An ornithologist and conservationist for the Commonwealth of Massachusetts, Joseph A. “Archie” Hagar’s career was rooted in the generation of naturalists such as William Brewster, Edward Howe Forbush, and Arthur Cleveland Bent. Born in Lawrence, Mass., on May 13, 1896, Hagar’s undergraduate career at Harvard was interrupted by service in the First World War, after which he completed his studies at the Massachusetts Agricultural College, graduating with the class of 1921. An expert field biologist and ecologist, he was appointed State Ornithologist in the Department of Fish and Game in November 1934 serving in that position for almost twenty five years. A specialist in waterfowl and raptors, Hagar was deeply involved in early conservation efforts in New England, noted for his work on wetland conservation and for linking the use of DDT with eggshell thinning in peregrine falcons, and he was famously at the center of a dispute with the U.S. Fish and Wildlife Service over the design of the Parker River Wildlife Refuge. Never a prolific writer, he was an active member of the American Ornithological Union, the Nuttall Ornithological Club, the Wildlife Society, and other professional organizations, and after retirement, he was specially cited for his work in waterfowl conservation by Ducks Unlimited. Active until late in life, he died at home in Marshfield Hills on Dec. 17, 1989.
The Hagar Papers are a deep and valuable resource for the study of New England birds and the growth of modern conservation biology. With abundant professional correspondence, field notes on shorebirds and raptors, and drafts of articles, the collection documents the full range of Hagar’s activities as State Ornithologist, including a particularly thick run of material for the controvery over the Parker River Wildlife Refuge. Hagar also acquired a set of field notes, 1897-1921, from the Harvard ornithologist John E. Thayer.
Massachusetts Agricultural College--Alumni and alumnae
An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.
Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.
The anthropologist Joel Martin Halpern (1929- ) has worked in regions from the Alaskan arctic to Laos and Lapland, but he is best known for his studies of modernization in the Balkans. Following undergraduate study in history at the University of Michigan (BA, 1950), Halpern entered the renowned anthropology program at Columbia, receiving his doctorate in 1956 for a study of the village of Orašac in the former Yugoslavia, which in turn became the basis of his first book, A Serbian Village (N.Y., 1958). After two years working in Laos as a Field Service Officer with the Community Development Division of the U.S. International Cooperation Administration, Halpern was a member of the faculty at UCLA, Brandeis, and the Russian Research Center at Harvard (1965-1967) before coming to UMass Amherst in 1967. A prolific author, Halpern has written or edited dozens of books on the Balkans and Southeast Asia, including A Serbian Village in Historical Context (1972), The Changing Village Community (1967), The Changing Peasantry of Eastern Europe (1976), and The Far East Comes Near (1989). Since retiring from the university in 1992, Halpern has remained in Amherst.
A massive collection documenting the long and varied career of a prolific ethnographer, the Halpern Papers include a wide range of textual and visual materials documenting the anthropological study of modernization, ethnicity, rural life and urbanization, the economy, and cultural change. Much of Halpern’s research centered on the Balkans (Macedonia and Serbia), Laos, and arctic Alaska and Canada, however he has worked on Asian immigrant communities in the United States and many other topics.
Balkan Peninsula--Ethnic relations
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Anthropology
A theoretical physicist at University of the Sciences in Philadelphia, Paul Halpern is the author of a dozen popular books on science and dozens of scholarly articles. After spending his undergraduate years at Temple University, Halpern received a doctorate at SUNY Stony Brook, and has since written on complex and higher-dimensional solutions in general relativity theory and the nature of time as well as the history of the modern physical sciences. He has been a Fulbright Scholar and fellow of the John Simon Guggenheim Foundation.
The hundreds of ephemeral publications, fliers, and handbills in the Halpern Collection provide a window into political and social activism in Philadelphia during the late 1970s and early 1980s. The content ranges widely from publications produced by peace and disarmament groups to the literature of anti-imperialist (e.g. CISPES), antinuclear groups (SANE and post-Three Mile Island mobilization), radical political parties, and religious organizations including the Unification Church and the Church of Scientology.
A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.
Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
Monday through Friday, 9:30 a.m. to 5:00 p.m., during the academic year, except major holidays. During semester breaks, on certain holidays, and in the summer, SCUA is open 10:00 a.m. to 4:00 p.m. SCUA will be closed on days when the W.E.B. Du Bois Library is closed.
If you are planning a visit from a distance, please contact us in advance to verify that the department will be open. A small number of collections are stored off site and advance notice will expedite service.
Dates SCUA is closed:
New Year’s Day
Dec. 25, 30, 31, and Jan. 1
Location and contact information
25th Floor W.E.B. Du Bois Library UMass Amherst
W.E.B. Du Bois Library 154 Hicks Way UMass Amherst Amherst, Mass. 01003-9275
Little is known about Dan Hyde other than he appears to have been a resident of Ontario County, New York, during the period of the Second Great Awakening, probably in either the town of Farmington or Manchester.
This small paper-bound booklet includes some miscellaneous accounts along with three poems, “The Genesee song,” “Remember Lot’s wife,” and “Encouragement to pray.”
Organized at the New England Peace Pagoda in Leverett, Mass., the Interfaith Pilgrimage of the Middle Passage was a twelve-month walk through the eastern United States, the Caribbean, Brazil, West Africa, and South Africa in 1998-1999, reversing the direction of the Middle Passage symbolically and geographically. A “living prayer of the heart, mind, and body for the sons and daughters of the African Diaspora,” the Pilgrimage was intended by the participants to contribute to a process of healing the wounds inflicted by hundreds of years of slavery and racial oppression. Along the way, participants visited sites associated with the history of slavery, from slaves quarters in Virginia to stations on the Underground Railroad and villages that had been raided in Africa, offering prayers for those who had suffered under slavery and commemorating the dignity of those held in bondage and those who resisted.
Chronicling the course of the Interfaith Pilgrimage of the Middle Passage from conception to conclusion, this collection contains a rich textual and visual record of a spiritual approach to addressing the legacy of slavery in the Americas. The collection includes the range of materials collected by participants during the Pilgrimage, including lists of reading materials, information on the sites visited, a handful of mementoes and souvenirs, some correspondence, and notes and photographs taken along the way.
International Brotherhood of Electrical Workers Records, 1929-1985.
11 boxes (5.75 linear feet). Call no.: MS 107
The records of Northampton Local 36 of the IBEW provide insight into the adjustments of union members to the introduction of new technology, the changing labor environment, and the local debates over the merits of the use of nuclear power in the region. Collection includes by-laws, reports, correspondence, contracts, membership lists, and materials relating to nuclear energy.