Results for: “Massachusetts Agricultural College--Photographs” (918 collections)SCUA

Green Mountain Post Films

Famous Long Ago Archive

Green Mountain Post Films Records, 1968-ca.1985.

10 boxes (13 linear feet).
Call no.: MS 516

Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.

The collection contains very little that documents the activities of GMP Films, chiefly research files, correspondence, and proposals relating to film projects either produced or under consideration. The bulk of the collection consists of alternative press publications from the 1960s-1970s.

Subjects

  • Antinuclear movement--Massachusetts
  • Nuclear energy--Law and legislation--New England
  • Social action--Massachusetts--History

Contributors

  • Green Mountain Post Films

Griswold, Jonah B.

Association for Gravestone Studies Collection

Jonah B. Griswold Ledgers, 1841-1876.

4 vols. (0.25 linear feet).
Call no.: MS 638

An industrious artisan with a wide custom, Jonah B. Griswold made gravestones and sepulchral monuments in Sturbridge, Mass., during the three decades saddling the Civil War. Making 20 or more stones a month, Griswold had clients throughout southern Worcester County, including the Brookfields, Charlton, Wales, Woodstock, Warren, Brimfield, Union, Oxford, Worcester, Southbridge, Holland, New Boston, Spencer, Webster, Dudley, and Podunk, and as far south as Pomfret, Conn.

The four volumes that survive from Griswold’s operation include: record of cash expenditures for personal items, 1843-1876, combined with accounts of work performed for Griswold and daybook with records of marble purchased and stones carved, 1861-1876; daybook of cash on hand 1841-1842, with accounts of stone purchased and stones carved, April 1843-1849; daybook of stones carved, 1849-1860; and daybook of stones carved, 1855-1876. Griswold seldom records inscriptions, with most entries restricted to the name of the client and/or deceased, location, and cost, such as: “Oct. 14. Brookfield. Stone for Mr. Woods child 25.43″ Prices during the antebellum period ranged from $10 (half that for infants) to over $140, with larger monuments going higher.

Subjects

  • Sepulchral monuments--Massachusetts
  • Stone carving--Massachusetts
  • Sturbridge (Mass.)--History

Contributors

  • Association for Gravestone Studies
  • Griswold, Jonah B

Types of material

  • Daybooks

Hadley (Mass.)

Hadley Town Records, 1659-1813.

3 reels (0.25 linear feet).
Call no.: MS 339 mf

First settled in 1659, Hadley was officially incorporated two years later. Microfilm records of the town consist primarily of minutes of town meetings along with nineteenth century transcriptions.

Subjects

  • Hadley (Mass.)--History

Types of material

  • Microfilm

Henry, Diana Mara

Diana Mara Henry Collection, ca.1960-2012.


Call no.: PH 051
Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.

Connect to another siteSee the exhibit Photographer: DMH

Subjects

  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs

Types of material

  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)

Hill, David W.

David W. Hill Diaries, 1864-1885.

2 boxes (0.5 linear feet).
Call no.: MS 496

A native of Swanzey, N.H., David W. Hill became a brass finisher in the years following his military service during the Civil War, working as a machinist for several concerns in Cambridgeport, Mass., New York City, NY, Newport, R.I., and Haydenville, Mass., through the mid-1880s.

The 13 pocket diaries in the Hill collection contain regular entries describing the weather, Hill’s work as a brass finisher, his travels, the state of his health, and miscellaneous mundane observations on his daily life.

Subjects

  • Brass industry and trade--Massachusetts
  • Cambridge (Mass.)
  • Haydenville (Mass.)

Contributors

  • Hill, David W.

Types of material

  • Diaries

Holden, Flora A. M.

Flora A. M. Holden Cookbook, ca.1870-1896.

1 vol. (0.1 linear feet).
Call no.: MS 488 bd

Born in Marlboro, Mass., on July 28, 1849, Flora Ann Martin Ellithorp married Frank B. Holden of the adjacent town of Hudson on Nov. 22, 1871. The couple had three children: Marion Carlton, Fred Tracy, and Beatrice Spurr. Flora was just 35 when she died of liver cancer on May 24, 1885.

Holden’s manuscript receipt book includes recipes for a variety of baked goods and desserts, but primarily cakes and custards. Although some of the recipes may be original to her or her family, others are clearly attributed to other writers and some may have been derived from published cookbooks. Among the recipes are some of the most popular dishes of the era, including Parker House rolls, Washington pie, and Graham bread.

Subjects

  • Bread
  • Cake
  • Cooking, American--Massachusetts--Hudson
  • Desserts
  • Puddings

Contributors

  • Lockey, Marion Carlton

Types of material

  • Cookbooks
  • Recipes

Holt, Margaret

Margaret Holt Collection, 1983-1991.

10 boxes (15 linear feet).
Call no.: MS 450

A peace activist since the 1960s, Margaret Goddard Holt not only demonstrated against war, she led efforts to educate others about the effects of war. A member of the Gray Panthers of the Pioneer Valley and a co-founder along with her husband, Lee Holt, of the Amherst Vigil for a Nuclear Free World, she was sent as a delegate to Rome, Italy to visit Pope John XXIII advocating for a world without war. In addition to her dedication to peace and nuclear disarmament, Holt’s concern for prisoners developed into an involvement in prison-related issues.

The Holt collection of publications, brochures, news clippings, and correspondence reveals her interests and documents her role as a community activist during the 1980s.

Subjects

  • Activists--Massachusetts
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts

Contributors

  • Holt, Margaret

Hubbard, Ashley

Ashley Hubbard Memorandum Book, 1826-1860.

1 vol. (0.1 linear feet).
Call no.: MS 032

Born in 1792, Ashley Hubbard was raised on a farm in Sunderland, Mass., and spent a life invested in agriculture. Prospering in both work and family, Hubbard owned one hundred acres of land at the height of his operations and had a successful, though relatively small scale run of livestock, including horses, oxen, milk cows, and sheep.

In this slender volume, a combination daybook and memorandum book, Hubbard maintained a careful record of breeding and maintaining his livestock. Succinctly, the memos make note of the dates and places on which he serviced horses, took heifers or cows to bulls, or pastured his stock, and there are occasional notices on sheep.

Subjects

  • Cattle--Breeding--Massachusetts--Sunderland
  • Farmers--Massachusetts--Sunderland
  • Horses--Breeding--Massachusetts--Sunderland
  • Livestock--Massachusetts--Sunderland
  • Sunderland (Mass.)--History

Types of material

  • Memorandum books

Iron trade

Iron Trade Business Ledger, 1801-1810.

1 vol. (0.25 linear feet).
Call no.: MS 196 bd

In the ledger entitled “Petty Debts: B, Iron Accounts,” 1801-1810, the unidentified Northampton based owner kept track of the outstanding debts for iron he sold. Most of the entries simply refer to a page number in another, presumably more detailed, daybook, sometimes adding “to iron” or “to steel.” The title “Iron Accounts” suggests the possibility the owner kept books for other commercial accounts as well.

Subjects

  • Iron industry and trade--Massachusetts

Types of material

  • Daybooks

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.

3 boxes (1.5 linear feet).
Call no.: PH 048
New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Subjects

  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs

Contributors

  • Klaw, Alonzo

Types of material

  • Photographs
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