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Maki, John M. (John McGilvrey), 1909-

John M. Maki Papers, 1887-2005 (Bulk: 1940-1990)
14 boxes (21 linear feet)
Call no.: FS 120
Image of Jack Maki, ca.1983
Jack Maki, ca.1983

Born to Japanese parents in Tacoma, Washington, in 1909, John Maki was adopted as an infant by a white couple and raised on their farm. After receiving both his bachelors (1932) and masters (1936) in English literature at the University of Washington, Maki was persuaded to switch fields to the study of Japan. Following a fellowship from the Japanese government to study in Tokyo in the late 1930s, the war interrupted his plans. After being ordered to internment, he served with the Foreign Broadcast Intelligence Service of the Federal Communications Commission and in psychological warfare planning with the Office of War Information, and after the war, he took a position with the occupation authority, assisting in the drafting of the Japanese Constitution. Returning stateside, he resumed his academic career, earning his doctorate in political science at Harvard in 1948. After eighteen years on the faculty at the University of Washington, Maki moved to UMass in 1966, where he served as chair of the Asian Studies Program and in administrative posts, including as vice dean of the College of Arts and Sciences. In recognition of his efforts to promote relations between the U.S. and Japan, he was awarded the Third Class Order of the Sacred Treasure by the emperor of Japan in 1983. Although he retired from the faculty in 1980, Maki remained active as a scholar until the time of his death in Amherst in December 2006.

The Maki Papers reflect a long career in the study of contemporary Japanese politics and culture. Beginning with his earliest academic work on Japan in the 1930s, the collection documents the range of Maki’s interests, from the origins of Japanese militarism and nationalism to the development of the post-war Constitution and his later studies of William Smith Clark and the long history of Japanese-American relations. The collection includes valuable documents from the early period of the Allied Occupation, including the extensive correspondence with his wife Mary (1946).

Subjects
  • Clark, William Smith, 1826-1886
  • Constitutional law--Japan
  • Japan--History--Allied occupation, 1945-1952
  • Japan--Politics and government--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Political Science
Contributors
  • Maki, John M. (John McGilvrey), 1909-

Mange, Arthur P.

Arthur P. Mange Photograph Collection, 1965-2010
3 boxes (4.5 linear feet)
Call no.: PH 044
Image of Fern fronds
Fern fronds

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Subjects
  • Amherst (Mass.)--Pictorial works
  • Cemeteries--Pictorial works
  • Hadley (Mass.)--Pictorial works
  • New England--Pictorial works
  • New Salem (Mass.)--Pictorial works
  • New York (N.Y.)--Pictorial works
Types of material
  • Photographs

Manuscript collections

Geisha, from the Benjamin Smith Lyman Papers

Geishas,
from Benjamin Smith Lyman Papers

The Department of Special Collections and University Archives collects and preserves textual, visual, and auditory materials of enduring historical value and makes them available to researchers at no charge.

The collections held by SCUA are rich and deeply interrelated, documenting four areas of historic and cultural interest: social change, New England, the University of Massachusetts, and innovation and entrepreneurship.

Among the distinguished collections held by SCUA are the records of:

  • W.E.B. Du Bois and Horace Mann Bond (African American intellectuals and civil rights pioneers)
  • The Africa America Institute
  • The New England Yearly Meeting of Friends (350 years of Quaker history in the region)
  • The Hampshire Council of Governments (350 years of county-level governance in western Massachusetts
  • David Steindl-Rast (Benedictine monk, participant in interfaith dialogue, and student of the interaction between spirituality and science)
  • Kenneth R. Feinberg (attorney and public figure)
  • Congressman Silvio E. Conte and John Olver, Gov. Jane Swift, and state Sen. Stanley Rosenberg (politicians)
  • The Clarke School for the Deaf, International Center for the Disabled, Elmer C. Bartels, Fred Pelka and Denise Kurath, Judi Chamberlin, Lucy Gwin (advocates for people with disabilities)
  • Benjamin Smith Lyman, William Smith Clark, and William Penn Brooks (natural scientists)
  • Mark H. McCormack and Sidney Topol (innovators)
  • William Lederer, Leonard Lewin, Jodi Picoult, Andrew Coburn, Mary McGarry Morris, Harvey Swados, Robert Francis, Charles Whipple (writers)
  • Carl Oglesby, Eric Mann and Lian Hurst, Raymond Mungo, Anna Gyorgy, Mary Wentworth, Randy Kehler, the Liberation News Service, and the Alternative Energy Alliance (activists)
  • Jeff Albertson, Burt Brooks, Alton H. Blackington, Lionel Delevingne, Thomas and Margaret Tenney, and Diana Mara Henry (photographers and photojournalists)

Information about all of our manuscript and photographic collections is included in UMarmot. Use the search box and menus to the right to navigate our collections and to locate collections of interest.

