Results for: “Textile workers--Labor unions--Massachusetts” (869 collections)SCUA

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Severy, Robert Bayard

Association for Gravestone Studies Collection

Robert Bayard Severy Photograph Collection, 1980-2007.

5 boxes (5.5 linear feet).
Call no.: PH 024
Capt. Elisha Davis, d. Oct. 10, 1778
Capt. Elisha Davis, d. Oct. 10, 1778

A local historian and photographer from Dorchester, Mass., and an official in the Dorchester Historical Society, Robert Bayard Severy was born on October 11, 1944, at the New England Hospital for Women and Children in Roxbury, Massachusetts. After high school Severy attended Suffolk University and received a certificate from the Franklin Institute in Photography in 1967. For over 32 years, he was employed in the Human Resources Division of the Commonwealth of Massachusetts, pursuing his interests in photography throughout and documented the changing streetscapes of Boston and nearby towns. Since the early 1980s, Severy has documented gravestones in New England cemeteries.

The Severy Collection includes nearly 2,000 black and white prints (with some color) of gravestones in cemeteries in Massachusetts and Vermont. The collection is arranged by town and cemetery, and includes particularly good documentation of gravestones in Barnstable, Boston (Old Granary, King’s Chapel, Copps Hill), Brimfield, Dorchester (Cedar Grove, Dorchester North), Manomet (Manomet), Newbury (1st Parish), Norwell (First Parish), Quincy (Hancock), Watertown (Mt. Auburn), and Weymouth (Old North, Mt. Hope, Fairmount) in Massachusetts; and Bennington and Wilmington, Vermont. Larger collections of Severy’s work can be found in many other institutions, including Historic New England, The Bostonian Society, The Boston Athenaeum, The Boston Public Library, University of Massachusetts Dorchester, and several local public libraries and historical societies.

Subjects

  • Sepulchral monuments--Massachusetts
  • Sepulchral monuments--Vermont

Contributors

  • Association for Gravestone Studies
  • Severy, Robert Bayard

Types of material

  • Photographs

Shapiro, Leon

Leon Shapiro Papers, 1939-1985.

15 boxes (8.75 linear feet).
Call no.: MS 127

Historian, author, Professor of Russian and Soviet Jewish History at Rutgers University, who helped arrange the escape of Jews from Europe during World War II and was active in several organizations concerned with the emigration of Soviet and Eastern European Jews to Palestine. Papers include biographical materials, correspondence, legal documents, writings, lecture and research materials, statistical data in the world Jewish population before and after World War II, oral history transcripts, pamphlets, newspaper clippings, and four photographs.

Subjects

  • Europe, Eastern--Ethnic relations--History--20th century
  • Israel--Emigration and immigration--History
  • Israel--History--1948-1967
  • Jews, Soviet--History--Sources
  • Jews--Europe, Eastern--History--Sources
  • Jews--Migration--History
  • Jews--Population--History
  • Jews--Soviet Union--History--Sources
  • Occupational training for Jews--History--Sources
  • Palestine--History--1929-1948
  • Romania--Emigration and immigration--History
  • Rutgers University--Curricula
  • Rutgers University--Faculty
  • Soviet Union--Ethnic relations--History
  • World ORT Union--History

Contributors

  • Shapiro, Leon

Types of material

  • Oral histories
  • Photographs

Sharpe, Wayne G., 1915-1991

Wayne G. Sharpe Papers, 1943-1944.

1 box (0.5 linear feet).
Call no.: MS 462

Wayne G. Sharpe was a secretary for Company A in the 1874th Engineers Aviation Battalion of the Army Air Corps and a middle-class family man from Belmont, Massachusetts. Enlisted in February of 1943 at the age of twenty-seven, Wayne left his wife and infant son for a year’s training at home before his Battalion was dispatched to New Guinea in late December. Flown to a hospital on the island in late April 1944, he returned to the United States in August.

The papers of Wayne G. Sharpe, Sr. are primarily made up of his letters and V-mails home during his training and service abroad, but also include his wife’s letters to him from April 1943-August 1944.

Subjects

  • World War, 1939-1945

Contributors

  • Sharpe, Wayne G., 1915-1991

Shreve and Earl

Shreve and Earl Account Book, 1807-1809.

1 vol. (0.1 linear feet).
Call no.: MS 625 bd

In the first decade of the nineteenth century, the firm of Shreve and Earl operated in Burlington County, New Jersey, trading in a range of sundries from molasses, sugar, and butter to fabrics and spices. They also sold large quantities of liquor, suggesting that they may have operated as wholesalers of whiskey and spirits.

Kept in standard double column format, the Shreve and Earl account book documents two years of a fairly extensive retail operation, probably located in Burlington County, N.J. The principals in the business are possibly Alexander Shreve (1769-1854), husband of Mary H. Earl, and his son Joshua, along with Alexander’s brothers-in-law Thomas and Caleb Earl. Several accounts are notable for the relatively large quantities of alcohol recorded: of 33 entries for Reuben Gauntt, for example, 29 are for either whiskey or spirits and one for molasses and coffee.

Subjects

  • General stores--New Jersey
  • Liquor industry--New Jersey
  • New Hanover (N.J.)--Economic conditions--19th century

Contributors

  • Shreve and Earl
  • Shreve, Alexander, 1769-1854

Types of material

  • Account books

Social Change Colloquium

Student holding academic gown adorned with Black Power symbol, 1970
Barn

Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.

Colloquia are free and open to the public.

Colloquium 2014, Tenth Anniversary (Monday, November 3rd)
A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s

November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?

