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Shattuck, Louise F.

Louise F. Shattuck Papers, 1881-2006
31 boxes (24 linear feet)
Call no.: MS 563
Image of Louise Shattuck
Louise Shattuck

A life-long resident of Lake Pleasant, Massachusetts, and a third-generation Spiritualist, Louise Shattuck was an artist, teacher, and noted breeder of English cocker spaniels.

Shattuck’s work as a teacher, writer, artist, and dog breeder are documented in this collection through decades of correspondence and diaries, artwork, publications, and newspaper clippings. Of particular note are the materials associated with the Spiritualist history of Lake Pleasant, including three turn of the century spirit slates, samples of Louise’s automatic writing, a ouija board and dowsing rods, and an excellent photograph album with associated realia for the Independent Order of Scalpers, a Lake Pleasant.

Subjects
  • Dogs--Breeding
  • English Cocker spaniels
  • Lake Pleasant (Mass.)--History
  • Mediums--Massachusetts
  • Montague (Mass.)--History
  • Spiritualism
Contributors
  • Shattuck, Louise F
  • Shattuck, Sarah Bickford
Types of material
  • Diaries
  • Photograph albums
  • Photographs
  • Spirit slates
  • Spirit writing

Simon, Peter, 1947-

Peter Simon Collection, ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Stonewall Center

Stonewall Center Records, 1962-2005
22 boxes (33 linear feet)
Call no.: RG 030/2/6

Following a series of homophobic incidents on the University of Massachusetts Amherst in 1985, the Program for Gay, Lesbian and Bisexual Concerns was established as an administrative center in the Office of Student Affairs. Later renamed after the notorious riots in New York, the Stonewall Center has provided the campus and surrounding community with cultural and educational programming through speakers, films, video and book library, Speakers Bureau on LGBTQ issues, referrals and support, advocacy and community outreach.

The records of the Stonewall Center include documentation of day to day operations, including phone logs, memos, and budget information, as well as posters and press releases for events, publications, campus and external reports, training manuals, surveys, newspaper clippings, and ephemera such as banners, tee-shirts, and buttons.

Subjects
  • Gay college students--Massachusetts
  • Gays--Services for
  • University of Massachusetts Amherst--Students
  • University of Massachusetts Amherst. Program for Gay, Lesbian, and Bisexual Concerns
Contributors
  • Stonewall Center
  • Yeskel, Felice

Swados, Harvey, 1920-1972

Harvey Swados Papers, 1933-1983
49 boxes (23 linear feet)
Call no.: MS 218

The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.

The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.

Subjects
  • Authors, American--20th century--Biography
  • Jewish authors--United States--Biography
  • National Book Awards--History--20th century
  • Socialists--United States--Biography
Contributors
  • Bellow, Saul
  • Farrell, James T. (James Thomas), 1904-1979
  • Gold, Herbert, 1924-
  • Hofstadter, Richard, 1916-1970
  • Howe, Irving
  • Malamud, Bernard
  • Mills, C. Wright (Charles Wright), 1916-1962
  • Swados, Harvey, 1920-1972

Torrey, Ray Ethan, 1887-

Ray Ethan Torrey Papers, 1832-1983
13 boxes (5.5 linear feet)
Call no.: FS 121
Image of Ray Ethan Torrey. Photo by Frank A. Waugh
Ray Ethan Torrey. Photo by Frank A. Waugh

A plant morphologist and member of the Botany Department at Massachusetts Agricultural College, Ray Ethan Torrey was among the college’s most charismatic faculty members during the early twentieth century. Born in Leverett, Mass., and educated in the local public schools, Torrey graduated from MAC with the class of 1912, earning his PhD at Harvard six years later. After serving on the faculty of Grove City College and Wesleyan, he returned to his alma mater in 1919, where he remained for more than 36 years. A specialist in plant morphology and author or two widely used textbooks and numerous articles, Torrey’s introductory course in botany was among the most popular in the college. He was best known, however, for taking a broader, philosophical approach to science that encouraged students to explore the connections between philosophy, science, religion, and the humanities. Torrey died of leukemia in Boston on Jan. 16, 1956.

Correspondence, chiefly with former students and colleagues at other institutions; lecture notes and outlines; 27 pen and ink drawings; published writings and drawings; biographical material; class and laboratory notes taken by students; family and educational records (1832-1956); photographs, and other papers.

Subjects
  • Botany--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Botany Department
Contributors
  • Torrey, Ray Ethan, 1887-
Types of material
  • Pen and ink drawings

UMass Peacemakers

UMass Peacemakers Records, 1965-1990 (Bulk: 1983-1990)
10 boxes (20 linear feet)
Call no.: MS 309
Image of Peacemakers contingent at the Four Days in April protests, 1984
Peacemakers contingent at the Four Days in April protests, 1984

Although the precise origins of UMass Peacemakers are murky, by 1982, the group was an active presence on the UMass Amherst campus organizing opposition to militarism and the nuclear arms race and providing support for the nuclear freeze movement. Organizing vigils, demonstrations, informational workshops, and providing civil disobedience training, the Peacemakers were the most visible pacifist group on the UMass Amherst campus in the 1980s.

The UMass Peacemakers Records focus on the activities of the student group between 1983 and 1990, documenting their role in confronting the aggressive international expansionism of the Reagan administration and its “Star Wars” program, while also engaging at the local and national level by organizing rallies, lectures, poetry readings, and film screenings. At UMass, Peacemakers was part of the larger Progressive Student Network, and worked alongside other student organizations including the Radical Student Union.

