The anthropologist Joel Martin Halpern (1929- ) has worked in regions from the Alaskan arctic to Laos and Lapland, but he is best known for his studies of modernization in the Balkans. Following undergraduate study in history at the University of Michigan (BA, 1950), Halpern entered the renowned anthropology program at Columbia, receiving his doctorate in 1956 for a study of the village of Orašac in the former Yugoslavia, which in turn became the basis of his first book, A Serbian Village (N.Y., 1958). After two years working in Laos as a Field Service Officer with the Community Development Division of the U.S. International Cooperation Administration, Halpern was a member of the faculty at UCLA, Brandeis, and the Russian Research Center at Harvard (1965-1967) before coming to UMass Amherst in 1967. A prolific author, Halpern has written or edited dozens of books on the Balkans and Southeast Asia, including A Serbian Village in Historical Context (1972), The Changing Village Community (1967), The Changing Peasantry of Eastern Europe (1976), and The Far East Comes Near (1989). Since retiring from the university in 1992, Halpern has remained in Amherst.
A massive collection documenting the long and varied career of a prolific ethnographer, the Halpern Papers include a wide range of textual and visual materials documenting the anthropological study of modernization, ethnicity, rural life and urbanization, the economy, and cultural change. Much of Halpern’s research centered on the Balkans (Macedonia and Serbia), Laos, and arctic Alaska and Canada, however he has worked on Asian immigrant communities in the United States and many other topics.
Balkan Peninsula--Ethnic relations
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Anthropology
A theoretical physicist at University of the Sciences in Philadelphia, Paul Halpern is the author of a dozen popular books on science and dozens of scholarly articles. After spending his undergraduate years at Temple University, Halpern received a doctorate at SUNY Stony Brook, and has since written on complex and higher-dimensional solutions in general relativity theory and the nature of time as well as the history of the modern physical sciences. He has been a Fulbright Scholar and fellow of the John Simon Guggenheim Foundation.
The hundreds of ephemeral publications, fliers, and handbills in the Halpern Collection provide a window into political and social activism in Philadelphia during the late 1970s and early 1980s. The content ranges widely from publications produced by peace and disarmament groups to the literature of anti-imperialist (e.g. CISPES), antinuclear groups (SANE and post-Three Mile Island mobilization), radical political parties, and religious organizations including the Unification Church and the Church of Scientology.
Phyllis Hamilton was a recently divorced mother of a young daughter when she joined the Brotherhood of the Spirit in 1970. Encouraged to visit the commune by two young friends, Phyllis was attracted to the spiritual values of the group and relocated herself and her daughter from Worcester to Heath, making her at the age of 40 one of the oldest members of the community. She quickly used her more mature demeanor and appearance to the group’s advantage. In an area where realtors were increasingly reluctant to work with “hippies,” Phyllis was able to negotiate and purchase the Warwick property with the assistance of another member; together they signed the deed over to the Brotherhood after the sale was final. Her age was not her only distinction, however, she was also an artist, and used her artistic capabilities to capture the familiar faces of her fellow commune members.
The collection consists of 146 sketches of members of the Brotherhood of the Spirit (renamed the Renaissance Community in 1974) from 1970-1989. About half of the drawings were identified by the artist’s daughter, the others are of unidentified individuals.
A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.
Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
Benjamin Hoag Records, 1901-1915 (Bulk: 1907-1914).
3 boxes (4.5 linear feet). Call no.: MS 710
Born at Ancram, N.Y., the merchant Benjamin Hoag (1865-1932) lived most of his life in Stephentown, N.Y., near the Massachusetts border. In 1900, he was listed as a dealer in bicycles, but by 1910, he was operating a broader retail trade in dry goods and grains. At the same time, he conducted a thriving trade in ornithological and oological supplies, announcing in journals such as The Oologist that he sold “books, periodicals, tools, supplies, eggs” as well as “fine line fish tackle and rods.” He also appears to have run a magazine subscription agency, offering everything from the Saturday Evening Post and Good Housekeeping to professional journals such as the Condor Magazine.
