A radical political organizer, Frank “Parky” Grace was a founding member of the New Bedford chapter of the Black Panther Party. Radicalized during his tour of duty in Vietnam in 1967, Grace became involved in the antiwar movement upon his return and organized the local branch of the Black Panthers shortly before the New Bedford Rebellion of 1970. In 1972, he and his brother Ross were charged with the murder, receiving life sentences. Parky Grace contended all along that he had been framed by the police for his political activity and in 1982, Ross admitted that he had been responsible for the murder, backing up his brother’s contention that he was not present at the time. Parky Grace was released from prison in 1984 and lived subsequently in New Bedford and Boston. He died in Boston in October 2001.
The Grace Papers consist of a powerful series of letters written to Gloria Xifaras Clark while Grace was confined in Walpole State Penitentiary. Informed by his revolutionary politics, the letters offer insight into the conditions of imprisonment, his treatment by guards, and his relationships with fellow prisoners.
Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.
The collection contains very little that documents the activities of GMP Films, chiefly research files, correspondence, and proposals relating to film projects either produced or under consideration. The bulk of the collection consists of alternative press publications from the 1960s-1970s.
Charles Hutchins Hapgood (1904-1982) was working toward a doctorate in French history at Harvard when the Great Depression derailed his plans. After a succession of jobs and wartime service, however, Hapgood returned to the academy, teaching history at Springfield College and Keene State for over three decades. He is best remembered as an advocate of several scientifically heterodox ideas, arguing that the earth’s outer crust shifts on geological time scales, displacing continents, and that the earth’s rotational axis has shifted numerous times in geological history. A long time friend and supporter of the medium Elwood Babbitt, he was author of several books, including The Earth’s Shifting Crust (1958), Maps of the Ancient Sea Kings (1966), The Path of the Pole (1970), and Voices of Spirit : Through the Psychic Experience of Elwood Babbitt (1975). Hapgood died in Fitchburg, Mass., on Dec. 21, 1982, after being struck by an automobile.
The Hapgood Papers contain a small grouping of correspondence and writings that offer a glimpse into some of Charles Hapgood’s late-career interests. Although the correspondence is relatively slight, relating primarily to publications in the last two or three years of his life, the collection is a rich resource for the lectures and writings of Elwood Babbitt.
In November 1840, the prominent New York merchant firm, Josiah Macy and Son, requested Samuel Wells of Northampton to act as their agent in acquiring a lease to a tract of land in nearby Hatfield for the purpose of mining for barite. Wells involved Amherst College geology professor Edward Hitchcock in the survey for the appropriate mining site, and then during the next two years negotiated for the leases and the start up of the mining. With Hitchcock’s assistance, Wells located the mineral vein in Hatfield, about two miles west of the town village. His diagrams of the vein in his correspondence show that it crossed three property lines; those of Thomas Frary, John D. Morton, and the estate of Charles Smith.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.
A native of Swanzey, N.H., David W. Hill became a brass finisher in the years following his military service during the Civil War, working as a machinist for several concerns in Cambridgeport, Mass., New York City, NY, Newport, R.I., and Haydenville, Mass., through the mid-1880s.
The 13 pocket diaries in the Hill collection contain regular entries describing the weather, Hill’s work as a brass finisher, his travels, the state of his health, and miscellaneous mundane observations on his daily life.
Born in Marlboro, Mass., on July 28, 1849, Flora Ann Martin Ellithorp married Frank B. Holden of the adjacent town of Hudson on Nov. 22, 1871. The couple had three children: Marion Carlton, Fred Tracy, and Beatrice Spurr. Flora was just 35 when she died of liver cancer on May 24, 1885.
Holden’s manuscript receipt book includes recipes for a variety of baked goods and desserts, but primarily cakes and custards. Although some of the recipes may be original to her or her family, others are clearly attributed to other writers and some may have been derived from published cookbooks. Among the recipes are some of the most popular dishes of the era, including Parker House rolls, Washington pie, and Graham bread.
Born in 1792, Ashley Hubbard was raised on a farm in Sunderland, Mass., and spent a life invested in agriculture. Prospering in both work and family, Hubbard owned one hundred acres of land at the height of his operations and had a successful, though relatively small scale run of livestock, including horses, oxen, milk cows, and sheep.
In this slender volume, a combination daybook and memorandum book, Hubbard maintained a careful record of breeding and maintaining his livestock. Succinctly, the memos make note of the dates and places on which he serviced horses, took heifers or cows to bulls, or pastured his stock, and there are occasional notices on sheep.
In the ledger entitled “Petty Debts: B, Iron Accounts,” 1801-1810, the unidentified Northampton based owner kept track of the outstanding debts for iron he sold. Most of the entries simply refer to a page number in another, presumably more detailed, daybook, sometimes adding “to iron” or “to steel.” The title “Iron Accounts” suggests the possibility the owner kept books for other commercial accounts as well.