Gift of Peacemakers through Peter Sakura, May 1991
Subjects
  • Antinuclear movements--Massachusetts--Amherst
  • Central America--Foreign relations--United States
  • Disarmament--Massachusetts
  • Peace movements--Massachusetts--Amherst
  • Student movements--Massachusetts--Amherst
  • United States--Foreign relations--Central America
  • University of Massachusetts Amherst--Students
  • Vietnam War, 1961-1975--Protest movements--Massachusetts
Contributors
  • American Friends Service Committee
  • UMass Peacemakers
Types of material
  • Brochures
  • Photographs

Undergraduate Research Award

students

Recent applicants for FLURA

Although scholarship in the humanities and social sciences is grounded in the skillful use of primary sources, few undergraduates ever have the opportunity to engage with original historical materials. To encourage scholarly and creative research and promote the use of our collections, the Friends of the Library and Department of Special Collections and University Archives (SCUA) have established an award for undergraduates at UMass Amherst recognizing excellence in the use of historical primary sources.

Students are invited to submit papers or projects they have completed at UMass Amherst during the 18 months prior to the deadline for submission. Submissions will be considered by the Evaluation Committee and winners will be announced in late April. All winning papers/projects will be published on the SCUA web site and added to the University Archives.

View past FLURA recipients

Application information

Eligibility: Projects must represent work completed for a class or independent study in any field within the 18 months prior to the application deadline and while the student was enrolled as an undergraduate at UMass Amherst.
Award: First place: $1000 scholarship
Honorable mention: $250 scholarship
Evaluation criteria:
  1. Papers or projects must draw upon historical primary sources either from collections in SCUA, other archives, or from other Library resources.
    What is a primary source?
    An historical primary source is a record of an event, occurrence, or time period produced at the time by a participant or observer. Appropriate sources may be include the records of individuals (e.g. letters, diaries, essays, speeches) or the archives of organizations (e.g. correspondence, memoranda, minutes, annual reports), and they may include non-textual materials (e.g. artwork, artifacts, maps, music, film, audio recordings, videotape, computer files, photographs, scrapbooks), provided they date from the time period in question.
  2. Creativity and originality
  3. Clarity and effectiveness of writing
Deadline for submission: Friday, Mar. 24, 2017 by 5 p.m.
Special Collections and University Archives (SCUA) and the UMass Amherst Libraries reserve the right to extend the deadline or cancel the contest if too few entries are received. The determination of number of entries required to award a winner is at the sole discretion of SCUA and the UMass Amherst Libraries.
How to apply: Complete the cover sheet and submit a copy of your paper/project as two separate files. Note: your name must not appear on the paper itself. Submissions should be delivered to the following with “FLURA” in the subject line:

  • scua@library.umass.edu

Download application materials (.rtf format)

 

University Archives

Goat cart at football game with Amherst College, ca.1913

Goat cart at football game vs.
Amherst College, ca.1913

The University Archives contains the official and unofficial records of the University of Massachusetts Amherst throughout its evolution from a small agricultural college into a dynamic and complex university. Within the archives are letters and artifacts, records, photographs, and sound recordings documenting the lives of its founders, the pursuits of its faculty, and the changing attitudes of its students and alumni, revealing what high quality public education means to our Commonwealth and nation.

Resources

Among the hundreds of discrete collections and over 13,000 linear feet of records are the official papers of Chancellors, Presidents, Trustees, and other administrators; information about the University’s academic units and student organizations; and the founding documents of our sister campuses at Worcester, Boston, Lowell, and Dartmouth. The papers of faculty members add a wealth of information about the lives and intellectual pursuits of our campus community as well as their chosen academic disciplines.

Finding things in the archives

concordance to the archives

A comprehensive alphabetical index of UMass departments, programs, and other units, including acronyms. Each entry includes a reference to the archival Record Group where the records can be found.

YouMass wiki

YouMass is wiki devoted to the life and history of the campus community.

Credo digital repository

SCUA’s digital repository Credo is home to all of SCUA’s digital collections, including UMass student publications, 12,000 university-related photographs, oral histories, and much more…

Links to University archives resources

Records relating to

People and groups on campus

Administration

Faculty and fields

Learn more:

University of Massachusetts Amherst. Academic Departments

University of Massachusetts Amherst. Academic Departments, Programs, Institutes, Centers, 1870-2007

The academic departments at UMass Amherst are organized within ten schools and colleges. Among the more than 88 degree programs in 2009, 74 confer masters degrees, and 53 confer doctorates.

Containing the records of individual academic departments, programs, institutes, and centers, Record Group 25 documents the shifting history of disciplinarity and departmental affairs at UMass Amherst. The papers of individual faculty members are contained within the Faculty and Staff (FS) collections and are indexed separately in UMarmot.

Subjects
  • University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Library

University of Massachusetts Amherst. Library, 1876-2007
(75 linear feet)
Call no.: RG 008

Beginning in a room in the first South College building, filled with books donated by faculty, staff, and students, the University Library has grown to include over three million items. After expanding into larger quarters in the Old Chapel Building in 1884 (the first campus building designed as a library), the library was relocated to Goodell Hall (1935) and the University Library tower (1973), named the W.E.B. Du Bois Library in 1996. Other library facilities on campus have included libraries for the biological sciences, physical sciences, and the Music Library, as well as the Integrated Science and Engineering Library in the Lederle Graduate Research Center.

The collection consists of basic administrative records of many library departments, the records of the Library Director (1924-1975), other materials that document the library, its staff and activities, and information about the design, construction, and dedication of the W.E.B. Du Bois Library tower, the Hampshire Inter-Library Center (HILC), and Five College cooperation.

Subjects
  • Academic libraries--Massachusetts
Contributors
  • University of Massachusetts Amherst. Library

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