Results for: “Communists--Music” (80 collections)SCUA

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University Archives

Goat cart at football game with Amherst College, ca.1913
Goat cart at football game vs.
Amherst College, ca.1913

The University Archives contains the official and unofficial records of the University of Massachusetts Amherst throughout its evolution from a small agricultural college into a dynamic and complex university. Within the archives are letters and artifacts, records, photographs, and sound recordings documenting the lives of its founders, the pursuits of its faculty, and the changing attitudes of its students and alumni, revealing what high quality public education means to our Commonwealth and nation.

Resources

Among the hundreds of discrete collections and over 13,000 linear feet of records are the official papers of Chancellors, Presidents, Trustees, and other administrators; information about the University’s academic units and student organizations; and the founding documents of our sister campuses at Worcester, Boston, Lowell, and Dartmouth. The papers of faculty members add a wealth of information about the lives and intellectual pursuits of our campus community as well as their chosen academic disciplines.

Finding things in the archives

concordance

A comprehensive alphabetical index of UMass departments, programs, and other units, including acronyms. Each entry includes a reference to the archival Record Group where the records can be found.

YouMass

YouMass is wiki devoted to the life and history of the campus community.

Records relating to:

People and groups on campus:

Administrative units:

(For academic departments or student groups, please see the concordance)

Faculty and staff
(by department, unit, or field):

Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005.

25 boxes (9 linear feet).
Call no.: MS 345
Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects

  • Asian American women authors
  • New WORLD Theater
  • Playwrights

Contributors

  • Uno, Roberta, 1956-

Types of material

  • Scripts (Documents)

W.E.B. Du Bois Lecture

Du Bois and Mao Tse-Tung, 1959
Du Bois and Mao Tse Tung, 1959

The Department of Special Collections and University Archives and the Department of Afro-American Studies at UMass Amherst co-sponsor an annual colloquium to commemorate W.E.B. Du Bois. Timed to coincide with the anniversary of his birth (February 23), the departments invite a distinguished Speaker to discuss Dr. Du Bois’ life, work, and legacy.

 

20th Annual W.E.B. Du Bois Lecture, 2014
2014 Feb. 25. 4pm. Campus Center Auditorium, UMass Amherst
Performer: Brian Richardson and Pulse Ensemble Theatre
Title: “A Man for All Times: W.E.B. Du Bois”
Brian Richardson as W.E.B. Du Bois

This year’s Du Bois Birthday Celebration features performances of “A Man for All Times: W.E.B. Du Bois,” performed by the Pulse Ensemble Theatre. The one-hour one-man show of the 95-year-long life of W.E.B. Du Bois unfolds in a gripping performance by Brian Richardson, and a moving script by writer/director Alexa Kelly. Learn more about Great Barrington’s native son, civil rights leader, and visionary of equality and democracy at this free performance by Pulse Theatre Ensemble.

Additional free performances will be held on Saturday, February 22, 7:00 p.m., at Mahaiwe Performing Arts Center, in Great Barrington, Massachusetts, and on Sunday, February 23, 10:00 a.m., at St. John’s Congregational Church, Springfield, Massachusetts.

19th Annual W.E.B. Du Bois Lecture, 2013
2013 Feb. 26. 4pm. Lower Level, W.E.B. Du Bois Library
Speaker: Arthur McFarlane II
Title: “The Life of W.E.B. Du Bois and Its Relevance to Today
Colorado Department of Public Health and Envrionment

McFarlane, the great-grandson of W.E.B. Du Bois, will discuss the legacy of W.E.B. Du Bois, civil rights activist, co-founder of the NAACP, and the first African American to receive a PhD from Harvard University.

