discipline that would benefit from exposure to the primary archival resources under our stewardship. Our staff are happy to work with the faculty to increase their students’ information literacy in a variety of legacy formats as well as with new digital media.

View past Ethir Fellows

Application information

Eligibility: Graduate students from any department enrolled at UMass Amherst.
Award: Graduate students from any department enrolled at UMass Amherst.
Evaluation criteria: Fellows will be selected from the pool of applicants on a competitive basis based upon: 1) a brief (1-2 page) statement of interest, 2) ability to contribute to the work of SCUA, and 3) a curriculum vita and letter of support.
Support & expectations: Fellows will receive an honorarium of $500, plus hourly compensation for 150 hours of work.
Deadline for submission: Applications must be received by April 17, 2015.
How to submit: Applications should be submitted electronically to scua [at] library.umass.edu with “ethir application” and your name in the subject line. Letters of recommendation should be sent separately to the same address.

InformationDownload the application form (rtf file).

Ethir Outcomes

For Fellows

  • Provide hands-on experience using and interpreting historical materials
  • Expose fellows to historical and archival standards and practices
  • Assist fellows in developing research projects based on primary resources
  • Increase access and provide additional scholarly layers for SCUA’s collections
  • Foster information literacy in legacy historical formats
  • Enhance learning and research at the university
  • Create web-accessible guides and exhibits that will enhance fellow’s portfolios
  • Fellows will produce tangible products for public consumption (e.g., finding aids, guides, digital collections, exhibits) based upon new or under-described collections, and they may assist in providing instruction for peers and classes

For Faculty

We will provide structured orientation for individuals and classes involving active learning, with an emphasis on:

  • Handling original materials (paleography, formats)
  • Interpreting historical content
  • Interpreting historically specific forms of information
  • Navigating the Department’s web resources
  • Translating research interests into usable queries

Exhibits

Tulip poplar leaves
Tulip poplar leaf
Arthur Mange Collection

Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.

Current Exhibit

Through The Photographer’s Eyes: The Diana Mara Henry Collection (20th Century Photographer)

  • August 19, 2016-January 13, 2017
  • Location: SCUA and Learning Commons, Du Bois Library

The work of photojournalist Diana Mara Henry spans four decades of political, social, and cultural change in America. After graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center of Photography in Manhattan from 1974-1979, she developed its community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and Ulster County, NY, and everyday life in Brooklyn, France, Nepal, and Bali.

Henry’s photographs have appeared in government documents, magazines, books such as Newsweek’s Pictures of the Year 1977, and the 1989 Pulitzer and Tony award-winning play The Heidi Chronicles. They have been exhibited in many locations including a one-woman show at the Women’s Hall of Fame in Seneca Falls, NY; The Park Avenue Armory, NYC; and The American Civil War Center at Historic Tredegar, Richmond, VA. In addition to the UMass Amherst Libraries, Henry’s photographs are in the collection of the National Archives.

The exhibit features photographs taken by Henry along with a rich array of related materials—including speeches, press releases, brochures, and her own notes—collected over the years; taken together they document the political and cultural scene of the second half of the twentieth century. Items on display cover a wide range of topics from the Vietnam Veterans Against the War, The Women’s Pentagon Action, the McGovern campaign, the New York State Women’s Meeting and First National Women’s Conference to Permaculture, New York politics, and New York society.

Upcoming Exhibits

Coming soon!

Exhibits online
Arthur Mange100 photos: Arthur Mange

Photographs from the collection of Arthur Mange.
Diana Mara Henry PhotographsPhotographer: DMH

Photographs from the collection of Diana Mara Henry. An exhibit by Chuck Abel.
E.D. HudsonE.D. Hudson: an Abolitionist Life

An examination of social reform and antislavery in Antebellum New England. An exhibit by Charles Weisenberger.
Rhetoric or researchRhetoric or Research

interprets student protests against CIA recruitment at UMass Amherst during the 1980s through a selection of images taken by student photojournalists.
By Tom Hohenstein (ETHIR recipient, 2011).
Gordon HeathSource, History, Story: Teaching U.S. History in the Archives

A digital curriculum for teaching U.S. history using archival resources.
An exhibit by Emily Oswald (ETHIR recipient, 2011).
I see dead peopleBehold And See As You Pass By

An online exhibit on gravestones and mortuary art in Early New England drawn from the Association for Gravestones Studies Collections.
By Molly Campbell (ETHIR recipient, 2011)
Robot readerUncertain Futures

Science fiction readership in the Cold War and beyond.
An exhibit by Morgan Hubbard.
Letters homeFifteen letters

Conrad D. Totman’s letters home from Korea, 1954-1955.
An exhibit by Alex McKenzie.
Du Bois photographsDu Bois: The Activist Life

An online exhibit on the life and legacy of W.E.B. Du Bois based on his papers.
A scarab beetleHerbals and Insects

A selection of rare botanical and entomological books from the SCUA collections.
A beeApiculture and culture

Books on bees and beekeeping.
An exhibit by Richard A. Steinmetz.

 

 

Farber, Daniel

Daniel and Jessie Lie Farber Photograph Collection, 1973.

