Results for: “Theatrical companies--Massachusetts” (827 collections)SCUA

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Amalgamated Clothing Workers of America. Boston Joint Board

ACWA Boston Joint Board Records, 1926-1979.

(8 linear feet).
Call no.: MS 002

The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.

Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.

Subjects

  • Boston (Mass.)--Economic conditions--20th century
  • Clothing trade--Labor unions--Massachusetts
  • Labor unions--Massachusetts--Boston
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--Massachusetts--Boston
  • Textile workers--Massachusetts--Economic conditions--20th century

Contributors

  • Amalgamated Clothing Workers of America. Boston Joint Board
  • Salerno, Joseph, fl. 1907-1972

Types of material

  • Contracts
  • Financial records
  • Minutes
  • Scrapbooks

Buffington, Elisha L.

Elisha L. Buffington Diaries, 1894 July-Dec..

2 vols. (0.1 linear feet).
Call no.: MS 711 bd

A twenty year-old from Swansea, Mass., Elisha L. Buffington took a grand tour of Asia with his uncle Elisha D. Buffington and aunt Charlotte in 1894. Spending two months in Japan, the Buffingtons traveled through China and the Subcontinent, visiting the usual cultural and historic sites as well as more unusual voyages to the Himalayas.

Written carefully in two volumes (ca.381p.), Elisha L. Buffington’s diaries record the impressions of a twenty year-old from Swansea, Mass., during his first voyage to Asia. Although the diaries do not cover the entire trip, they record details of two months spent in Japan, including an eyewitness account of the Meiji earthquake in Tokyo, and interesting visits to Shanghai and Hong Kong, Singapore, Sri Lanka, and India. The diary ends on December 27, 1894, when the Buffingtons were at Delhi.

Subjects

  • Buffington, Charlotte Walker
  • Buffington, Elisha D
  • Canada--Description and travel
  • China--Description and travel
  • India--Description and travel
  • Japan--Description and travel
  • Japan--Social life and customs--1868-1912
  • Singapore--Description and travel
  • Sri Lanka--Description and travel

Contributors

  • Buffington, Elisha L

Types of material

  • Diaries

Conor, V.

V. Conor Account Book, 1887-1891.

1 vol. (0.1 linear feet).
Call no.: MS 620 bd

The details surrounding this book of accounts of personal expenditures are sketchy, but it appears that the author, identified tentatively by a name written on the front fly leaf, was based in Hartford, Conn., and traveled throughout western New England, often to Greenfield and Millers Falls, Mass. The accounts, dated between August 1887 and May 1891, are surprisingly detailed, recording the record keeper’s fondness for doughnuts, seasonal fruits, and the Opera House and Allyn Hall, and they record the range of foods and incidentals, daily trips, subscription to the Hartford Journal, piano rental, and visits to the Knights of Pythias and Red Men (presumably the Independent Order of Red Men or similar organization).

Subjects

  • Finance, Personal--Connecticut
  • Hartford (Conn.)--Economic conditions--19th century

Contributors

  • Conor, V

Types of material

  • Account books

Foucher, Lynnette E.

Lynnette E. Foucher Cookbook Collection, 1902-2000.

429 items (8 linear feet).
Call no.: MS 684
1929 cookbook
1929 cookbook

Assembled by Lynnette E. Foucher, this collection consists chiefly of cookbooks produced by food companies between the 1920s-1970s. These cookbooks reflect the changing role of women in the home as well as new food trends and innovative technology. Taken together, the collection offers a glimpse into the way meal preparation changed in the U.S. during the second half of the twentieth century and how this change transformed the way we eat today.

Subjects

  • Convenience foods--United States--History--20th century
  • Cooking, American--History--20th century
  • Cooking--Social aspects
  • Diet--United States--History
  • Food--Social aspects
  • Women consumers--United States--History
  • Women in advertising--United States--History

Contributors

  • Foucher, Lynette E

Types of material

  • Cookbooks

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992.

44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

International Oil Working Group

International Oil Working Group Collection, 1957-1987 (Bulk: 1980-1985).

29 boxes (15 linear feet).
Call no.: MS 268

The International Oil Working Group (IOWG) is one of a number of organizations that worked to implement an oil embargo initiated by the United Nations General Assembly against South Africa to protest the country’s policies of apartheid. The IOWG grew out of the Sanctions Working Group established in 1979. Although the nature and timing of the change in names is unclear, it appears that Dr. Teresa Turner was instrumental in the formation of both groups and was primarily responsible for their organization and administration. Other directors included Luis Prado, Arnold Baker and Kassahun Checole. While the group was loosely organized, it maintained the basic structure of a special advisory board with a pool of research associates. Primary activities involved researching topics related to the oil embargo; writing papers for regional, national, and international conferences; giving testimony at UN meetings; providing information to governments, unions and other groups committed to aiding in the implementation of the oil embargo; lecturing to students and members of the community on the subject of sanctions against South Africa; and collaborating with the UN Center Against Apartheid. Research topics included tanker monitoring to detect and expose those shipping companies that broke the embargo; the energy needs in those countries in southern Africa which depend upon South Africa to meet some of their energy demands; ways to effectively implement and enforce the oil embargo; trade union action by oil transport workers; Namibian independence and decolonization; and underground oil storage in South Africa.

Collection consists of administrative papers including financial records, minutes and association history materials; correspondence; printed materials produced by the IOWG; conference files; UN documents relating to South Africa and sanctions; and reference materials, including published reports, news clippings, newsletters and journals, related to oil shipping, tanker information and South African economic and political activity generally.

Subjects

  • Apartheid--South Africa--History
  • Economic sanctions--South Africa--History
  • Embargo
  • Namibia--History--Autonomy and independence movements
  • Namibia--Politics and government--1946-1990
  • Petroleum industry and trade--History--20th century
  • Petroleum industry and trade--Political aspects--South Africa
  • South Africa--Politics and government--1978-1989
  • Tankers--South Africa--History

Contributors

  • International Oil Working Group
  • Turner, Terisa

International Union of Electrical, Radio and Machine Workers. Local 206

IUERMW Local 206 Records, 1936-1986.

30 boxes (14.5 linear feet).
Call no.: MS 132

Union that represented workers at the American Bosch plant in Springfield, Massachusetts, affiliated with the International Union of Electrical, Radio and Machine Workers after 1949.

Records include by-laws, minutes of the Executive Board, General Council, and Membership meetings, correspondence, membership reports, grievance and arbitration records, contract negotiation proposals and counter-proposals, strike materials, and publications documenting the administration, activities, and membership of Local 206. Effects of changing national economy and international trade on workers and union affairs, through time, are evident.

Subjects

  • American Bosch--History
  • Collective bargaining--Machinery industry--Massachusetts --Springfield
  • Industrial relations--Massachusetts--Springfield
  • International Union of Electrical, Radio and Machine Workers. Local 206 (Springfield, Mass.)
  • Labor unions--Massachusetts--Springfield
  • Machinists--Labor unions--Massachusetts--Springfield
  • Metal-working machinery industry--Massachusetts --Springfield
  • Plant shutdowns--Massachusetts--Springfield
  • Springfield (Mass.)--Economic conditions
  • Springfield (Mass.)--Industries
  • Strikes and lockouts--Machinery industry--Massachusetts --Springfield
  • United Electrical, Radio and Machine Workers of America. Local 206 (Springfield, Mass.)

Types of material

  • Letters (Correspondence)

Jones, Richard

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs

New WORLD Theater

New WORLD Theater Records, 1979-2010.

41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst

Contributors

  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-

Types of material

  • Audiovisual materials
  • Sound recordings
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