Previous Du Bois Lectures:
2012 Feb. 23
Speaker: Derrick Alridge
Title: “Ideas Have Consequences: The Radical Pedagogy of W.E.B. Du Bois”
Professor in the Curry School of Education, University of Virginia
Derrick Alridge

Derrick Alridge is author of The Educational Thought of W.E.B. Du Bois: An Intellectual History, lead editor of Message in the Music: Hip Hop, History, and Pedagogy, and Distinguished Lecturer for the Association of the Study of African American Life and History. He is currently completing an intellectual history of Hip Hop as a social movement called The Hip Hop Mind: An Intellectual History of the Social Consciousness of a Generation (University of Wisconsin Press) and is conducting research for a book on the role of education in the civil rights movement.

An educational and intellectual historian, Alridge is associate editor of the Journal of African American History and served as Director of the Institute for African American Studies. Alridge’s areas of scholarship include the history of African America education, African American intellectual history and the history of ideas, and civil rights studies. His work has been published in the Journal of African American History, the Journal of Negro Education, and teh History of Education Quarterly, among others.

2011 Feb. 28
Speaker: Bettina Aptheker
Title: “W.E.B. Du Bois: Personal Stories/Political Reflections”
Distinguished Professor of Feminist Studies and History
University of California, Santa Cruz
Bettina Aptheker

Bettina Aptheker is Distinguished Professor of Feminist Studies and History at the University of California, Santa Cruz, where she has taught for more than 30 years. Her most recent book is a memoir, Intimate Politics: How I Grew Up Red, Fought for Free Speech and Became a Feminist Rebel (2006). It contains many stories of her early friendship with W.E.B. and Shirley Graham Du Bois. Other major books include, The Morning Breaks: The Trial of Angela Davis (1976; 2nd edition, 1999); Woman’s Legacy: Essays on Race, Sex, and Class in American History (1982) and Tapestries of Life: Women’s Work, Women’s Consciousness, and the Meaning of Daily Experience (1989). She is the biographer of Shirley Graham Du Bois for Notable American Women, and is currently writing a critical essay on Graham Du Bois’ creative career as an opera composer, playwright, biographer, and novelist. She is also at work on a major research project: “Queering the History of the American Left: 1940s-1980s.”

2010 Feb. 25
Speaker: Evelyn Brooks Higginbotham
Title: “The Many Lives of W.E.B. Du Bois in the New From Slavery to Freedom
Victor S. Thomas Professor of History and of African and African American Studies
Harvard University
Evelyn Brooks Higginbotham

Evelyn Brooks Higginbotham has been chair of the Department of African and African American Studies at Harvard since 2006. She also served as Acting-Director of Harvard’s W.E.B. Du Bois Institute in the Spring 2008. A prolific author, she is co-editor with Henry Louis Gates, Jr., of the African American National Biography (2008)—a multivolume-reference work that presents African American history through the lives of people, and she and Gates also co-edited African American Lives (2004), which served as the forerunner to the AANB. Professor Higginbotham was the editor-in-chief of The Harvard Guide to African-American History (2001) with general editors Darlene Clark Hine, and Leon Litwack. She also co-edited History and Theory: Feminist Research, Debates and Contestations (1997).

Professor Higginbotham is the author of Righteous Discontent: The Women’s Movement in the Black Baptist Church: 1880-1920 (1993), which won numerous book prizes, most notably from the American Historical Association, the American Academy of Religion, the Association of Black Women Historians, and the Association for Research on Non-Profit and Voluntary Organizations. Righteous Discontent was also included among the New York Times Book Review’s Notable Books of the Year in 1993 and 1994.

2009 Feb. 26
Speaker: Howard Dodson
Chief of the Schomburg Center for Research in Black Culture
New York Public Library
Howard Dodson

A scholar, historian, educator, curator, consultant, and lecturer, Howard Dodson, has committed his professional life to the retrieval, preservation, interpretation, and dissemination of the history and culture of African and African American peoples.

Since 1984, Dodson has served as chief of the New York Public Library’s Schomburg Center for Research in Black Culture, the world’s leading and most prestigious repository for materials and artifacts on black cultural life. Under Dodson’s leadership, the Schomburg Center has developed into the world’s most comprehensive public research library devoted exclusively to documenting and interpreting African diasporan and African history and culture.

