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Ogden, Don

Don Ogden Collection, 1972-2000
1 box (0.5 linear feet)
Call no.: MS 440

Don Ogden is a poet, writer and activist who lives in Leverett, Massachusetts. The collection consists of newspaper clippings, pamphlets, an unpublished book, and letters that document primarily anti-war protests in Amherst dating from 1972-2000.

Gift of Don Ogden, Sept. 2005
Subjects
  • Demonstrations--Massachusetts
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts
  • Political activists--Massachusetts
Contributors
  • Ogden, Don
Types of material
  • Photographs

Oral history

Class of 1889 in front of Durfee Greenhouse

Oral historian at the First National Women’s Conference in Houston, Texas, 1977. Photo by Diana Mara Henry

No matter how rich our archival collections may be, there are always parts of the historical record that never make it onto the page. Memories, emotions, and attitudes are notoriously difficult to document, and there a variety of all-too human reasons that people choose not to write down every detail of their lives. As a result, the Department of Special Collections and University Archives (SCUA) has been actively engaged in recording oral histories as a way of capturing a more complete record of the many voices and diverse experiences that comprise .

SCUA first ventured into oral historical work in the mid-1970s with efforts to document the history of the university prior to the massive expansion of the previous decade, and the department has subsequently engaged in oral historical projects to document the university’s 125th and 150th anniversaries. In the past decade, SCUA has extended its work to documenting the histories of persons represented in its collections and to a broader array of projects documenting the history and experience of social change and the people and cultures on New England. Furthermore, SCUA is the repository for hundreds of oral histories recorded by other people, ranging in scope from interviews with Franco-Americans in the 1980s, 20th century Argentine political figures, and former residents of the Quabbin towns in Western Massachusetts.

Many of SCUA’s oral histories are available online through our digital repository Credo. These include audio and video recordings and, in a few cases, they may be fully transcribed.

Supporting material

For donors of oral histories:

SCUA is happy to accept donations of oral histories that fit within its collection policy.

SCUA accepts materials in most audio and video formats — cassette, reel to reel, RDAT, VHS, Betacam, or digital — but in every case, we prefer to receive the interview in the format in which it was recorded and in the highest quality available. When possible, we prefer digital files that are uncompressed, however we appreciate receiving a compressed derivative (e.g., mp3 for audio, mp4 for video). When available, transcripts in print and electronic form are a very valuable addition.

Learn more:

Passin, Herbert

Herbert Passin Collection, 1944-1955
1 box (0.25 linear feet)
Call no.: MS 565

A distinguished scholar of contemporary Japan, Herbert Passin was born in Chicago on Dec. 16, 1916. After completing a doctorate in anthropology in 1941, Passin was inducted into the Army and sent to the Army’s Japanese language school in Ann Arbor, Michigan, for training. Assigned to duty in Tokyo in December 1945, he became chief of the Public Opinion and Sociological Research Division under Gen. Douglas MacArthur. During his tour of duty, Passin coordinated a series of sociological studies of Japanese village life to help guide U.S. Occupation policy, particularly as it dealt with land and labor reform.

The Passin Collection contains reports and notes of sociological surveys of two Japanese villages, Yuzurihara and Yawatano, conducted by U.S. Occupation authorities in 1946 and 1947, along with a wartime report by Arthur Meadow of “Japanese character structure based on Japanese film plots and thematic apperception tests on Japanese Americans,” and a post-war letter from the novelist Takami Jun.

Gift of James and Sibylle Fraser, Oct. 2007
Subjects
  • Japan--History--Allied occupation, 1945-1952
  • Japan--Sociology--Occupation
Contributors
  • Passin, Herbert
Types of material
  • Letters (Correspondence)

Patagonia

Patagonian Rebellion Collection, 1921-1965
1 box (0.5 linear feet)
Call no.: MS 353

In 1921-1922, Chilean workers on sheep ranches in Patagonia rebelled violently against their conditions, egged on by anarchist agitators. Under pressure from Conservatives to act decisively, the Radical government in Buenos Aires ordered the 10th Cavalry Regiment under Hector Benigno Varela to quell the disturbance, which they did with a heavy hand.

The Patagonian Rebellion Collection consists of typescripts and photocopies of materials relating to the suppression of the workers’ revolt of 1921-1922. The most significant items include the official diaries and reports of cavalry officers sent to quell the uprising, but the collection also includes correspondence after the fact, news clippings documenting public reaction, and photocopies of photographs depicting the principle individuals involved and the damage wrought. .

