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Smedley, Agnes

Agnes Smedley Photograph Collection, Undated
1 flat box (1.5 linear feet)
Call no.: MS 053

With an international reputation for being active on behalf of numerous issues, Agnes Smedley is most often associated with women’s rights, birth control, Indian independence, and China’s Communist revolution.

These black and white mounted prints, many taken by Agnes Smedley with her captions and accompanying narratives, were reproduced from the Smedley Collection at Arizona State University. Most are of China, but the collection also include scenes of the American West and students at the Tempe Normal School. The images were assembled for exhibition, most likely by the Women’s Studies Program at UMass Amherst.

Subjects
  • China--Photographs
  • Tempe Normal School--Photographs
Contributors
  • Smedley, Agnes
Types of material
  • Photographs
Student holding academic gown adorned with Black Power symbol, 1970
Barn

Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.

Colloquia are free and open to the public.

Colloquium 2015, (Friday, April 8, 2016)
Documenting Punk: Writing, preserving, watching and listening to the history of an American cultural movement
Documenting punk

April 8, 2016, from 1:00 p.m. to 6:00 p.m., Room 163, UMass Campus Center

Punk, one of the last major youth sub-cultures during the pre-Internet era, was also a decentralized national and international community linked mostly by recordings, zines and the touring of bands. Individual scenes developed across the country in major urban areas, suburban communities and small towns. While each had its own personality and bands, they were linked by a shared distrust of establishment institutions and commercialized popular culture.

In recent years, punk archives have been established at academic repositories and as a result, scholars and the broader public have access to stories that have before only been shared within the punk community. Efforts have also been made to chronicle the history of the movement through the making of films, books and oral histories. The colloquium aims to open a conversation about the documentation of punk. The panel will explore questions including: How can the anti-establishment, anti-institutional, do-it-yourself ethos of punk be reconciled with the desire to collect, preserve and academically study the movement? How can the needs of community access be balanced with the demands of proper conservation? Can the ways scholars, archivists and librarians document a community be reconciled with the ways the movement documents itself?

Keynote speaker Dr. Michael Stewart Foley is the author of Fresh Fruit for Rotting Vegetables and Front Porch Politics, The Forgotten Heyday of American Activism in the 1970s and 1980s. Foley is a professor of American Political Culture and Political Theory at the University of Groningen in the Netherlands. He is also a founding editor of The Sixties: A Journal of History, Politics, and Culture.

Event speakers also include Ramdasha Bikceem, Byron Coley, Lisa Darms, Michael T. Fournier, Deward MacLeod, Sara Marcus and Tanya Pearson. For full speaker bios, visit: www.punkhistory.org.

The colloquium is free and open to the public. RSVP at: http://bit.ly/punksignup The event is co-sponsored by the UMass Amherst Libraries, UMass Amherst Department of History, Amherst College, Hampshire College, and Social Thought & Political Economy (STPEC).

Spaulding, Mary Patricia

Mary Patricia Spaulding Scrapbook, 1956
1 vol. (0.2 linear feet)
Call no.: MS 927
Pat Spaulding camera returning home, 1956 Sept.
Pat Spaulding camera returning home, 1956 Sept.

In 1956, the graphic designer Pat Spaulding left for a tour of Europe. During her seven months abroad, she and her friend Maureen Jones traveled by motor scooter through France, Italy, Switzerland, Austria, and Germany, staying in hostels and taking in the sights. Perhaps most memorably, Spaulding tore her Achilles tendon while visiting in Siena, Italy, receiving generous care from her hosts during the four-week period of her recovery.

A refreshing record of two young American women traveling alone in Europe during the mid-1950s, this scrapbook is populated with dozens of well laid-out photographs of sites seen, along with Spaulding’s letters home and a raft of ephemera such as picture postcards, copies of ticket stubs and passport pages, an international driver’s license, smallpox immunization certificate, maps, newsclippings, and beer coasters. Notably, the album also includes a number of beautiful, skillfully-rendered line drawings.