Dodson’s books include Becoming American: The African American Journey (Sterling Publishing, Inc., 2009), In Motion: The African-American Migration Experience (National Geographic Press, 2004), Jubilee: The Emergence of African-American Culture (National Geographic Press, 2002), and The Black New Yorkers: Four Hundred Years of African American History (Wiley, 2000).

2008 Feb. 28: W.E.B. Du Bois and Ralph Ellison
Speaker: Arnold Rampersad
Department of English, Stanford University

A distinguished biographer and literary critic, Arnold Rampersad is the Sara Hart Kimball Professor in the Humanities and Professor of English at Stanford University. A scholar of race and American literature and the Harlem Renaissance, Rampersad has written books on W.E.B. Du Bois, Langston Hughes, and most recently, Ralph Ellison. He has been elected a member of the American Academy of Arts and Sciences and the American Philosophical Society, and was a 1991 recipient of a MacArthur “genius grant.” He is a recipient of fellowships from the John D. and Catherine T. MacArthur Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation.

Professor Rampersad has recently published Ralph Ellison, a biography of the novelist (1914-1994). His other books include The Art and Imagination of W.E.B. Du Bois (1976); The Life of Langston Hughes (2 vols., 1986, 1988); Days of Grace: A Memoir (1993), co-authored with Arthur Ashe; and Jackie Robinson: A Biography (1997). In addition, he has edited several volumes including Collected Poems of Langston Hughes; the Library of America edition of works by Richard Wright, with revised individual editions of Native Son and Black Boy; and (as co-editor with Deborah McDowell) Slavery and the Literary Imagination. He was also co-editor, with Shelley Fisher Fishkin, of the Race and American Culture book series published by Oxford University Press. His teaching covers such areas as nineteenth and twentieth-century American literature; American autobiography; race and American literature; and African-American literature.

2007 March 9: The Unknown Du Bois: W.E.B. Du Bois and the Future of Black Studies in the Twenty-First Century
Speaker:James Turner
Africana Studies and Research Center, Cornell University
Poster (pdf)
2006: W.E.B. Du Bois and Martin Luther King
Speaker: Clayborne Carson
Stanford University, editor, Papers of Martin Luther King
Press release (pdf)


2005: The Enduring Greatness of the The Souls of Black Folk
Speaker: Robert Hill
UCLA, editor, Papers of Marcus Garvey
Press release (Word file)


2004: Du Bois and Bond: Black Education in the Age of Jim Crow
Speaker: John H. Bracey
Afro-American Studies, UMass Amherst


2003: Revisiting The Souls of Black Folk: A Centenary Celebration
Panelists:
Horace Clarence Boyer
Music, UMass Amherst
Esther Terry
Afro-American Studies, UMass Amherst
Phil Zuckerman, “Du Bois, Religion, and The Souls of Black Folk
Sociology, Pitzer College
David Blight, “A Poet’s Sense of the Past: The Souls of Black Folk as History”
History, Yale University
Ernest Allen, “The Education of Black Folk: The Educational Philosophies of W.E.B. Du Bois”
Afro-American Studies, UMass Amherst
Gerald Friedman, “Reconstructing the Color Line: The New Economics of Race in the Post-bellum South”
Economics, UMass Amherst


2002: Recollections of W.E.B. Du Bois in the McCarthy Era by His Friends and Colleagues
Panelists:
Esther Cooper Jackson
Co-founder, Freedomways
James Jackson
Editor, Daily Worker
Abbott Simon
Executive director, Peace Information Center and co-defendant with Dr. Du Bois


2001: W.E.B. Du Bois and the Problem of the Twenty-first Century
Speaker: David Levering Lewis
History, Rutgers University


2000: Du Bois’ Prophecy: The Color Line and Education at the Start of a New Century
Speaker: Ruth Simmons
President, Smith College


1999: Du Boisian Double Consciousness: The Unsustainable Argument
Speaker: Ernest Allen
Afro-American Studies, UMass Amherst


1998: Du Bois in Context
Speaker: Randolph W. Bromery
President, Springfield College and former Chancellor, UMass Amherst


1996: W.E.B. Du Bois
Speaker: David Levering Lewis
History, Rutgers University


1995: Celebration of Learning
Panelists:
David Du Bois
William Strickland
Michael Thelwell


1987: The Du Bois Legacy: Reflections on His Birthday
Speaker: Herbert Aptheker
Editor, Complete Published Works of W.E.B. Du Bois
Listen to a recording of Aptheker’s lecture.

