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Results for: “Poor--Medical care--Massachusetts--Upton--History--19th century” (1017 collections)SCUA

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Cornish, Michael

Michael Cornish Photograph Collection, ca.1975-2005.

20 boxes (20.5 linear feet).
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Cornish, Michael

Types of material

  • Photographs

Crockett, James Underwood

James Underwood Crockett Papers, 1944-1980.

8 boxes (12 linear feet).
Call no.: MS 664

The horticulturist, Jim Crockett (1915-1979) earned wide acclaim as host of the popular television show, Crockett’s Victory Garden. A 1935 graduate of the Stockbridge School of Agriculture at UMass Amherst, Crockett returned home to Massachusetts after a stint in the Navy during the Second World War and began work as a florist. A small publication begun for his customers, Flowery Talks, grew so quickly in popularity that Crockett sold his flower shop in 1950 to write full time. His first book, Window Sill Gardening (N.Y., 1958), was followed by seventeen more on gardening, ornamental plants, and horticulture, culminating with twelve volumes in the Time-Life Encyclopedia of Gardening. He was the recipient of numerous awards for garden writing and was director of the American Horticultural Society. In 1975, he was contacted about a new gardening show on PBS, Victory Garden, which he hosted until his death by cancer in 1979.

Documenting an important career in bringing horticulture to the general public, the Crockett Papers contain a mix of professional and personal correspondence and writing by Jim Crockett from throughout his career. The collection includes a particularly extensive set of letters from George B. Williams, Crockett’s father in law, and copies most of his publications.

Subjects

  • Garderning
  • Horticulture

Contributors

  • Crockett, James Underwood

Cushman, Artemas

Artemas Cushman Account Book, 1822-1846.

1 vol. (0.1 linear feet).
Call no.: MS 073 bd

Born in Middleborough, Mass., in 1781, Artemas Cushman relocated to the central Vermont town of Braintree as a young man and spent decades as a carpenter and house joiner. He and his wife Phebe Spear raised a family of nine, one of whom (Artemas’ namesake) rose to local prominence as a officer in the state militia and representative in the state house and senate. Cushman died in Braintree in 1864.

Cushman’s small ledger is a fine record of the day-to-day work of an antebellum carpenter in rural Vermont. Part daybook and part account book, and often lacking in detail, Cushman’s entries document the work of a skilled artisan engaged in constructing or repairing houses, windmills, cider mills, bake houses, sheds, and barns, and at least one school. Occasionally, he applied his skills to smaller projects such as mending a wheel or making a wagon body or coffin, and less frequently he was compensated for manual labor (haying or planting). In a cash-poor economy, Cushman was typically repaid through an exchange of labor, or through commodities such as brandy, grain, or pork.

Subjects

  • Braintree (Vt.)--Economic conditions--19th century
  • Carpenters--Vermont--Braintree

Types of material

  • Account books
  • Daybooks

Du Bois Fellowship Recipients

2016

John Hyland (English, University of Buffalo and Haverford College)
“The forest of melody: Black Diasporic Poetics and the Sounding of the Environment”
Nicholas T. Rinehart (English, Harvard University)
“‘These illegitimate children of my thought’: The dramatic work and criticism of W.E.B Du Bois”

2015

Nneka Dennie (Afro-American Studies, UMass Amherst)
“Black Male Feminism and the Evolution of Du Boisian Thought, 1903-1920”
Crystal Webster (Afro-American Studies, UMass Amherst)
“‘The Transfiguring Soul of Childhood’: Du Bois and the Social, Political, and Cultural Role of Black Children”

2014

Brandon Byrd (Assistant Professor of History, Mississippi State University and University of North Carolina)
“The Problem of Haiti as it Stands Today:” W.E.B. Du Bois on the U.S. Occupation of Haiti, 1915-1934″
Donald Geesling (Afro-American Studies, UMass Amherst)
“Black Song and the Talented Tenth: The Musical Imagination of W.E.B. Du Bois, 1902-1942″

2013

Horace D. Ballard Jr. (Public Humanities, History of Art, and American Studies, Brown University)
“Ethics and Aesthetics: Citizenship and Form”
Emahunn Raheem Ali Campbell (Afro-American Studies, UMass Amherst)
“W.E.B. Du Bois’s Literary Interventions on Black Criminality”
Daniel Chard (History, UMass Amherst)
Exploring the history of ’60s-’70s radical groups allows Chard to investigate the origins of the first police institutions in the U.S. dedicated to domestic “counter-terrorism”

2012

J. Anthony Guillory (Afro-American Studies, UMass Amherst)
“The Physical Uplift of Race”
Desmond Jagmohan (Government, Cornell)
“Creating Community, Cultivating Citizens, and Interrogating Jim Crow: The Political Thought of Booker T. Washington”

2011

Markeysha Davis (Afro-American Studies, UMass Amherst)
“Daring propaganda for the beauty of the Human Mind’:
Redefinition and Reaffirmation of the New Black Self in Poetry and Drama of the 1960s and 1970s”
Ricky Fayne (English, Northwestern)
“‘The Shadow of a Mighty Negro Past': Du Bois and the Re-memory of Africa in to the Black America”

Duus, Peter, 1933-

Peter Duus Papers, ca.1970-2008.