The Hoag collection consists of 1,345 letters, mostly incoming, and over 800 pieces receipts, ephemeral items, and other documents, relating to both Hoag’s oological and magazine businesses. Concentrated between 1901 and 1914, the collection offers a rich documentation of the oological trade in the years shortly before it was outlawed in 1918.
Monday through Friday, 9:30 a.m. to 5:00 p.m., during the academic year, except major holidays. During semester breaks, on certain holidays, and in the summer, SCUA is open 10:00 a.m. to 4:00 p.m. SCUA will be closed on days when the W.E.B. Du Bois Library is closed.
If you are planning a visit from a distance, please contact us in advance to verify that the department will be open. A small number of collections are stored off site and advance notice will expedite service.
Dates SCUA is closed:
New Year’s Day
Dec. 25, 30, 31, and Jan. 1
Location and contact information
25th Floor W.E.B. Du Bois Library UMass Amherst
W.E.B. Du Bois Library 154 Hicks Way UMass Amherst Amherst, Mass. 01003-9275
In 1948, Otto and Helen Hunerwadel were among the first cohort of Fulbright grantees to work in the newly independent nation of Burma. Having worked as a county agent in Tennessee since the height of the Depression, Otto (1891-1952) brought a wealth of experience as an agricultural teacher and advisor, while Helen (1898-1996) was an experienced instructor in canning technologies. Based near Taunggyi in the eastern Shan states, the Hunerwadels were witness to the earliest days of conflict between the central government and both Communist and ethnic Karen insurgencies, but despite the instability, they left a record of assistance that contributed both to the formation of US policy in international development and the growth of the Fulbright program. In July 1952, Otto contracted malaria and died in Rangoon of thrombophlebitis produced by his treatment. He became famous posthumously as the model for the heroic title character in William Lederer’s novel, The Ugly American. Although Helen returned to the states after Otto’s death, she continued to work with Fulbright programs, doing two-year tours of Iran (1953-1955) and Surinam.
The collection includes dense documentation of the Hunerwadel’s work in Burma and Iran, and the early years of American foreign aid in south and southeast Asia. Consisting primarily of six thick scrapbooks, the collection provides a rich visual record, combined with letters and printed materials of time abroad. One scrapbook is devoted primarily to the Hunerwadel family, and the collection also includes a plaque commemorating Otto in Burma, and a copy of Helen Hunerwadel’s engaging unpublished memoir, “Our Burma story.”
Little is known about Dan Hyde other than he appears to have been a resident of Ontario County, New York, during the period of the Second Great Awakening, probably in either the town of Farmington or Manchester.
This small paper-bound booklet includes some miscellaneous accounts along with three poems, “The Genesee song,” “Remember Lot’s wife,” and “Encouragement to pray.”
International Center for the Disabled Records, 1917-2012.
73 boxes (108 linear feet). Call no.: MS 792
Founded in 1917, the International Center for the Disabled was the nation’s first outpatient rehabilitiation center. With the support of benefactor Jeremiah Millbank, the ICD was dedicated to helping disabled veterans reintegrate into all aspects of American life. Over the years, it has assumed a leading role in development of the profession of physical medicine, training physicians and nurses for the Veterans Administration, creating rehabilitation programs for the Army and VA, manufacturing prosthetics, and providing vocational rehabilitation for disabled veterans and others. The ICD remains a leading international advocate for the needs of people with disabilities and was instrumental in passage of the Americans with Disabilities Act in 1990, remaining true to their mission of training people with barriers to employment as they enter the workforce.
The ICD collection includes a rich array of official minutes, correspondence, and publications documenting the development of rehabilitation services for persons with disabilities, and a remarkable record of the success of a philanthropic enterprise. Of particular note are are the large holdings of photographs documenting ICD’s work from its early days through the dawn of the 21st century.