Western New England Poetry Collection

Western New England Poetry Collection, 1977-2008.

4 boxes (2 linear feet).
Call no.: MS 561
Silkworm, 2007
Silkworm, 2007

Since 2004, the Florence Poets Society has been a hub of the poetry communities in Western Massachusetts, promoting the sharing, reading, and publication of works by its members. The group has sponsored outdoor poetry festivals, poetry slams, and readings and it has encouraged publication of poetry through its annual review, The Silkworm, and through chapbooks of its members.

Established in partnership with Rich Puchalsky and the Florence Poets Society, the Western New England Poetry Collection constitutes an effort to document the vibrant poetry communities in Western New England. The collection includes all forms of poetry, from the written to the spoken word, in all formats, but with a particular emphasis upon locally produced and often difficult to find chapbooks, small press books, unpublished works, and limited run periodicals. The collection is not limited to members of the Florence Poets Society, and additions from poets in Western New England are eagerly welcomed.

Subjects

  • Poetry--New England

Contributors

  • Florence Poets Society
  • Puchalsky, Rich

WFCR (Radio station : Amherst, Mass.)

WFCR Radio Broadcast Collection, 1954-1987 (Bulk: 1964-1987).

308 boxes (462 linear feet).
Call no.: MS 741
WFCR studio
WFCR studio

The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.

The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children’s programming, news and current events, scholarly lectures, classical music, and jazz.

Subjects

  • Amherst (Mass.)
  • Pioneer Valley (Mass.)
  • Radio stations--Massachusetts

Contributors

  • WFCR (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs

Yantshev, Theodore

Theodore Yantshev Collection, 1947-1958.

1 box (0.5 linear feet).
Call no.: MS 141

A native of Sofia, Bulgaria, Theodore Konstantin Yantshev found himself in danger in the years immediately after the Second World War when his anti-Communist activities became known to the new Communist regime. With the assistance of an American naval officer, Yantshev escaped to the United States as a stowaway aboard the American ship S.S. Juliet Victory in the spring of 1946. In July of 1947, however, Yantshev’s presence came to the attention of United States immigration authorities and a warrant for his deportation back to Bulgaria was issued against him.

This small collection consists chiefly of correspondence documenting Yantshev’s struggle to gain permanent residency and then citizenship in the United States.

Subjects

  • Bulgarians--United States
  • Political refugees--United States

Contributors

  • Yantshev, Theodore

Young Women’s City Club (Northhampton, Mass.)

Young Women's City Club Records, 1931-1981.

2 boxes (0.75 linear feet).
Call no.: MS 045

Known as Girl’s City Club until 1954, the Young Women’s City Club was a non-sectarian, self-governing, and largely self-supporting club in Northampton, Massachusetts, that developed educational and recreational opportunities for young women through programs, social events, volunteer services, and fund-raising activities. The club met regularly under the auspices of the People’s Institute until November 1979 when their rooms at James House were taken over by the Highland Valley Elder Service and the club relocated to the People’s Institute.

The records of the Young Women’s City Club document the growth and activities of the club from 1939 to 1981, with the exception of the decade 1961 to 1971. Consisting of photocopies of originals still held by the People’s Institute, the collection includes minutes of council and business meetings and scrapbook pages.

Subjects

  • Women--Societies and clubs--Massachusetts

Contributors

  • Young Women's City Club (Northampton, Mass.)

Jones, Richard

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs

Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection, 1898-1966.

2 boxes (3 linear feet).
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Subjects

  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985
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