Results for: “Ice storms--Massachusetts--Photographs” (901 collections)SCUA

Henry, Diana Mara

Diana Mara Henry Collection, ca.1960-2012.


Call no.: PH 051
Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.

Connect to another siteSee the exhibit Photographer: DMH

Subjects

  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs

Types of material

  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)

Hill, David W.

David W. Hill Diaries, 1864-1885.

2 boxes (0.5 linear feet).
Call no.: MS 496

A native of Swanzey, N.H., David W. Hill became a brass finisher in the years following his military service during the Civil War, working as a machinist for several concerns in Cambridgeport, Mass., New York City, NY, Newport, R.I., and Haydenville, Mass., through the mid-1880s.

The 13 pocket diaries in the Hill collection contain regular entries describing the weather, Hill’s work as a brass finisher, his travels, the state of his health, and miscellaneous mundane observations on his daily life.

Subjects

  • Brass industry and trade--Massachusetts
  • Cambridge (Mass.)
  • Haydenville (Mass.)

Contributors

  • Hill, David W.

Types of material

  • Diaries

Holden, Flora A. M.

Flora A. M. Holden Cookbook, ca.1870-1896.

1 vol. (0.1 linear feet).
Call no.: MS 488 bd

Born in Marlboro, Mass., on July 28, 1849, Flora Ann Martin Ellithorp married Frank B. Holden of the adjacent town of Hudson on Nov. 22, 1871. The couple had three children: Marion Carlton, Fred Tracy, and Beatrice Spurr. Flora was just 35 when she died of liver cancer on May 24, 1885.

Holden’s manuscript receipt book includes recipes for a variety of baked goods and desserts, but primarily cakes and custards. Although some of the recipes may be original to her or her family, others are clearly attributed to other writers and some may have been derived from published cookbooks. Among the recipes are some of the most popular dishes of the era, including Parker House rolls, Washington pie, and Graham bread.

Subjects

  • Bread
  • Cake
  • Cooking, American--Massachusetts--Hudson
  • Desserts
  • Puddings

Contributors

  • Lockey, Marion Carlton

Types of material

  • Cookbooks
  • Recipes

Holt, Margaret

Margaret Holt Collection, 1983-1991.

10 boxes (15 linear feet).
Call no.: MS 450

A peace activist since the 1960s, Margaret Goddard Holt not only demonstrated against war, she led efforts to educate others about the effects of war. A member of the Gray Panthers of the Pioneer Valley and a co-founder along with her husband, Lee Holt, of the Amherst Vigil for a Nuclear Free World, she was sent as a delegate to Rome, Italy to visit Pope John XXIII advocating for a world without war. In addition to her dedication to peace and nuclear disarmament, Holt’s concern for prisoners developed into an involvement in prison-related issues.

The Holt collection of publications, brochures, news clippings, and correspondence reveals her interests and documents her role as a community activist during the 1980s.

Subjects

  • Activists--Massachusetts
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts

Contributors

  • Holt, Margaret

Hubbard, Ashley

Ashley Hubbard Memorandum Book, 1826-1860.

1 vol. (0.1 linear feet).
Call no.: MS 032

Born in 1792, Ashley Hubbard was raised on a farm in Sunderland, Mass., and spent a life invested in agriculture. Prospering in both work and family, Hubbard owned one hundred acres of land at the height of his operations and had a successful, though relatively small scale run of livestock, including horses, oxen, milk cows, and sheep.

In this slender volume, a combination daybook and memorandum book, Hubbard maintained a careful record of breeding and maintaining his livestock. Succinctly, the memos make note of the dates and places on which he serviced horses, took heifers or cows to bulls, or pastured his stock, and there are occasional notices on sheep.

Subjects

  • Cattle--Breeding--Massachusetts--Sunderland
  • Farmers--Massachusetts--Sunderland
  • Horses--Breeding--Massachusetts--Sunderland
  • Livestock--Massachusetts--Sunderland
  • Sunderland (Mass.)--History

Types of material

  • Memorandum books

Iron trade

Iron Trade Business Ledger, 1801-1810.

1 vol. (0.25 linear feet).
Call no.: MS 196 bd

In the ledger entitled “Petty Debts: B, Iron Accounts,” 1801-1810, the unidentified Northampton based owner kept track of the outstanding debts for iron he sold. Most of the entries simply refer to a page number in another, presumably more detailed, daybook, sometimes adding “to iron” or “to steel.” The title “Iron Accounts” suggests the possibility the owner kept books for other commercial accounts as well.

Subjects

  • Iron industry and trade--Massachusetts

Types of material

  • Daybooks

Kellogg, Rufus

Rufus Kellogg Ledger, 1840-1850.

1 vol. (0.1 linear feet).
Call no.: MS 041 bd

A notable figure in Amherst, Mass., prior to the founding of Amherst College, Rufus Kellogg was born on July 16, 1794, the child of Jerusha and Joseph Kellogg. Married to Nancy Stetson in June 1820, Kellogg made a successful, if highly varied living, serving as town postmaster (1809-1824), keeping an inn and tavern at the “City” beginning in 1818, and farming, and he became a stalwart of the local Masonic lodge. His son Rufus Bela Kellogg rose even higher on the social ladder, graduating from Amherst College in 1858 and became a prominent banker.

A diverse and fairly complicated book of records, the Kellogg ledger is part waste book, day book, memorandum book, and account book, marking records of lending a horse and sleigh are interspersed with accounts for the sale of grain and hay, boarding locals, repairing pumps, and other miscellaneous transactions. Although it is unclear precisely which member or members of the Kellogg family kept any individual record, it appears that Rufus must have initiated the book, although later entries were clearly made by one or more of his children.

Subjects

  • Amherst (Mass.)--Economic conditions--19th century
  • Farmers--Massachusetts--Amherst
  • Hotelkeepers--Massachusetts--Amherst
  • Merchants--Massachusetts--Amherst

Types of material

  • Account books

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.

3 boxes (1.5 linear feet).
Call no.: PH 048
New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Subjects

  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs

Contributors

  • Klaw, Alonzo

Types of material

  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Krakowiak Polish Dancers of Boston

Krakowiak Polish Dancers of Boston Records, 1937-1997.

1 box (0.5 linear feet).
Call no.: MS 466

The oldest active Polish folk dance ensemble in the United States, the Krakowiak Polish Dancers of Boston was formed in 1937 by a group of young ladies of Polish heritage interested in promoting Polish culture through the mediums of song and dance. The club opened its membership to young men in 1947, and was offcially incorporated in 1957. Since its formation, the dancers have appeared throughout the U.S., Canada, and Poland, and the group has received recognition and awards worldwide, including a special performance before his Holiness Pope John Paul II in 1983.

The collection includes programs for performances from the club’s earliest days, tickets, newspaper clippings featuring articles about the group, and copies of the organization’s constitution describing the group’s mission and membership.

Subjects

  • Folk dancing, Polish
  • Polish Americans--Massachusetts

Contributors

  • Krakowiak Polish Dancers of Boston
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