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Massachusetts Review

David Lenson, editor of the Massachusetts Review, hosts MR2, an hour-long radio show on radio station WMUA (FM 91.1) featuring interviews with local writers, artists, and cultural critics.

Digital copies of the interviews can be purchased through the Massachusetts Review.

 

  • Sut Jhally, Professor of Communication at UMass Amherst and Director of the Media Education Foundation.
      Broadcast: Jan. 9, 2003 (File size: 13.6 Mb)
  • Bill Streeter, owner of Silver Maple Bindery in Northampton
      Broadcast: Jan. 2, 2003 (13.4 Mb)
  • Hans Teensma, principle of the design firm InPress, Northampton, Mass.
      Broadcast: Jan. 9, 2003 (13.0 Mb)
  • Dara Wier, poet and Professor in the MFA program at UMass Amherst
      Broadcast: Jan. 2, 2003 (12.6 Mb)
  • Matthew Zapruder, Poet and publisher
      Broadcast: March 6, 2003 (14.1 Mb)

McCormack, Mark H.

Mark H. McCormack Papers, ca. 1920-2008 (Bulk: 1957-2003)
ca. 2,500 boxes (3,800 linear feet)
Call no.: MS 700
Image of Mark H. McCormack in front of leaderboard, ca. early 1960s
Mark H. McCormack in front of leaderboard, ca. early 1960s

Once hailed by Sports Illustrated as “the most powerful man in sport,” Mark Hume McCormack directly engineered the growth of money and media in modern professional sport. After graduating from the College of William and Mary with a B.A. in French and receiving a law degree from Yale, McCormack joined the Cleveland-based law firm of Arter, Hadden, Wykoff, and Van Duzer in 1957. An accomplished golfer in college, McCormack remained close to the game, qualifying for both the British and U.S. amateur championships and the U.S. Open in the 1950s.  While working as a lawyer and entrepreneur, he leapt to prominence by striking a deal with a legendary handshake to represent Arnold Palmer in 1960. With that auspicious start, McCormack soon added golfers Gary Play and Jack Nicklaus to his roster of clients, followed by a long succession of notable international sports figures and celebrities from Formula-1 driver Jackie Stewart, Olympic skier Jean-Claude Killy, tennis stars Billy Jean King and Pete Sampras to Margaret Thatcher, Pope John Paul II and models Kate Moss and Gisele Bundchen.  McCormack quickly added corporations and sporting events such as Wimbledon, the Royal and Ancient Golf Club of St. Andrews, and Rolex as clients in sponsorship, licensing, event management, and media deals. These clients became the basis of IMG Worldwide, Inc., forming one of the largest management, media, and marketing companies in the world. The author of a dozen books on management and sport, McCormack became a famous figure himself as a business man, negotiator, and deal-maker before passing away in 2003.

With a growing collection of approximately 2,500 boxes of records that represent the personal life of Mark H. McCormack and the intertwined corporate records of IMG, the McCormack Papers provide an inside look at the last 50 years of the business of professional sport. The collection contains correspondence, memos, drafts, reports, contracts, research files, marketing materials, and memorabilia. The collection is arriving in stages and is currently being processed. Some materials are restricted.

Subjects
  • Corporate sponsorship
  • Golf
  • Olympics
  • Palmer, Arnold, 1929-
  • Professional athletes
  • Special events -- Management
  • Sports -- Marketing
  • Television and sports
  • Tennis
  • Wimbledon Championships (Wimbledon, London, England)
Contributors
  • All England Club
  • Borg, Björn, 1956-
  • IMG Worldwide, Inc.
  • Killy, Jean Claude
  • Laver, Rod
  • Nicklaus, Jack
  • Palmer, Arnold, 1929-
  • Player, Gary
  • Royal and Ancient Golf Club of St. Andrews

McQueen, Madge

Madge McQueen Papers, ca.1935-2017 (Bulk: 1975-2017)
(100 linear feet)
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects
  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists
Types of material
  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)

Mercantile House (Portland, Me.)

