Results for: “Agricultural laborers--New York--Charlton (Town)--History--19th century” (773 collections)SCUA

Taylor, Levi E. (Levi Ely), 1795-1858

Levi E. Taylor Daybook, 1836-1843.

1 vol. (0.25 linear feet).
Call no.: MS 483 bd

The wheelwright Levi Ely Taylor was born in Longmeadow, Mass., on Nov. 17, 1795, the son of Nathaniel and Jerusha Taylor. Marrying a woman from Rocky Hill, Conn., Laura Peirce, he settled in Longmeadow and built a prosperous life for himself in his trade. His eldest son, Newton, followed him into the business.

Taylor’s daybook contains careful records of a wheelwright from Longmeadow, Mass., documenting his varied work in the repair of carriages. The transactions that appear in the volume range from making whiffletrees to shortening wheels, making and fitting out carriage seats, and painting and varnishing vehicles, with occasional forays into selling goods such as wheelbarrows and straw cutters.

Subjects

  • Carriage industry--History--Massachusetts--Longmeadow
  • Longmeadow (Mass.)--History
  • Wheelwrights--Massachusetts--Longmeadow

Types of material

  • Daybooks

Tenney, Thomas W.

Part of: Association for Gravestone Studies Collection

Thomas W. and Margaret Tenney Photograph Collection, 1966-1978 (Bulk: 1966-1972).

12 boxes (6 linear feet).
Call no.: PH 045
Submit Gaylord, 1766, Hadley, Mass.
Submit Gaylord, 1766, Hadley, Mass.

A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.

Subjects

  • Sepulchral monuments--Connecticut
  • Sepulchral monuments--Massachusetts
  • Sepulchral monuments--Rhode Island
  • Sepulchral monuments--Vermont

Contributors

  • Tenney, Margaret K.
  • Tenney, Thomas W.

Types of material

  • Photographs

Thayer Family Industries

Thayer Family Industries Ledger, 1847-1855.

1 vol. (0.2 linear feet).
Call no.: MS 238 bd

The Thayer family operated a small manufacturing complex on the Deerfield River in Charlemont, Massachusetts. Businesses included a sawmill, a foundry, a shop for the manufacture of axes and edged tools, and a tannery. Ledger documents their businesses and reflects the exchange economy of rural Massachusetts.

Subjects

  • Axe industry--Massachusetts--Charlemont--History--19th century
  • Barter--Massachusetts--Charlemont--History--19th century
  • Charlemont (Mass.)--Economic conditions--19th century
  • Charlemont (Mass.)--Rural conditions--19th century
  • Foundries--Massachusetts--Charlemont--History--19th century
  • Kingsley, Edmond
  • Manufacturing industries--Massachusetts--Charlemont--History--19th century
  • Sawmills--Massachusetts--Charlemont--History--19th century
  • Tanneries--Massachusetts--Charlemont--History--19th century
  • Thayer family
  • Thayer, Alonzo, 1817-
  • Thayer, Ruel, 1785-
  • Thayer, Ruel, 1824-
  • Tinsmiths--Massachusetts--Charlemont--History--19th century

Types of material

  • Account books

Thompson, William

William Thompson Account Book, 1861-1862.

1 folder (0.1 linear feet).
Call no.: MS 097

William Thompson’s 1861-1862 account of his business with George Dodge and Co., a general store in an unidentified town. Thompson bought everything from suspenders to fish, and indigo to K oil from Dodge.

Subjects

  • General stores--Massachusetts

Contributors

  • Thompson, William

Types of material

  • Account books

Thomson, J. (John), 1837-1921

John Thomson Photograph Collection, 1863.

8 items (0.2 linear feet).
Call no.: PH 002
Caledonia Sugar Mill
Caledonia Sugar Mill

The Scotsman John Thomson is considered one of the fathers of social documentary photography and a pioneer in the photography of southeast Asia. Between 1861 and 1872, he traveled extensively in Asia, documenting the scenery and people of modern day Malaysia, Cambodia, Thailand, Indonesia, and China.

The collection includes eight albumen prints from wet-plate collodion negatives taken early in Thomson’s photographic career. The images of Penang, Malaysia, are all signed by John Thomson, with five dated November 1863. Subjects include Malay people, a native infantry regiment, sugar mill, temple, and Thomson’s widely reproduced image of tree ferns.

Subjects

  • George Town (Pinang)--Photographs
  • Kedah--Photographs
  • Malaysia--Photographs

Contributors

  • Thomson, J. (John), 1837-1921

Types of material

  • Albumen prints
  • Photographs

Thorne, Curtis B.

Curtis B. Thorne Papers, ca.1976-1989.

