University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
SCUA

You searched for: "“United States. Army. Massachusetts Infantry Regiment, 21st (1861-1864)”" (page 87 of 99)

  1. Pages:
  2. 1
  3. ...
  4. 84
  5. 85
  6. 86
  7. 87
  8. 88
  9. 89
  10. 90
  11. ...
  12. 99

New Victoria Publishers

New Victoria Publishers Records, 1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

New WORLD Theater

New WORLD Theater Records, 1979-2010
41 boxes (61.5 linear feet)
Call no.: RG 025/F2/N4
Image of Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects
  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst
Contributors
  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-
Types of material
  • Audiovisual materials
  • Sound recordings

New York City Draft Riot

New York City Draft Riot Letter, 1863
1 item (0.1 linear feet)
Call no.: MS 278

This letter, dated July 14, 1863 from New York, is addressed simply to “Brother.” The correspondent is unknown, as the letter is incomplete and consists only of a single sheet of paper. The subject of the letter is the ongoing draft riots in New York City, which began on July 13th and ended on July 16th. The rioters set fire to many businesses and homes, tore up railroad tracks and brought down telegraph lines during the three day ordeal.

Subjects
  • Draft Riot, New York, N.Y., 1863
  • United States--History--Civil War, 1861-1865
Types of material
  • Letters (Correspondence)

New York Farm Bureau

New York Farm Bureau Photograph Collection, 1915-1916
5 images (0.1 linear feet)
Call no.: PH 053
Image of Ilion, N.Y. detail)
Ilion, N.Y. detail)

Founded as a non-governmental, volunteer organization in 1911, the New York Farm Bureau offers resources to support and enrich rural life and encourages farmers to work collaboratively for better marketing and production.

This small collection of photographs documents inspection tours conducted by the New York Farm Bureau of farms, apparently in the Mohawk River Valley, in 1915-1916. The intent, as the caption of one photograph suggests, was to bring “science into the field.”

Subjects
  • Automobiles--Photographs
  • Fort Plain (N.Y.)--Photographs
  • Ilion (N.Y.)--Photographs
  • Street-railroads--New York (State)--Photographs
Types of material
  • Photographs

Norwich (Conn.) Ironmonger

Norwich (Conn.) Ironmonger's Account book, 1844-1847
1 vol., 270p. (0.25 linear feet)
Call no.: MS 540 bd

Straddling three rivers with easy access to Long Island Sound and the Atlantic, Norwich, Conn., was an important center during the mid-nineteenth century for the shipment of goods manufactured throughout eastern Connecticut.

Despite covering a limited period of time, primarily 1844 and 1845, the account book of an unidentified iron monger from Norwich (Conn.) provides insight into the activities of a highly active purveyor of domestic metal goods. The unidentified business carried a heavy trade in the sale or repair of iron goods, as well as items manufactured from tin, copper, and zinc, including stoves of several sorts (e.g., cooking, bricking, coal), ovens, pipes, kettles and coffee pots, ice cream freezers, lamps and lamp stands, reflectors, and more. The firm did business with individual clients as well as mercantile firms, corporations such as the Mill Furnace Co., organizations such as the Methodist Society, the city of Norwich and County of New London, and with local hotels.

Subjects
  • Hardware industry--Connecticut
  • Iron industry and trade--Connecticut
  • Norwich (Conn.)--Economic conditions--19th century
  • Stoves
Types of material
  • Account books

Obear, Clark H.

Clark Hopkins Obear Diaries, 1845-1888
4 vols. (0.5 linear feet)
Call no.: MS 601

A resident of New Ipswich, N.H., Clark Obear was an ardent supporter of the temperance and antislavery movements, and was deeply involved in the affairs of his church and community. A teacher in Hillsborough County schools, Obear also worked as a farmer and insurance agent, and served in public office as a deputy sheriff, a Lieutenant Colonel in the militia, a fence viewer and pound keeper, and for several years he was superintendent of schools. Obear and his wife Lydia Ann (Swasey) had two children, Annabel and Francis.