13 boxes (19.5 linear feet).
Call no.: MS 574

The William H. Bonsall Professor of History at Stanford University and a prolific scholar, Peter Duus has made significant contributions to the understanding of the development of Japanese imperialism and the emergence of the modern Japanese nation. Having received his doctorate from Harvard, Duus taught successively at Harvard, Washington University, and the Claremont Graduate School before arriving at Stanford in 1973. The recipient of numerous awards during his career, he has served in numerous positions within the field and as Director of the Center for East Asian Studies at Stanford.

The Duus Papers contain the professional correspondence, research notes, and other materials relating to the career of the eminent Japanologist, Peter Duus.

Subjects

  • Japan--History--20th century
  • Stanford University--Faculty
  • Stanford University. Department of History

Contributors

  • Duus, Peter, 1933-

EarthAction

EarthAction Records, 1992-2008.

26 boxes (39 linear feet).
Call no.: MS 562

Established by Lois Barber in Amherst, Massachusetts in 1992 with their first campaign at the Earth Summit in Rio de Janeiro, EarthAction has been organizing international campaigns ever since. As the world’s largest action network, the group’s campaigns address a variety of global issues from climate change and nuclear weapons to children’s rights and empowering women to protect the land. With a mission both to inform people about pressing problems facing the world and to move them to action, EarthAction creates and distributes information kits aimed at different audiences: individuals and groups, policymakers, and journalists.

The collection includes administrative files that illustrate the process of building a campaign, financial records, and publications, as well as action, legislative, and media kits created for many of the group’s international campaigns.

Subjects

  • Environmental justice
  • Environmentalism
  • Peace movements
  • Social action
  • Social justice

East German Packaging Design Collection

East German Packaging Design Collection, ca.1955-1985.

4 boxes (6 linear feet).
Call no.: MS 519

The concept of product marketing in a Communist state may seem slightly incongruous, but in the countries of the Eastern Bloc, consumer goods were packaged and sold with much the same care as they were in the west. The Packaging Design Collection contains examples of quotidian products sold during the post-war period, ranging from boxes for soap powder to toothpaste, shampoo, and sugar sacks. The collection documents the visual language used on consumer products in East Germany and the evolution of graphic design in the Communist states of Eastern Europe from the 1950s through 1980s.

Subjects

  • Germany, East
  • Packaging--Design--Germany, East

Ellis, James, 1935-

James Ellis Theatre Collection, 1700-2005.

ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Subjects

  • Actors--Great Britain
  • Actors--United States
  • Amateur theater--Great Britain--19th century
  • Theater--Great Britain--19th century
  • Theater--United States--19th century

Contributors

  • Ellis, James, 1935-

Types of material

  • Broadsides
  • Lithographs
  • Photographs

ETHIR recipients

How can I apply for an ETHIR Fellowship?

2015

Chelsea Sams (Art)
Delene White (German and Scandinavian Studies)

2014

David Bendiksen (Comparative Literature)
Gregory Coleman (English)
Donald Geesling (Afro-American Studies)

2013

Spencer Kuchle (Afro-American Studies)
Jaime Pagana (Art History)

2012

Matthew Ferrari (Communications)
Nature, Landscape, and the Visual Culture of Sport Marketing in the McCormack Archive
Thomas Hopper (English)

2011

Molly Campbell (History)
Behold And See As You Pass By: Gravestones and Mortuary Art In Early New England
A digital exhibit drawn from the collections of the Association for Gravestone Studies
Tom Hohenstein (History)
Rhetoric or Research: The CIA at UMass
An examination of protests and counter-protests against CIA recruitment at UMass Amherst in the 1980s.
Emily Oswald (History)
Source, History, Story: Teaching U.S. History in the Archives

Fischer, Britta

Digital (+)Finding aid

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection, 1978.

449 items (1 linear feet).
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Subjects

  • Beijing (China)--Photographs
  • Children--China--Photographs
  • China--Photographs
  • Factories--China--Photographs
  • Great Wall of China (China)--Photographs
  • Jinan (China)--Photographs
  • Shanghai (China)--Photographs
  • Tian'an Men (Beijing, China)--Photographs
  • Yangzhou (China)--Photographs

Types of material

  • Photographs
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