Construyamos Juntos Collection, 1986.
1 box (1.5 linear feet).
Call no.: PH 052
In May 1985, a group of activists in Western Massachusetts opposed to the interventionist U.S. foreign policy of the Reagan era formed a construction brigade to assist with basic human needs and express solidarity with the people of Central America. Modeled on the Venceremos Brigade, Construyamos Juntos, Building Peace of Nicaragua, raised over $20,000 for construction supplies in addition to funds for individual travel. Between January and March 1986, the 17 activists joined a smaller brigade from West Virginia in constructing the Carlos Armin Gonzales elementary school in San Pedro de Lovago. During their first month in Nicaragua, they witnessed a Contra assault on the town that left one assailant dead and two residents of the town wounded.
This exhibit includes 55 mounted images and 99 35mm slides taken during the brigade’s time in Nicaragua, documenting the brigade’s construction work and providing a valuable visual record of life in Nicaragua during the Contra war. Used in public talks about Contruyamos Juntos, the collection includes exhibit labels that explain the purpose and activity of the brigade, the history of Nicaragua, and the Contra attack in January 1986.
Types of material
Michael Cornish Photograph Collection, ca.1975-2005.
20 boxes (20.5 linear feet).
Call no.: PH 035
Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.
The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.
- Stone carving--Connecticut
- Stone carving--Massachusetts
- Association for Gravestone Studies
- Cornish, Michael
Types of material
Council for Fair School Finance Records, 1977-2005.
8 boxes (12 linear feet).
Call no.: MS 784
The Council for Fair School Finance began its fight in 1978 when it filed a lawsuit (McDuffy v. Secretary of the Executive Office of Education) to require Massachusetts to meet its constitutional obligation to provide a quality education for all schoolchildren. The suit was quickly suspended due to recently enacted school reform legislation. Within five years, the Council took up the suit once more, and again further reform legislation was enacted that prevented the suit from going to trial. Finally in 1993, the case was heard and decided in favor of the plaintiffs; three days later the governor signed the Education Reform Act of 1993. By the end of the decade, the promise of the McDuffy decision had not yet been fully realized and the Council filed a second suit (Hancock v. Commissioner of Education). In April 2004, Superior Judge Margot Botsford issued a report that found the state’s efforts to fix the problems identified in the previous case were insufficient and that the plaintiffs were entitled to remedial relief. The Supreme Judicial Court, however, did not uphold the recommendation and the motion for relief was denied.
The collection consists of administrative records, including documents created early in the Council’s history, minutes of Council meetings, media reports, research materials, and financial records.
- Educational change--Massachusetts
- Council for Fair School Finance
James Underwood Crockett Papers, 1944-1980.
8 boxes (12 linear feet).
Call no.: MS 664
The horticulturist, Jim Crockett (1915-1979) earned wide acclaim as host of the popular television show, Crockett’s Victory Garden. A 1935 graduate of the Stockbridge School of Agriculture at UMass Amherst, Crockett returned home to Massachusetts after a stint in the Navy during the Second World War and began work as a florist. A small publication begun for his customers, Flowery Talks, grew so quickly in popularity that Crockett sold his flower shop in 1950 to write full time. His first book, Window Sill Gardening (N.Y., 1958), was followed by seventeen more on gardening, ornamental plants, and horticulture, culminating with twelve volumes in the Time-Life Encyclopedia of Gardening. He was the recipient of numerous awards for garden writing and was director of the American Horticultural Society. In 1975, he was contacted about a new gardening show on PBS, Victory Garden, which he hosted until his death by cancer in 1979.
Documenting an important career in bringing horticulture to the general public, the Crockett Papers contain a mix of professional and personal correspondence and writing by Jim Crockett from throughout his career. The collection includes a particularly extensive set of letters from George B. Williams, Crockett’s father in law, and copies most of his publications.
- Crockett, James Underwood
Cummington School of the Arts Records, 1908-1993.
30 boxes (45 linear feet).
Call no.: MS 891
In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.
The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.
Artemas Cushman Account Book, 1822-1846.
1 vol. (0.1 linear feet).
Call no.: MS 073 bd
Born in Middleborough, Mass., in 1781, Artemas Cushman relocated to the central Vermont town of Braintree as a young man and spent decades as a carpenter and house joiner. He and his wife Phebe Spear raised a family of nine, one of whom (Artemas’ namesake) rose to local prominence as a officer in the state militia and representative in the state house and senate. Cushman died in Braintree in 1864.
Cushman’s small ledger is a fine record of the day-to-day work of an antebellum carpenter in rural Vermont. Part daybook and part account book, and often lacking in detail, Cushman’s entries document the work of a skilled artisan engaged in constructing or repairing houses, windmills, cider mills, bake houses, sheds, and barns, and at least one school. Occasionally, he applied his skills to smaller projects such as mending a wheel or making a wagon body or coffin, and less frequently he was compensated for manual labor (haying or planting). In a cash-poor economy, Cushman was typically repaid through an exchange of labor, or through commodities such as brandy, grain, or pork.
- Braintree (Vt.)--Economic conditions--19th century
Types of material
Gabriele D'Annunzio Collection, 1919-1920.
1 box (0.1 linear feet).