Mercantile House Ledger, 1792-1804
1 vol. (0.25 linear feet)
Call no.: MS 285

Firm based in Portland, Maine, that supplied “merchandize” to local merchants in Maine, as well as in several locations in New Hampshire, Massachusetts, and northeastern Massachusetts. Firm undertook international “adventures” as well. Ledger includes general accounts for merchandise, bills receivable and payable, cash, profit and loss, storage, and truckage, as well as accounts generated with certain ships.

Subjects
  • Maine--Commerce--18th century
  • Maine--Commerce--Massachusetts--18th century
  • Maine--Commerce--New Hampshire--18th century
  • Massachusetts--Commerce--Maine--18th century
  • Merchants--Maine--Portland--18th century
  • New Hampshire--Commerce--Maine--18th century
  • Portland (Me.)--Commerce--18th century
  • Shipping--Accounting--18th century
  • Storage and moving trade--Maine--18th century
Types of material
  • Account books

Miller, Cynthia

Cynthia Miller Papers, 1973-1995
6 boxes (2.25 linear feet)
Call no.: MS 869

Known in the psychiatric survivors’ movement as Kalisa, Cynthia Miller was a radical activist on behalf of the mentally ill. An ex-patient based in New York, she became a member of Project Release in the early 1970s, one of the first wave of organizations fighting for the civil rights of mental patients and combatting forced institutionalization, and was a contributor to Madness Network News and other publications. A poet, writer, and a committed feminist and out lesbian, she took part in civil disobedience to oppose electroconvulsive therapy, working with Judi Chamberlin, George Ebert, Leonard Roy Frank, and others.

Though varied and fragmentary, Cynthia Miller’s collection is a rich resource for study of the early history of the psychiatric survivors movement and the work of one activist in resisting psychiatric oppression. The collection contains some of Kalisa’s writings and correspondence along with ephemera and a varied collection of newspapers, newsletters, and other publications relating to Project Release and several other organizations that Kalisa supported, including the Mental Patients Liberation Front and the Alliance for the Liberation of Mental Patients.

Subjects
  • Electroconvulsive therapy
  • Feminism
  • Mentally ill--Civil rights
  • Psychiatric survivors movement--New York (City)
Contributors
  • Alliance for the Liberation of Mental Patients
  • Chamberlin, Judi, 1944-2010
  • Mental Patients Liberation Front
  • Project Release
Types of material
  • Newsletters

Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003
3 boxes (1.5 linear feet)
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.

Subjects
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century
Types of material
  • Account books
  • Correspondence
  • Photographs

Mission and history

Mission

Cattle judging at Mass. Agricultural College

Judging cattle at Mass. Agricultural College

A steward of the past for generations to come, SCUA inspires discovery through the collection and curation of cultural heritage materials. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, programs, and exhibitions to promote free inquiry; the production, exchange, and preservation of knowledge; and joy in learning.

Department history

African dancers

African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. Containing official records of the university’s administrators and faculty and reflecting the life of its students, the College History Collection grew steadily until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s foresight in assembling the College archives coincided roughly with the university’s first efforts to build a collection of rare books to support its educational mission. As early as 1868 — just one year after the arrival of the first students — the college accepted the donation of twenty scarce volumes on bee culture from the apiculturist (and state Adjutant General) Henry K. Oliver. By the time the college issued its first library catalog in 1875, rare books were a small, but notable part of the collections, closely focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Included among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. Each of these volumes remains part of the collections today.

David Axelrod, Class of 1965

David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collection of rare books and manuscripts has co-evolved with the university and its academic programs. In 1973, the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski marked an expansion of scope beyond into personal papers and organizational records of historical significance beyond the narrow confines of the university, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were merged with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, and by 2007, it had evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, with the generous support of the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. Available free to all researchers, Credo is now a robust and heavily used presence on the internet, containing hundreds of thousands of pages of content and dozens of complete collections, including every item in the papers of W.E.B. Du Bois and Horace Mann Bond.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

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