2 boxes (3 linear feet).
Call no.: FS 153

Before joining the faculty of the microbial genetics department at UMass Amherst in 1966, Curtis B. Thorne worked as the branch chief at the biolabs in Fort Detrick from 1948-1961 and 1963-1966 where his research focused on Bacillus anthracis, the microbe that causes anthrax. During his tenure at UMass, Curtis applied for and received numerous grants for his continued research on the bacterium, including funding from the U.S. Department of Defense. While his research was centered on the genetics and physiology of the anthrax bacillus, with an emphasis on developing a vaccine, it garnered the unwanted attention of local peace activists in 1989. Protestors, who feared Thorne’s research was linked to germ warfare, picketed outside of his laboratory and demanded that the university reject Pentagon funding. Even though the university and the town of Amherst refused to limit Thorne’s research, he decided not to seek an extension of his contract with the Army in 1990, a decision he regretted having to make. Four years later, Thorne retired from UMass and was honored by his former students with a symposium and dinner. Thorne died in 1988 at the age of 86.

Thorne’s papers consist of lab notebooks and materials relating to the classes he taught at UMass Amherst. Many of the notebooks are related to his research on Bacillus anthracis as well as other microbes including Bacills thuringiensis. His papers do not contain any information related to the funding of his research or the controversy that later surrounded it.

Subjects

  • Bacillus anthracis
  • Biological weapons
  • Geneticists--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Microbiology

Contributors

  • Thorne, Curtis B

Thresholds to Life

Thresholds to Life Records, 1983-1986.

1 box (0.25 linear feet).
Call no.: MS 156

Thresholds to Life is a training program for decision making, problem solving, and life planning taught by volunteers to prison inmates and offenders on probation in 30 locations in the United States. The records in this collection are those of the Thresholds program in Greenfield, Massachusetts, a United Way agency.

Subjects

  • Prisoners--Massachusetts

Contributors

  • Thresholds to Life

Thurber, George, 1821-1890

Thurber-Woolson Botanical Manuscripts Collection, 1803-1918.

4 boxes (2.5 linear feet).
Call no.: MS 065 bd

Largely self-educated, George Thurber (1821-1890) began a career as a pharmacist before signing on as botanist to the U.S. Boundary Commission from 1850-1854. After completing a masters degree at Brown University, he emerged as a important horticultural writer and editor of American Agriculturist from 1863 to 1885.

Letters, photographs, engravings, and clippings compiled primarily by George Thurber and bequeathed to George Clark Woolson (MAC class of 1871) who added to it and donated it as a memorial to his class, the first to graduate from the College. The collection includes 993 letters written by 336 correspondents, and 35 photographs and engravings, primarily botanists and other scientists, including Asa Gray, Louis Agassiz, John Torrey, Frederick Law Olmsted, John James Audubon, Henry Ward Beecher, Jefferson Davis, Edward Payson Roe, Donald G. Mitchell, and George Brown Goode.

Subjects

  • Botany--History
  • Horticulture--History

Contributors

  • Thurber, George, 1821-1890
  • Woolson, George Clark

Types of material

  • Photographs

Tillis, Frederick, 1930-

Frederick Tillis Papers, 1970-2010.

10 boxes (8 linear feet).
Call no.: FS 156
Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects

  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Tillis, Frederick, 1930-

Types of material

  • Scores

Tippo, Oswald

Oswald Tippo Papers, ca.1930-1990.

20 boxes (30 linear feet).
Call no.: FS 106
Oswald Tippo
Oswald Tippo

A 1932 graduate of Massachusetts State College (later University of Massachusetts Amherst), Oswald Tippo earned his doctorate in botany from Harvard in 1937. A respected plant anatomist, Tippo’s career was divided relatively evenly between the laboratory and higher administrative offices. Joining the faculty at the University of Illinois in 1937, he was eventually tabbed to become Dean of the Graduate School. After moving to Yale as Eaton Professor of Botany (1955-1960), he served as Provost at the University of Colorado and Executive Dean of Arts and Sciences at New York University (1963), before returning to UMass Amherst in 1964. As Provost under President John W. Lederle, Tippo oversaw a period of rapid expansion at the University, and in 1970, he was appointed as the first Chancellor of the Amherst campus. One year later, he was named Commonwealth Professor of Botany, remaining in that position until his retirement in June 1982. After his retirement, Tippo was often seen “holding court” at his regular table at the University Club. He remained in Amherst with his wife Emmie until his death in 1999.

The Tippo Papers are a robust collection of professional and administrative correspondence, speeches, research notes, notes from Tippo’s student years, photographs, and several of his publications. The collection documents Tippo’s unique relationship with UMass as both Provost and Chancellor as well as his tenure as a Professor of Botany.

Subjects

  • Botany
  • University of Massachusetts Amherst--Alumni and alumnae
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Botany Department
  • University of Massachusetts Amherst. Chancellor

Contributors

  • Tippo, Oswald
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