Subjects
  • France--Description and travel
  • Germany--Description and travel
  • Italy--Description and travel
  • Italy--Photographs
  • London (England)--Description and travel
  • London (England)--Photographs
  • Paris (France)--Description and travel
  • Paris (France)--Photographs
Contributors
  • Jones, Maureen
Types of material
  • Photographs
  • Postcards
  • Scrapbooks

Stamper, G. Clifford

G. Clifford Stamper Papers, 1943-1955
2 boxes (0.75 linear feet)
Call no.: MS 463

George Clifford Stamper was a movie projectionist in the 4th Special Services during World War II. Born and raised in Somerville, Massachusetts, he enlisted in the U.S. Army on September 1, 1943 and participated in the European Theater from April 6, 1944 until December 12, 1945, when he was sent home and then honorably discharged in January 1946.

The papers of G. Clifford Stamper consist primarily of his incoming and outgoing letters during his training and service from 1943-1945. Correspondence is mostly with his family, but also includes his letters with neighbors, as well as friends that were serving. The collection contains, too, Stamper’s post-war letters received from 1946-1955. In addition, the outgoing letters of James C. Doyle, Jr. during his service in the U.S. Marines from 1958-1959 are a part of this collection. Doyle’s connection to Stamper is unclear.

Subjects
  • United States. Army Service Forces. Special Services Division
  • World War, 1939-1945
  • World War, 1939-1945--Campaigns--Czechoslovakia
  • World War, 1939-1945--Campaigns--France
Contributors
  • Doyle, James C
  • Stamper, G. Clifford (George Clifford), 1912-2005
Types of material
  • Letters (Correspondence)

Stinson, Mary B.

Mary B. Stinson Collection, 1974-1981
2 boxes (1.25 linear feet)
Call no.: MS 824
Mary B. Stinson Collection image

Throughout the 1970s, Mary B. Stinson (formerly Lindblom) was an active member of the National Organization for Women (NOW) in California and served as a delegate to the First National Women’s Conference in Houston.

The collection includes several ephemeral objects reflecting Stinson’s activism including IWY pendant necklaces and an ERA license plate frame, along with published reports and articles relating to the IWY and a 1979 NOW conference in California.

Subjects
  • Equal rights amendments
  • Feminism--United States
  • International Women's Year Conference
  • National Organization for Women
  • Women's rights--United States
Contributors
  • Stinson, Mary B.

Stock Certificates

Stock Certificate Collection, 1820-1910
1 box (0.25 linear feet)
Call no.: MS 477

Collection of stock certificates and bonds, nearly all illustrated with an engraved vignette showing a scene relating to the company’s activities. Issued from the early 1800s to the early 1900s, a total of 47 different certificates. These include certificates for insurance companies, banks, bridge companies, coal companies, dispatch and transit companies, several early American cities, real estate, construction, early automobiles, and a company manufacturing agricultural implements.

Subjects
  • Business--History--19th century
  • Business--History--20th century
Types of material
  • Bonds
  • Stock certificates

Strong, John D.

John D. Strong Papers, 1938-1986
10 boxes (15 linear feet)
Call no.: FS 019
John D. Strong Papers image
John D. Strong

John D. Strong was a professor of Physics and Astronomy from 1967 to 1975 and served as the head of the laboratory of astrophysics and physical meteorology. Strong, one of the world’s foremost optical scientists, was known for being the first to detect water vapor in the atmosphere of Venus and for developing a number of innovations in optical devices, ranging from improved telescope mirrors to anti-reflective coatings for optical elements and diffraction gratings. Born in Riverdale, Kansas in 1905, Strong received degrees from the University of Kansas (BA 1926) and the University of Michigan (M.S., 1928, Ph.D., 1930). After twelve years at CalTech and wartime research at Harvard on infrared systems, Strong became professor and director of the Astrophysical and Physical Meteorology Laboratories at Johns Hopkins University in 1946, where, among many other projects, he conducted research on balloon astronomy for the Office of Naval Research (ONR). Strong published hundreds of papers throughout his career and was author of Procedures of Experimental Physics, a standard physics textbook for many years. Strong served as president of the American Optical Association in 1959 and patented numerous inventions for optics in spectroscopy as well as golf (see US Patent no. 3720467). Strong passed away in 1992.