Call no.: MS 763
An Italian poet, journalist, novelist, and dramatist, Gabriele D’Annunzio enjoyed a flamboyant career in international affairs after the First World War when he raised a small army and seized the port of Fiume (now Rijeka, Croatia). Failing in his attempts to annex his territory to Italy, D’Annunzio reigned as Duce over the micro-state for over a year before being forced to relinquish control.
The fifteen imprints comprising this collection of scarce broadsides, all printed in the short-lived Free State of Fiume. During the brief period of his reign in Fiume, D’Annunzio issued propagandistic broadsides, proclamations, and leaflets almost daily, often distributing them by airplane drop over the city. Included is a rare first edition of D’Annunzio’s most famous piece from the Fiume period, Italia e vita.
- Free State of Fiume--History--20th century
- Rijeka (Croatia)--History--20th centur
- World War, 1914-1918--Baltic State
- World War, 1914-1918--Italy
- D'Annunzio, Gabriele, 1863-193
- Druscovich, Marco
- Zoll, Corrado
Types of material
- Fliers (Printed material)
Alexandra Dawson Papers
20 boxes (30 linear feet).
Call no.: MS 905
An attorney from Hadley, Mass., Alexandra D. Dawson was known throughout New England for her work in conservation law and environmental activism. Born in Maryland in 1931, Dawson married shortly after graduating from Barnard College and after raising a family of three, she resumed her education, earning a law degree from Harvard in 1966. Early in her legal career, she took up the cause of protecting “wildlife, wetlands, and woodlands.” She was among the earliest employees of the Conservation Law Foundation and later served as general counsel for the Metropolitan Area Planning Council. The author of a string of influential works in environmental law, including (1978), (1982), and the (1978-2006), she was also an educator, teaching at Antioch College (where she launched the environmental studies program), Tufts, the Kennedy School of Government, and Rhode Island School of Design. Among other commitments, Dawson was a key figure in the Kestrel Trust and served long stints on the Massachusetts Association of Conservation Commissions (MACC) and the Hadley Conservation Commission. Dawson died of complication from emphysema on Dec. 30, 2011.
The product of a forty year commitment to conservationism, Dawson’s papers provide valuable documentation of land preservation efforts in New England, with a focus on the evolution of the legal context. Dawson was a formidable figure in efforts to protect wetlands, agricultural land, and open space, and her papers offer insight into land use planning, her teaching, writing, and speaking.
- Land use--Law and legislation--Massachusetts
- Wetlands--Law and legislation--Massachusetts
The Department of Special Collections and University Archives (SCUA) of the W.E.B. Du Bois Library offers short-term residential fellowships to assist younger scholars in conducting research in its collections. Among the approximately 15,000 linear feet of manuscripts held by SCUA are many valuable collections for the study of social change in the United States, including the papers of the most important exponent of the politics and culture of the twentieth century, W.E.B. Du Bois. In addition, the University Library houses over three million volumes and a rich suite of electronic resources to support advanced research in the humanities. Comprehensive, searchable guides and finding aids to SCUA’s collections are available on this website.
View past Du Bois Fellows
||Full time graduate students, faculty, or independent scholars (with a PhD), with a preference for persons early in their career. Fellows may come from any field and any perspective, and they may work on any topic, but their research should explore the major themes that characterize Du Bois’s scholarship and activism, including the history and meaning of racial, social, and economic justice; the problems of democracy and political inclusion; the role of capitalism in world affairs; and the global influence of African cultures. Applicants must be U.S. citizens.
|Award & expectations:
||Fellows will receive $2,500 to defray expenses. Fellows are required to spend four consecutive weeks in residence at SCUA, during which time they will work with our collections. At the end of their residency, fellows will be asked to deliver a public talk on their research. Fellows may schedule their residency at any time between July in the year of award through the following April.
||Fellows will be selected on a competitive basis from applicants interested in conducting original research in the Du Bois Papers and other SCUA collections. The criteria for selection will include: 1) potential of the proposal to contribute to scholarship, 2) fit with Du Boisian themes, 3) the need for use of SCUA collections, and 4) the letter of support. The application will consist of a brief (up to 3 pages) description of the research project, a curriculum vita, and a letter of support.
|Deadline for submission:
||Applications must be received by March 31, 2016.
|How to submit:
||Applications should be submitted electronically to scua [at] library.umass.edu with “Du Bois application” and your name in the subject line. Letters of recommendation should be sent separately to the same address.
Edward H. Duane Collection, 1967-1992.
1 box (0.5 linear feet).
Call no.: PH 029
While working as caretaker for veterans’ graves in 1966, Edward H. Duane became concerned about the deterioration he saw affecting the older tombstones. A resident of Leicester and (after 1968) Paxton, Mass., Duane was employed for many years as a shipper for companies in nearby Worcester, but preserving the information on tombstones became his calling. Over the following years, he made hundreds of rubbings of New England tombstones, teaching the technique at workshops and classes throughout the region. Among other works, he was author of The Old Burial Ground, Rutland, Mass., 1717-1888 (1983).
The Duane Collection contains an array of materials used by Edward Duane in his stone rubbing workshops in the 1970s and 1980s, along with newsclippings and short publications on New England gravestones and gravestone preservation. Among other items is an early essay of his, “Old New England Headstone, 1668-1815″ (1967), accompanied by related correspondence from Allan Ludwig.
- Association for Gravestone Studies
- Duane, Edward H
Types of material