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Bascom, Eric

Eric Bascom Collection of Jazz Recordings

ca. 1940-1950
ca. 500 phonograph records 10 linear feet
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects

  • Bop (Music)
  • Jazz musicians

Contributors

  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls
Battey, Elizabeth

Elizabeth Battey Papers

1900-1914
13 items 0.25 linear feet
Call no.: MS 947

Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.

The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant’s distance.

Gift of I. Eliot Wentworth, Oct. 2016

Subjects

  • Aristocracy (Social class)--Great Britain
  • Gopsall Estate (England)
  • Housekeepers--Great Britain
  • Howe, Francis Richard Henry Penn Curzon, Earl, 1884-1964
  • Howe, Richard George Penn Curzon, Earl
  • Warwick (England)--Description and travel
  • Warwick Castle (Warwick, England)
  • Warwick, Frances Evelyn Maynard Greville, Countess of, 1861-1938

Contributors

  • McCulloch, Elizabeth E.
Benedek, Tom

Tom Benedek Collection

1967-1973
3 boxes 1.5 linear feet
Call no.: PH 073
Image of Passengers on a plane, ca.1973
Passengers on a plane, ca.1973

A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.

The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.

Gift of Tom Benedek, 2016

Subjects

  • Amherst (Mass.)--Photographs
  • Boston (Mass.)--Photographs
  • New Orleans (La.)--Photographs
  • Paris (France)--Photographs
  • University of Massachusetts Amherst--Photographs

Types of material

  • Photographs
Benes, Peter

Peter Benes Collection

ca.1975-1986
1 box 1 linear feet
Call no.: PH 017
Image of Soule Fishwing
Soule Fishwing

Peter Benes might be called the father of the Association for Gravestone Studies (AGS). In 1976, he organized a meeting in Dublin, New Hampshire, of people interested in colonial gravestones, naming the group the Dublin Seminar. Following a committee meeting in December 1976, the group met again in the summer 1977 to organize as the AGS. Benes served as Treasurer in 1977 and Archives Officer in 1978. He received the Forbes Award of the AGS in 1979 for his role in founding the organization and in recognition of the contributions made to gravestone studies by his first book, The Masks of Orthodoxy: Folk Gravestone Carving in Plymouth County, Massachusetts, 1689-1805 (1977). He is currently (2009) Director of the Dublin Seminar for New England Folklife at Boston University.

The Benes Collection contains 2,826 black and white photographic prints documenting a majority of the eighteenth century grave markers in southeastern Massachusetts, taken for his book The Masks of Orthodoxy. The images were taken in Plymouth and surrounding counties.

Subjects

  • Gravestones--Massachusetts
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Benes, Peter

Types of material

  • Photographs
Bennett, John W., collector

John W. Bennett Labor Collection

ca. 1880-2000
118 boxes
Call no.: MS 443
Image of

Labor historian John W. Bennett has researched the history of the labor movement since his days as an undergraduate at the University of Massachusetts (Class of 1952). A born collector, he began accumulating memorabilia associated with unions, drawn to their potential as a visual record of labor iconography and self-representation.

Extending back to the 1880s, the Bennett Collection includes examples from around the country, but with a particularly strong representation of New England unions between the mid-1930s and mid-1970s.

Subjects

  • Labor unions--Massachusetts

Contributors

  • Bennett, John W

Types of material

  • Badges
  • Ephemera
  • Realia
Bernhard, Michael H.

Michael H. Bernhard Solidarity Collection

ca.1975-1989
3 boxes 4.5 linear feet
Call no.: MS 575

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Language(s): Polish

Subjects

  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland

Contributors

  • Bernhard, Michael H
Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection

1789-1964
128 items 3 linear feet
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks
Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection

1902-1941
3 boxes 3.0 linear feet
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012

Subjects

  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music

Types of material

  • Sheet music
Book of Hours (Use of Rome)

Book of Hours (Use of Rome)

ca.1465
1 vol. 144 fol. linear feet
Call no.: MS 963
Image of Office of the Blessed Virgin Mary
Office of the Blessed Virgin Mary

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Acquired from Scott Gwara, Feb. 2017
Language(s): Latin

Subjects

  • Books of hours--Belgium--Early works to 1800

Contributors

  • Catholic Church--Liturgy--Texts--Early works to 1800
  • Catholic Church--Prayers and devotions--Latin--Early works to 1800
  • Hammer, Christian, 1818-1905
  • Virgin, Thore, 1886-1957

Types of material

  • Books of hours
  • Illuminated manuscripts
Bradbury, Phyllis C. (Phyllis Clarke)

Phyllis C. Bradbury Papers

1966-2005
1 box 0.5 linear feet
Call no.: MS 774

After earning her doctorate in zoology at University of California Berkeley in 1965 and a two year postdoctoral fellowship at Rockefeller University, Phyllis Bradbury joined the zoology faculty at North Carolina State, remaining there for 31 years. A prolific researcher and expert electron microscopist, Bradbury’s research interests centered on the morphogenesis of ciliates and the fine structure of protozoan parasites of marine invertebrates. Beyond research, however, she became a pioneer in improving conditions on campus for women faculty, students, and staff, leading efforts to secure salary equity for faculty women and to provide mentoring for women faculty at NC State. After retiring in 1998, Bradbury settled in Eastport, Maine.

The heart of the Bradbury collection is a significant run of correspondence with Dorothy Pitelka, her dissertation advisor, friend, and long-time colleague at Berkeley, along with some miscellaneous professional correspondence and a series of reprints.

Subjects

  • Invertebrates--Parasites
  • North Carolina State University--Faculty
  • Protozoans--Composition
  • Women biologists

Contributors

  • Pitelka, Dorothy R. (Dorothy Riggs), 1920-