The Strong Papers contain forty years of research notebooks in experimental physics (1930-1970) centered on Strong’s years at Johns Hopkins (1946-1967), along with correspondence, printed publications by Strong for the ONR, and manuscripts for several textbooks (though lacking material on Procedures of Experimental Physics). Strong’s balloon work is documented by diagrams in his lab books and photographs of the Stratolab at John’s Hopkins, and an oral history of his life was made by the Smithsonian’s National Air and Space Museum in 1985, a transcript of which is included in the collection.

Subjects
  • Institute for Man and the Environment
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
Contributors
  • Strong, John D
Archer
Donations that hit the mark

Collection growth is the heart of any archive, and as an active, growing archive, SCUA welcomes donations of personal papers, organizational records, photographs, diaries and journals, books and pamphlets, and other materials relating to our major collecting interests. With the support of our friends and colleagues, SCUA has built substantial depth in documenting:

  • The history and experience of social change in America
  • Innovation and entrepreneurship
  • The social, cultural, intellectual, and political history of New England
  • The University of Massachusetts Amherst, its faculty, staff, students, and alumni

SCUA offers secure, permanent housing for collections, excellent access for researchers, and a stimulating intellectual environment. Please help us preserve our history for the future.

For further information, please contact the Head of Special Collections.

Donate to the University Archives

Phyllis Louise Nelson
Phyllis Louise Nelson

The University Archives welcomes assistance in preserving the memory of UMass Amherst, our faculty, staff, students, and alumni. We document all aspects of the University and its unique intellectual climate and history, with a particular interest in:

  • Personal, professional, or family papers
  • Correspondence from students, faculty, staff, administrators, and alumni
  • Diaries, journals, or reminiscences
  • Memorabilia from UMass Amherst, Mass. Agricultural College, and Mass. State College
  • Histories of departments, centers, institutes, and programs
  • Syllabi, selected lectures, and lecture notes
  • Records of committees, university organizations, or events
  • Unique research materials, such as field notes
  • Photographs and artwork.

To discuss archiving your papers with the Department of Special Collections and University Archives, please contact the Head of Special Collections.

Learn more:

Sutton, Gordon Francis, 1930-

Gordon Francis Sutton Papers, 1970-2004
56 boxes (84 linear feet)
Call no.: FS 111

Gordon Francis Sutton (1928-2012) began his tenure at the University of Massachusetts Amherst as an Assistant Professor of Sociology. Sutton was later appointed to serve as the Director of the Population and Ecology Studies Program. With an interest in social policy, Sutton’s work focused on evaluating statistical classification systems of metropolitan and non-metropolitan areas. His dissertation on travel patterns in urban communities earned him a PhD in Sociology from the University of Michigan Ann Arbor in 1959. In 1997 Sutton’s son Matthew created the Gordon and Dolores Sutton Scholarship Fund at UMass Amherst to promote ethnic diversity and economic opportunity.

The Sutton Papers contain a wealth of material relating to Sutton’s research in urban sociology, social statistics, and demography.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Sociology
Contributors
  • Sutton, Gordon Francis, 1930-

Swedish Book Design

Swedish Book Design Collection, 1922-1961 (Bulk: 1922-1942)
ca.250 vols. (17 linear feet)
Call no.: RB 026
Swedish Book Design Collection image
Ivan Bunin, Herrn Fran San Francisco

James H. Fraser and his wife Sibylle were eclectic and sometimes omnivorous collectors of the book arts, dedicated to the scholarly exploration of visual culture, the book, and the avant garde. A former Director of the Library at Farleigh Dickinson University and a consultant to many other academic libraries, James Fraser developed an omnivorous passion for German and Eastern European graphic design and book culture and had interests that ranged from Socialist children’s books to Judaica, the American left, Mongolian printing, and Japanese posters of the 1980s. James Fraser died in the fall 2013 and was survived by Sibylle and their two children.

This unusual collection of over 250 volumes is a product of the Frasers’ interest in Swedish book jacket design. Consisting nearly entirely of soft cover volumes printed between the 1920s and 1960s, primarily pre-war, and not necessarily written by Swedish authors, the collection reflects the work of many illustrators drawing on a range of graphic styles, from avant garde modernism to the later parts of the collection, which includes translations of popular works by writers such as Ian Fleming and Agatha Christie.

Subjects
  • Book jackets--Sweden
Contributors
  • Fraser, James H.
  • Fraser, Sibylle
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