The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.

Panel:
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries

Moderator:
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)

Participant bios

Verandah Porche
Verandah Porche

Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.

Susan Mareneck
Susan Mareneck

Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.

John Scagliotti
John Scagliotti

John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.

Daniel Keller
Daniel Keller

Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.

Timothy Miller
Timothy Miller

Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”

Social Change Periodicals

Social Change Periodicals Collection, 1969-2006.

14 boxes (21 linear feet).
Call no.: MS 306
Peace and Freedom, Mar. 1980
Peace and Freedom, Mar. 1980

Assembled to bring together short and broken runs of periodicals produced by activists and movements for social justice, the Social Change Periodicals Collection touches on a wide variety of topics. Much of the original collection came from subscriptions held by the Everywoman’s Center at UMass Amherst, however the collection has grown to include materials supplied by many other donors. The bulk of periodicals come from the period 1965-1990 and the subjects covered range from feminism to gay rights, and political radicalism, to peace, prison, labor, antiracism, and the counterculture more generally. The collection has been organized thematically into 19 series.

Subjects

  • African Americans--Suffrage--Periodicals
  • Central America--Politics and government--Periodicals
  • Disarmament--Periodicals
  • Feminism--Periodicals
  • Gay liberation movement--Periodicals
  • Labor--United States--Periodicals
  • Lesbians--Periodicals
  • Nonviolence--Periodicals
  • Peace--Periodicals
  • Prisons--United States--Periodicals
  • Radicalism--United States--Periodicals
  • Socialism--Periodical
  • Women--Periodical

Types of material

  • Periodicals

Stamper, G. Clifford

G. Clifford Stamper Papers, 1943-1955.

2 boxes (0.75 linear feet).
Call no.: MS 463

George Clifford Stamper was a movie projectionist in the 4th Special Services during World War II. Born and raised in Somerville, Massachusetts, he enlisted in the U.S. Army on September 1, 1943 and participated in the European Theater from April 6, 1944 until December 12, 1945, when he was sent home and then honorably discharged in January 1946.

The papers of G. Clifford Stamper consist primarily of his incoming and outgoing letters during his training and service from 1943-1945. Correspondence is mostly with his family, but also includes his letters with neighbors, as well as friends that were serving. The collection contains, too, Stamper’s post-war letters received from 1946-1955. In addition, the outgoing letters of James C. Doyle, Jr. during his service in the U.S. Marines from 1958-1959 are a part of this collection. Doyle’s connection to Stamper is unclear.

Subjects

  • United States. Army Service Forces. Special Services Division
  • World War, 1939-1945
  • World War, 1939-1945--Campaigns--Czechoslovakia
  • World War, 1939-1945--Campaigns--France

Contributors

  • Doyle, James C
  • Stamper, G. Clifford (George Clifford), 1912-2005

Types of material

  • Letters (Correspondence)

Stinson, Mary B.

Mary B. Stinson Collection, 1974-1981.

2 boxes (1.25 linear feet).
Call no.: MS 824

Throughout the 1970s, Mary B. Stinson (formerly Lindblom) was an active member of the National Organization for Women (NOW) in California and served as a delegate to the First National Women’s Conference in Houston.

The collection includes several ephemeral objects reflecting Stinson’s activism including IWY pendant necklaces and an ERA license plate frame, along with published reports and articles relating to the IWY and a 1979 NOW conference in California.

Subjects

  • Equal rights amendments
  • Feminism--United States
  • International Women's Year Conference
  • National Organization for Women
  • Women's rights--United States

Contributors

  • Stinson, Mary B.

Stokes, Daniel M. J.

Daniel M. J. and Joyce Stokes Papers, 1984-1996.

3 boxes (1.25 linear feet).
Call no.: MS 661

From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.

The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.

Subjects

  • African American prisoners
  • African American radicals
  • Anti-imperialist movements
  • Communists
  • Into the Night
  • MOVE (Group)
  • Ohio 7
  • Plowshares
  • Political prisoners
  • Prisoners
  • Radicals
  • Revolutionaries
  • United Freedom Front

Contributors

  • Africa, Ramona
  • Aranda, Alberto
  • Berrigan, Philip
  • Buck, Marilyn
  • Gelabert, Ana Lucia
  • Hernandez, Alvaro L
  • Kabat, Carl
  • Levasseur, Ray Luc
  • Magee, Ruchell Cinque
  • Stokes, Daniel M. J.
  • Stokes, Joyce

Types of material

  • Newsletters

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Donations that hit the mark

Collection growth is the heart of any archive, and as an active, growing archive, SCUA welcomes donations of personal papers, organizational records, photographs, diaries and journals, books and pamphlets, and other materials relating to our major collecting interests. With the support of our friends and colleagues, SCUA has built substantial depth in documenting:

  • The history and experience of social change in America
  • Innovation and entrepreneurship
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For further information, please contact the Head of Special Collections.

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Phyllis Louise Nelson
Phyllis Louise Nelson

The University Archives welcomes assistance in preserving the memory of UMass Amherst, our faculty, staff, students, and alumni. We document all aspects of the University and its unique intellectual climate and history, with a particular interest in:

  • Personal, professional, or family papers
  • Correspondence from students, faculty, staff, administrators, and alumni
  • Diaries, journals, or reminiscences
  • Memorabilia from UMass Amherst, Mass. Agricultural College, and Mass. State College
  • Histories of departments, centers, institutes, and programs
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  • Records of committees, university organizations, or events
  • Unique research materials, such as field notes
  • Photographs and artwork.

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