The four diaries in this collection contain brief, but regular entries documenting Clark Obear’s daily life in New Ipswich, N.H. during the middle years of the nineteenth century. Despite their brevity, the diaries form a continuous coverage of many years and offer details that provide a compelling sense of the rhythms of life in a small New Hampshire village. Of particular note, Obear carefully notes the various lectures he attends in town and the organizations of which he is part, including reform movements like temperance and antislavery.

Acquired from Benjamin Katz, Apr. 2009
Subjects
  • Abolitionists--New Hampshire
  • Antislavery movements--New Hampshire
  • New Ipswich (N.H.)--History
  • Temperance--New Hampshire
Contributors
  • Obear, Clark H.
Types of material
  • Diaries

Obrebski, Joseph, 1907-1967

Joseph Obrebski Papers, 1923-1974
48 boxes (24 linear feet)
Call no.: MS 599

A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.

The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski’s wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.

Language(s): PolishEnglish
Subjects
  • Anthropologists--Poland
  • Ethnology--Jamaica
  • Ethnology--Macedonia
  • Ethnology--Poland
  • Peasantry--Macedonia
  • Peasantry--Poland
Contributors
  • Obrebski, Joseph, 1907-1967
Types of material
  • Photographs

Ogden, Don

Don Ogden Collection, 1972-2000
1 box (0.5 linear feet)
Call no.: MS 440

Don Ogden is a poet, writer and activist who lives in Leverett, Massachusetts. The collection consists of newspaper clippings, pamphlets, an unpublished book, and letters that document primarily anti-war protests in Amherst dating from 1972-2000.

Gift of Don Ogden, Sept. 2005
Subjects
  • Demonstrations--Massachusetts
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts
  • Political activists--Massachusetts
Contributors
  • Ogden, Don
Types of material
  • Photographs

Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection, 1898-1966
2 boxes (3 linear feet)
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Gift of Estella Olevsky, 2002
Subjects
  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985

Oral history

Class of 1889 in front of Durfee Greenhouse

Oral historian at the First National Women’s Conference in Houston, Texas, 1977. Photo by Diana Mara Henry

No matter how rich our archival collections may be, there are always parts of the historical record that never make it onto the page. Memories, emotions, and attitudes are notoriously difficult to document, and there a variety of all-too human reasons that people choose not to write down every detail of their lives. As a result, the Department of Special Collections and University Archives (SCUA) has been actively engaged in recording oral histories as a way of capturing a more complete record of the many voices and diverse experiences that comprise .

SCUA first ventured into oral historical work in the mid-1970s with efforts to document the history of the university prior to the massive expansion of the previous decade, and the department has subsequently engaged in oral historical projects to document the university’s 125th and 150th anniversaries. In the past decade, SCUA has extended its work to documenting the histories of persons represented in its collections and to a broader array of projects documenting the history and experience of social change and the people and cultures on New England. Furthermore, SCUA is the repository for hundreds of oral histories recorded by other people, ranging in scope from interviews with Franco-Americans in the 1980s, 20th century Argentine political figures, and former residents of the Quabbin towns in Western Massachusetts.

Many of SCUA’s oral histories are available online through our digital repository Credo. These include audio and video recordings and, in a few cases, they may be fully transcribed.

Supporting material

For donors of oral histories:

SCUA is happy to accept donations of oral histories that fit within its collection policy.

SCUA accepts materials in most audio and video formats — cassette, reel to reel, RDAT, VHS, Betacam, or digital — but in every case, we prefer to receive the interview in the format in which it was recorded and in the highest quality available. When possible, we prefer digital files that are uncompressed, however we appreciate receiving a compressed derivative (e.g., mp3 for audio, mp4 for video). When available, transcripts in print and electronic form are a very valuable addition.

Learn more:

  1. Pages:
  2. 1
  3. ...
  4. 84
  5. 85
  6. 86
  7. 87
  8. 88
  9. 89
  10. 90
  11. ...
  12. 99

© 2017 * SCUA * UMass Amherst Libraries

Site policies