Gift of Robert Potash, 1988
Language(s): Spanish
Subjects
  • Argentina--History
  • Argentina--History--Revolution
  • Varela, Hector B
Contributors
  • Anello, Alfredo
  • Campos, Pedro E
  • Ibarra, Pedro Vinas
Types of material
  • Diaries

Peck Family

Peck-Sisson-White Family Papers, 1772-1975 (Bulk: 1830-1875)
2 boxes (0.75 linear feet)
Call no.: MS 933

Perez Peck (1786-1876) and Asa Sisson (1815-1893) of the village of Anthony (Coventry), R.I., were innovative machinists and manufacturers of cotton looms. Active members of the Society of Friends, they were supporters of the antislavery struggle and sent their children to the Friends Boarding School in Providence, R.I.

Although the Peck-Sisson-White family collection spans three families and three generations, the bulk of material is concentrated on the lives of Asa Sisson and his wife Mary Ann (Peck) and their daughter Emily, who married Willis H. White, with an emphasis on their poetry and their time at the Friends Boarding School in Providence, R.I. The family also copied verse from other writers, including works from George Miller (not otherwise identified) extracting Anthony Benezet and “Remarks on encouraging slavery” and a “lamentation over New England” which touches on the execution of early Quakers in Massachusetts Bay.

Gift of New England Yearly Meeting of Friends, 2016
Subjects
  • Antislavery movements--Rhode Island
  • Death--Poetry
  • Friends Boarding School (Providence, R.I.)
  • Quakers--Rhode Island
Contributors
  • Peck, Perez, 1786-1876
  • Sisson, Asa, 1815-1893
  • Sisson, Mary Ann, 1816-1882
  • White, Emily Sisson, 1856-1945
Types of material
  • Diaries
  • Poetry

Permission to Publish

Copyright compliance

William Hastie, W.E.B. Du Bois, and unidentified man, ca.1947

Front to back: William Hastie, W.E.B. Du Bois,
and unidentified, ca.1947

The Department of Special Collections and University Archives (SCUA) makes reasonable attempts to clarify the copyright status of materials under its care, but cannot claim copyright for every individual item: even if a donor has transferred intellectual property to the letters she has written, for example, she cannot transfer copyright to letters written by others. When it comes to letters received by the donor — half or more of most collections — copyright remains with the writer.

Researchers are legally obligated to ensure their full compliance with the laws pertaining to copyright and intellectual property and must obtain written permission from all interested parties. By itself, permission to examine or duplicate materials held by SCUA does not constitute authorization to publish those materials. A separate written request for permission to publish must be made in advance to SCUA, and permission will be granted only after SCUA has received a properly completed permission form signed by the requester, along with payment for any applicable fees.

An approval of permission to publish from SCUA does not imply that all copyright demands have been met. The University of Massachusetts Amherst assumes no responsibility for infringement of copyright held by others: full responsibility for infringement is assumed by the individual requesting permission to publish.

How do I request permission?

Information

Download
permission form
  1. Download the form for requesting permission to publish and print two copies.
  2. Complete both copies of the form, including your full name and address, a complete listing of the material to be published, and the title, place, and expected date of publication.
  3. Sign and date both copies of the form and submit both to SCUA.
  4. ALL requests for permission must be accompanied by a cover letter providing information on the nature of the publication (including print run when appropriate), and acknowledging that use fees may apply.
  5. Permission to publish is granted for one-time, non-exclusive, world-wide rights, solely for the project specified in the agreement and in the medium indicated. Permission is granted for the life of the project.

Citation of material

Citations should take the form:

[Item details ]. [ Collection name ] ( [Call number] ), Special Collections and University Archives, UMass Amherst Libraries.

Fees for publication

SCUA reserves the right to assess a modest fee for use of materials under its care. Proper attribution is required.

View the fee schedule.

Learn more:

Photographic collections

Jack Dixon and camera

Jack Dixon and camera, 1929
Alton Blackington Collection

SCUA is a significant source for visual content, and thousands of digitized images are available for viewing online in our digital repository, Credo. Credo contains thousands of scanned images from our manuscript and photographic collections, representing photographers such as Jeff Albertson, James Baker, Alton Blackington, Burt V. Brooks, Lionel Delevingne, Roy Finestone, Clif Garboden, Diana Mara Henry, Nancy Palmieri, and Peter Simon, as well as over thousands of photographs documenting the history of the University of Massachusetts Amherst community. Although new content is being added to Credo daily, tens of thousands of other photographs are described through manuscript finding aids and have yet to be digitized. All can be viewed on site.

