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Katherine Bell Banks Papers, 1926-1960

1 box (0.25 linear feet)
Call no.: MS 429

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

  • African Americans--History--1877-1964
  • Banks, Katherine Bell
  • Bell, Thomas, d.1946
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
Types of material
  • Letters (Correspondence)
  • Photographs

Simeon Bartlett Account Books, 1792-1867

2 vols. (0.5 linear feet)
Call no.: MS 175 bd

Freight hauler, farmer, sawmill owner, and possibly a hatmaker from Williamsburg, Massachusetts.

The first volume of Bartlett’s accounts includes records of Bartlett’s income, sales and exchange of goods and services, and details about his employees and family (such as family births, deaths, and marriages). Volume 2 contains lists of hat purchases, lists of teachers and their pay, his participation in town affairs, and a number of lyrics to Civil War songs.

  • Clapp, Joseph
  • Hat trade--Massachusetts--South Hadley
  • Lyman, Joseph
  • Rice, Aaron
  • Songs
  • Songs, English
  • United States--History--Civil War, 1861-1865--Songs and music
  • Williamsburg (Mass.)--Economic conditions
  • Bartlett, Simeon, b. 1764
Types of material
  • Account books

Eric Bascom Collection of Jazz Recordings, ca. 1940-1950

ca. 500 phonograph records (10 linear feet)
Call no.: MS 882
Eric Bascom Collection of Jazz Recordings image
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

  • Bop (Music)
  • Jazz musicians
  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955
Types of material
  • 78 rpm records
  • Piano rolls

Felice Beato Photograph Collection, ca.1863-1871

(1.5 linear feet)
Call no.: PH 004
Felice Beato Photograph Collection image
Kaisando temple

A pioneer in war and documentary photography, the Anglo-Greek photographer Felice Beato was an important chronicler of late-Edo and early-Meiji era Japan. Between 1863 and 1877, Beato took a stunning array of views, portraits, ethnographic images, and genre scenes and helped train the first generation of Japanese photographers.

The Beato Collection includes ten images taken by Felice Beato in Japan between 1863 and 1871, including his famous view of Daibutsu, the Great Buddha at Kotokuin Temple, Kamakura; his view of one of the residences of the Shimabara clan; two very scarce views of a farmhouse and agricultural laborers, probably taken along the Tokaido Road; two views of Yokohama; and a fine view of a naval fleet at Nagasaki.

  • Japan--Photographs
  • Japan--Social life and customs
  • Nagasaki (Japan)--Photographs
  • Temples--Japan--Photographs
  • Yokohama (Japan)--Photographs
  • Beato, Felice, b. ca. 1825
Types of material
  • Albumen prints
  • Photographs

Arthur Cleveland Bent Collection, 1880-1942

8 boxes (5.5 linear feet)
Call no.: MS 413
Arthur Cleveland Bent Collection image
A.C. Bent, 1929

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

  • American Ornithologists' Union
  • Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
  • Birds
  • Birds--Eggs
  • Birds--Eggs--Photographs
  • Birds--Nests
  • Birds--Nests--Photographs
  • Birds--Photographs
  • Bristol County Agricultural School (Bristol County, Mass.)
  • Massachusetts Audubon Society
  • Ornithologists--Massachusetts
  • United States National Museum
  • Bent, Arthur Cleveland, 1866-1954
  • Durfee, Owen
Types of material
  • Field notes
  • Photographs

Sam Bishop Bronx-Lebanon (N.Y.) Incinerator Collection, 1982-1997

4 boxes (6 linear feet)
Call no.: MS 703

A new medical waste incinerator for New York city hospitals became the focal point of drawn-out controversy in the 1990s. After proposals to place the facility in Rockland County and downtown Manhattan were scotched, a site in the South Bronx was selected. Even before it opened in 1991, the Bronx-Lebanon incinerator touched off fierce opposition. Built to dispose of up to 48 tons per day of medical waste gathered from fifteen regional hospitals, the incinerator was located in a poor and densely populated area, and worse, raising charges of environmental racism. Making matters worse, during its years of operation, it was cited for hundreds of violations of state pollution standards. A coalition of grassroots organizations led an effective campaign to close the facility, and in June 1997 the plant’s owner, Browning Ferris Industries agreed. In an agreement with the state two years later, BFI agreed to disable the plant and remove the emission stacks.

Gathered by an environmental activist and consultant from New York city, Sam Bishop, this collection documents the turbulent history of public opposition to the Bronx-Lebanon medical waste incinerator. In addition to informational materials on medical waste incineration, the collection includes reports and legal filings relative to the facility, some materials on the campaign to close it, and a small quantity of correspondence and notes from activists.

  • Bronx (New York, N.Y.)--History
  • Incinerators--Environmental aspects
  • Medical wastes--Incineration
Types of material
  • Legal documents

Brinley Family Papers, 1643-1950

(4.75 linear feet)
Call no.: MS 161
Brinley Family Papers image
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists
Types of material
  • Deeds
  • Realia

Eric J. Brock Collection, 1957-1995

1 box (0.25 linear feet)
Call no.: MS 693

A consulting architectural historian and urban planner based in Shreveport, Louisiana, Eric J. Brock was born in San Francisco, California, but with deep family roots in New York, New England, and the coastal Deep South. The author of sixteen books and several hundred popular and academic journal articles on Louisiana history, Brock is a member of the board and former president of the Oakland Cemetery Preservation Society of Shreveport, a former board member of the Louisiana Preservation Alliance, a member of Save Our Cemeteries of New Orleans, of Friends of New Orleans Cemeteries, and a current or former member of multiple preservation and museum organizations. Brock has a deep interest in cemetery preservation and in the multi-faceted role of cemeteries as archives of architectural, historical, genealogical, and artistic importance and as benchmarks of cultural change and development.

With an emphasis on New Orleans and Shreveport, the Brock collection consists primarily of articles and newsclippings on Jewish and other Louisiana cemeteries.

  • Cemeteries--Louisiana
  • Jewish cemeteries--Louisiana
  • Brock, Eric J.

Burt V. Brooks Photograph Collection, 1889-1934

3 boxes (1.5 linear feet)
Call no.: PH 060
Burt V. Brooks Photograph Collection image

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Lucius W. Carroll Ledger, 1841-1862

1 vol. (0.25 linear feet)
Call no.: MS 245 bd

Businessman in several partnerships in south-central Worcestor county who owned a general store in Webster, Massachusetts. Includes lists of partners (such as John P. Stockwell of Stockwell and Carroll), yearly salaries and profits, accounts of what he sold and how he was paid, lists of individual customers and manufacturing companies, and labor accounts of workers. Also contains an alphabetical index to the ledger and several pages of notes receivable and notes payable.

  • Barter--Massachusetts--History--19th century
  • Dudley (Mass.)--Economic conditions--19th century
  • Dudley Woolen Manufacturing Company (Dudley, Mass.)
  • General stores--Massachusetts
  • Merchants--Massachusetts--Economic conditions--19th century
  • Shopping--Massachusetts--History--19th century
  • Slater, George
  • Stockwell & Carroll
  • Union Mills (Webster, Mass.)
  • Uxbridge (Mass.)--Economic conditions--19th century
  • Webster (Mass.)--Economic conditions--19th century
  • Webster Woolen Mills (Webster, Mass.)
  • Carroll & Crosby
  • Carroll, Lucius W
Types of material
  • Account books
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