Results for: “African Americans--Massachusetts--Economic conditions--19th century” (914 collections)SCUA

Western New England Poetry Collection

Western New England Poetry Collection, 1977-2008.

4 boxes (2 linear feet).
Call no.: MS 561
Silkworm, 2007
Silkworm, 2007

Since 2004, the Florence Poets Society has been a hub of the poetry communities in Western Massachusetts, promoting the sharing, reading, and publication of works by its members. The group has sponsored outdoor poetry festivals, poetry slams, and readings and it has encouraged publication of poetry through its annual review, The Silkworm, and through chapbooks of its members.

Established in partnership with Rich Puchalsky and the Florence Poets Society, the Western New England Poetry Collection constitutes an effort to document the vibrant poetry communities in Western New England. The collection includes all forms of poetry, from the written to the spoken word, in all formats, but with a particular emphasis upon locally produced and often difficult to find chapbooks, small press books, unpublished works, and limited run periodicals. The collection is not limited to members of the Florence Poets Society, and additions from poets in Western New England are eagerly welcomed.


  • Poetry--New England


  • Florence Poets Society
  • Puchalsky, Rich

Winokur, Marshall

Marshall Winokur New Hampshire Collection, 1805-2004.

364 items (17 linear feet).
Call no.: RB 001

A long time professor of the Russian language, Marshall Winokur received his B.A. in Russian from the University of Massachusetts (1965) and his masters (1966) and doctorate (1973) in Slavic Linguistics from the University of Pennsylvania. While working on his doctoral thesis in 1969, he began teaching Russian and German at the University of Alabama in Tuscaloosa where he remained for the duration of his academic career. His research on Russian culture and the fate of Russian Orthodox churches, convents, and monasteries under the Soviet regime resulted in numerous publications and talks. After retiring from the University in 1994, Winokur and his wife Janice settled on an old farm in Deering, New Hampshire, consisting of an old house built circa 1800, a three-story barn dating back to 1850, and a carriage house, and has since been involved in the local community and exploring New Hampshire history.

The Winokur collection consists of hundreds of printed works pertaining to the history and culture of New Hampshire, about a quarter of which were published prior to 1900. Wide ranging in content, the collection includes state registers, directories, gazetteers, popular magazines, and a number of biographical works and local histories.


  • New Hampshire--Description and travel
  • New Hamsphire--History

Wulkan, Ferd

Ferd Wulkan Collection, 1968-1985.

9 boxes (12.5 linear feet).
Call no.: MS 841

A 1968 graduate in mathematics from MIT, Ferd Wulkan has been a fixture in activist circles for many years. A member of SDS in college, Wulkan became a key union organizer after moving to Amherst in the 1980s and a strong supporter for public higher education. After serving for several years as a field representative of Local 509 and 888 of the SEIU, working with non-faculty professional personnel at UMass Amherst, he has been a representative (1989- ) and organizer (2004- ) for the Massachusetts Society of Professors. In 2007, Wulkan became organizing director for the Public Higher Education Network of Massachusetts (PHENOM), a grassroots advocacy organization for affordable and accessible public higher education.

The Wulkan Collection consists of a fascinating array of material from Leftist and radical political movements during the late 1960s and early 1980s, with an emphasis on the Cambridge-Somerville area. In addition to a rich assemblage of formally published pamphlets and magazines, the collection includes a large number of fliers, handouts, informally published works, and underground newspapers on Socialist, Feminist, and anarchist topics and relating to the war in Vietnam, the labor movement, civil rights, and Black Power.


  • Cambridge (Mass.)--History
  • Feminism--Massachusetts
  • Radicals--Massachusetts--Cambridge
  • Somerville (Mass.)--History
  • Underground press publications
  • Vietnam War, 1961-1975--Protest movements


  • Black Panther Party

Yeats, W. B. (William Butler), 1865-1939

Russell K. Alspach Collection of William Butler Yeats, 1888-1984.

ca.475 items (35 linear feet).
Call no.: RB 014

One the great poets of Ireland, W.B. Yeats was a key figure in the Celtic literary revival of the early twentieth century. Born into an artistic family in Dublin in 1865, Yeats was heavily influenced early in his career by Irish folk literature and Theosophical mysticism, but he was simultaneously rooted in the political issues of the day. An Irish nationalist by inclination, he became a two-term Senator in the Irish Free State and he was a key supporter of the arts and theatre in the new nation. His international reputation was cemented when he received the Nobel Prize for literature in 1923. Yeats died in 1939 at the age of 73.

The Alspach collection consists of hundreds of works by and about W.B. Yeats, collected by Yeats scholar Russell K. Alspach, a member of the UMass English faculty. An extensive assemblage with first editions of most of the key works, the collection also includes critical works on Yeats, works by his literary peers, bibliographies, and items published by the Cuala Press, a private press operated by Yeats’s sister Elizabeth that was a strong influence in the Celtic revival. A few items have been added to the collection since its acquisition in 1971.


  • Irish poetry--20th century


  • Alspach, Russell K. (Russell King), 1901-
  • Cuala Press

Yeomans, Lawrence D.

Lawrence D. Yeomans Papers, 1895-1946 (Bulk: 1917-1919).