Digital copies of images from SCUA collections are available for a modest fee and modest publication fees may also apply for either commercial or scholarly use. Additional information about our collections can be obtained by contacting our reference staff.

Inventory of unscanned negatives

The Negatives Collection represents over 21,000 photo shoots (perhaps 500,000 images) undertaken by Campus Creative Services between 1954 and 2004. Each negative number represents a single photographic session and may include anywhere from a single image to thirty or more. Please note that the terms used in the inventory were supplied by Photo Services staff over many years and are not always accurate, and furthermore, not all images listed in these inventories were transferred to SCUA. You are always welcome to contact our archivists if you have any questions. Please use the reference number when requesting negatives.

Other UMass photo collections:

While the University Photograph Collection and Photo Center Negatives represent the largest collections of University-related photographs, there are several other smaller collections that visually document UMass.

Contact SCUA for more information about viewing the photographs in these collections.

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Picoult, Jodi, 1966-

Jodi Picoult Papers, 1986-2013
53 boxes (40 linear feet)
Call no.: MS 791
Image of Jodi Picoult in Botswana, January 2013
Jodi Picoult in Botswana, January 2013

Novelist Jodi Picoult is known for taking on compelling social and ethical issues and weaving them into the works of fiction that have won her a devoted readership. From her first novel, Songs of the Humpback Whale (1992), to her recent bestseller The Storyteller (2013), Picoult has grappled with a range of topics: fractured families, eugenics, school violence, teen suicide, spouse abuse, a child’s legal rights, childhood cancer, gay rights, the death penalty, war criminals, vengeance, justice, faith, the value of life. To Picoult, a passionate researcher, no issue is simple. Through her characters and her stories she engages the complications, considering provocative questions from different angles. Born in 1966, Picoult graduated from Princeton, where she majored in creative writing, and Harvard, where she earned her M.Ed. She and her husband have three grown children and live in Hanover, N.H.

The Jodi Picoult Papers, richly documenting the author’s work process, include research files for Picoult’s novels—correspondence, notes, manuscript pages, and other background material—as well as some drafts, editorial correspondence, clippings, publicity material, early stories, and student material. Also in Special Collections is a comprehensive collection of Picoult’s publications, including the novels in American and foreign-language editions.

Subjects
  • Fiction and reality
  • Fiction--20th century--Stories, plots, etc
  • Fiction--21st century--Stories, plots, etc
Contributors
  • Picoult, Jodi, 1966-

Pictou, Louis, collector

Louis Pictou Mi'kmaq Manuscript, Prior to 1903
1 vol., 140 p. (0.1 linear feet)
Call no.: MS 342 bd

The Pictou family were prominent members of the Bear River Band of the Mi’kmaq nation in Nova Scotia during the nineteenth and early twentieth centuries. Notably, Chief Benjamin Pictou (1830-1931) lived for over a century, witnessing the evolution of the Mi’kmaq economy from hunting, fishing, and trapping to include guiding and attempts at agriculture, and was listed by the anthropologist Frank G. Speck in 1922 as having a hunting allocation near Sporting Lake, southwest of the Bear River.

An extensive, unidentified manuscript written in Mi’kmaq (Micmac) language, using the “hieroglyphic” (pictographic) writing system. At one time, the manuscript was apparently in the possession of Louis Pictou, an “Indian guide” on the Bear River, who stating that the manuscript was written by his “ancestors.”

Language(s): Mi'kmaq
Subjects
  • Indians of North America--Nova Scotia
  • Micmac Indians--Manuscripts
Contributors
  • Pictou, Louis

Plata, Jakob

Jakob Plata Memoir, Pamietnik emigranta w Stanach Zjednoczonych, 1936
1 vol. (0.25 linear feet)
Call no.: MS 184 bd

A Polish immigrant who arrived in the United States in 1912, Jacob Plata worked in factories in Chicago until the mid-1920s when he relocated to Massachusetts. Plata and his wife Mary operated a dry goods store on Main Street in Indian Orchard until his death in 1947, after which Mary continued in business until her death in 1963.

Jakob Plata’s autobiographical account, Pamietnik emigranta w Stanach Zjednoczonych (Memoirs of an emigrant to the United States), includes a literate and interesting account his emigration from Poland and transition into American life. This photocopy (114p.) was retained by the Plata family from a manuscript originally written for the Institute for Social Management in Warsaw in 1936.

Language(s): Polish
Subjects
  • Immigrants--Massachusetts
  • Polish Americans--Illinois--Chicago
  • Polish Americans--Massachusetts
Types of material
  • Memoirs
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