9 boxes (5.75 linear feet).
Call no.: PH 022
Jonathan Butterfield, Chelmsford, 1750
Jonathan Butterfield, Chelmsford, 1750

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

Subjects

  • Gravestones--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Farber, Daniel
  • Farber, Jessie Lie

Types of material

  • Photographs

Feinberg, Kenneth R., 1945-

Kenneth R. Feinberg Collection of Classical Music Programs, 1967-2015.

6 boxes (9 linear feet).
Call no.: MS 766
Program, Metropolitan Opera, 1969
Program, Metropolitan Opera, 1969

Attorney and UMass alumnus Kenneth R. Feinberg, well known as a mediator, special master of compensation funds, and dedicated public servant, is a longtime devotee of opera and classical music. Since his days as a law student in New York in the late 1960s, continuing through his career practicing law in Washington, D.C., Feinberg has regularly attended operas, concerts, musical theater, and other musical performances. He has also served as president of the Washington National Opera and led a private opera appreciation group.

This extensive collection of more than 1,000 items encompasses a wide range of composers, productions, concerts, companies, and venues, mainly in the United States, with some European performances represented. Documenting more than four decades of concert- and opera-going, and arranged in rough chronological order according to Feinberg’s numbering system, the programs are searchable by composer in an accompanying card index. There is also a small amount of related ephemera, including some vintage programs. Additions to the collection are expected.

Subjects

  • Music
  • Musical theater
  • Opera
  • Symphony orchestras

Contributors

  • Feinberg, Kenneth R., 1945-

Types of material

  • Card files
  • Ephemera
  • Playbills

Field, William Franklin, 1922-

Finding aid

William F. Field Papers, 1948-1986.

27 (13.5 linear feet).
Call no.: RG 030/2 F5
William F. Field relaxing on couch, ca. 1971
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects

  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States

Types of material

  • Correspondence
  • Memorandums

Finkelstein, Sidney Walter, 1909-1974

Finding aid

Sidney Finkelstein Papers, 1914-1974.

11 boxes (5.5 linear feet).
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Subjects

  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources

Contributors

  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham

Types of material

  • Letters (Correspondence)
  • Photographs

Fischer, Britta

Digital (+)Finding aid

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection, 1978.

449 items (1 linear feet).
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Subjects

  • Beijing (China)--Photographs
  • Children--China--Photographs
  • China--Photographs
  • Factories--China--Photographs
  • Great Wall of China (China)--Photographs
  • Jinan (China)--Photographs
  • Shanghai (China)--Photographs
  • Tian'an Men (Beijing, China)--Photographs
  • Yangzhou (China)--Photographs

Types of material

  • Photographs

Fitzgerald, John J., 1941-

Finding aid

John J. Fitzgerald Collection, 1964-1975.

1 box (1.5 linear feet).
Call no.: MS 938
John J. Fitzgerald, 1968
John J. Fitzgerald, 1968

A graduate of Holyoke High and UMass Amherst (BA 1963), John J. Fitzgerald entered the Army after graduation and served in Vietnam as a Captain in the 25th Infantry Division. He earned a Bronze Star and Purple Heart for his service, having been wounded at Cu Chi in June 1966, before leaving active duty in 1968. Returning home to Holyoke, Fitzgerald entered the master’s degree in political science at UMass (MA 1978) and renewed his longstanding interest in politics. Taking an interest in the progressive, antiwar candidate Eugene McCarthy, he became head of the McCarthy campaign in Holyoke and won election as a delegate to the Democratic national convention. Fitzgerald remained involved in local Democratic politics, and in addition to teaching history in local schools for many years, he wrote and lectured on topics ranging from nuclear power to his experiences in Vietnam.

The Fitzgerald collection contains four scrapbooks relating to his involvement in politics in the late 1960s and early 1970s. Two of the scrapbooks document national and local reaction to the McCarthy campaign and include some articles on Fitzgerald and some ephemera. The other scrapbooks document the McGovern campaign in 1972 and politics in Holyoke in mid-1970s. The collection also includes a copy of Fitzgerald’s commission as a Reserve Commissioned Officer in the Army (1964) and two posters: Jack Coughlin’s, Weapons often turn upon the wielder. . . (1968) and Viet-nam veterans speak out. . . Viet-nam Veterans for McCarthy (1968), an antiwar petition signed by Fitzgerald. Books that arrived with the collection have been transferred and catalogued into SCUA’s general collection.

Subjects

  • Holyoke (Mass.)--History--20th century
  • McCarthy, Eugene J., 1916-2005
  • Presidents--United States--Election--1968
  • Vietnam War, 1961-1965

Types of material

  • Posters
  • Scrapbooks

Foster, Georgana

Georgana Foster Collection, 1970s-2007.

3 boxes (4.5 linear feet).
Call no.: MS 544

Collection of chiefly newspaper clippings compiled by Georgana Foster documenting the response of the western Massachusetts community to a variety of local and national topics such as the Vietnam War, communes, the re-elections of Congressmen Silvio Conte and John Olver, the Amherst Peace Vigil, the Peace Pagoda in Leverett, and the Iraq War.

Subjects

  • Activists--Massachusetts
  • Amherst (Mass.)--Politics and government
  • Conte, Silvio O. (Silvio Oltavio), 1921-1991
  • Peace movements--Massachusetts
  • Vietnam War, 1961-1975

Contributors

  • Foster, Georgana
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