1 box (0.25 linear feet).
Call no.: MS 873
Lawrence D. Yeomans, nurse, and dog
Lawrence D. Yeomans, nurse, and dog

A native of Ontario, Lawrence D. Yeomans was working in New York when he volunteered for service in the U.S. Army Signal Corps during the First World War. For eighteen months, Yeomans served as a chauffeur with the Signal Corps in France, driving senior officers around Paris and to and from the front.

This small collection documents Lawrence Yeomans’ time as a chauffeur with the Signal Corps during the First World War. In addition to a handful of official documents relating to his service, Yeomans held onto a few pieces of ephemera as souvenirs, some postcards, and a set of photographs, including three depicting him in uniform and ten showing a display of German war materiel confiscated at war’s end.


  • World War, 1914-1918

Types of material

  • Ephemera
  • Photographs
  • Postcards

Zube, Ervin H.

Ervin H. Zube Papers, 1959-1997.

19 boxes (28.5 linear feet).
Call no.: FS 017
Ervin H. Zube
Ervin H. Zube

Ervin H. Zube was the head of the University’s Landscape Architecture and Regional Planning department (LARP) from 1965-1977. His groundbreaking research on landscape architecture and assessment helped define the international importance and influence of the field and his consultancy work, most notably with the National Park Service, brought his intellectual achievements into practical application. Born on April 24, 1931 in Milwaukee, Wisconsin, Zube earned his B.S. at the University of Wisconsin in 1954. After a two year service in the United States Air Force, Zube enrolled in Harvard’s Graduate School of Design where he received his M.L.A in 1959. Zube held teaching positions at the University of Wisconsin and the University of California, Berkeley before beginning his ten year professorship at the University of Massachusetts in 1965. As the head of LARP, Zube established the Environmental Design program, which introduced a revolutionary cross-discipline approach to the study of landscape architecture. Zube became the director of the Institute for Man and the Environment in 1972 and restructured the institute to support academic research in new, important topics including community development and cooperation with the National Park Service, seeding important national and international institutions with progressively educated researchers. As a consultant, Zube helped the National Park Service develop their “master plan” for Yosemite and worked with numerous national and international institutions to manage and assess their environmental resources. Zube ended his career as a professor at the University of Arizona where he retired in 1983. He remained active in the field until his death in 2001.

The Ervin H. Zube papers include Zube’s lecture notes and academic correspondence, research materials and publications representing his work in landscape assessment and architecture, notes and reports from his consultancy work with many institutions and committees, correspondence from his role as a conference planner, as well as correspondence relating to his many book reviews. Zube’s papers also cover his research and teaching while at the University of Arizona and contain photographs from his research on the Connecticut River Valley.


  • Institute for Man and the Environment
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning


  • Zube, Ervin H.

Activism of the 1980s

Activism of the 1980s Photograph Collection, 1985-1987.

(0.5 linear feet).
Call no.: PH 012

During the academic year 1986-1987, the campus at UMass Amherst was a hotbed of political protest, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, daughter of former president Jimmy Carter. The occupation of the Whitmore Administration Building was followed by a larger occupation of adjacent Munson Hall, resulting in a number of arrests. Hoffman, Carter, and eleven co-defendants were tried and acquitted on charges of disorderly conduct were tried in April 1987.

The Collection contains 61 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard, all students at UMass Amherst. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.


  • Amherst (Mass.)--Photographs
  • Anti-apartheid movements--Massachusetts
  • CIA on Trial Project (Amherst, Mass.)
  • Carter, Amy
  • Central America--Foreign relations--United States
  • Demonstrations--Massachusetts
  • Hoffman, Abbie
  • Northampton (Mass.)--Photographs
  • Student movements
  • United States--Foreign relations--Central America
  • United States. Central Intelligence Agency
  • University of Massachusetts Amherst--Students


  • Carroll, Charles F
  • Guarnotta, Byrne
  • Hubbard, Libby
  • Radical Student Union

Types of material

  • Photographs

Aldrich family

Aldrich Family Papers, 1907-1992.

1 box (0.5 linear feet).
Call no.: MS 398

Mark Bartlett Aldrich was employed for many years at the Montague Rod and Reel Co. in Montague City. His grandfather, Eugene Bartlett, was the founder of the firm, which made split-bamboo fishing rods. He owned and operated Aldrich’s New England store from 1948 until selling it in 1962. Aldrich then sold cars for Spenser Brothers Ford in Northfield until he and his wife Edith moved to Florida in 1964.

The collection consists primarily of family records relating to the wedding, anniversaries, and funerals of Edith and Mark Aldrich. The Aldrich Family Papers are organized into three series: Wedding and Anniversaries, Funeral and Legal, and Personal.


  • Montague (Mass.)--Social life and customs


  • Aldrich family

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.

Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Listen now to music, interviews, news reports, live performances and ads from the archives of the new documentary film, The American Revolution, which tells the story of how in the late 1960s and early 70s a radio station, politics and rock and roll changed everything.

Audio recordings in this collection are licensed through SoundExchange allowing you to listen to the original content and format from the radio broadcasts.

You can listen to the stream at this link:


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

Baker, James

James Baker Free Spirit Press Collection, 1969-2005 (Bulk: 1969-1974).

3 boxes (1.25 linear feet).
Call no.: MS 834
Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.


  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs


  • Geisler, Bruce

Types of material

  • Photographs
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